Classic Film Cameras in Movies

This article started as a list of classic film cameras in movies, take from my own observations and from internet research and focused largely on the cameras I shoot with – Nikon F SLRs and Leica M Rangefinders. As I sat down to write, I decided to focus on two of the most famous films featuring cameras and photographers, Apocalypse Now and Rear Window, which happen to be two of my favourite films of all time. This took me on a voyage of discovery into the influences for the movies that proved to be nearly as winding as the Mekong River in Apocalypse Now.

Classic Film Cameras in Movies Nikon F
Dennis Hopper, festooned with Nikon Fs, as the manic Photojournalist in Apocalypse Now

Apocalypse Now

In Apocalypse Now Dennis Hopper plays the photojournalist, an unnamed disciple of the deranged Colonel Kurtz (Marlon Brando), who leads a renegade army of American and Montagnard troops from remote abandoned Cambodian temple. The photojournalist is nearly as unhinged as the man he admires – as his conversations with Willard (Martin Sheen) attest.

Willard : Could we, uh… talk to Colonel Kurtz? Photojournalist : Hey, man, you don’t talk to the Colonel. You listen to him. The man’s enlarged my mind. He’s a poet warrior in the classic sense. I mean sometimes he’ll… uh… well, you’ll say “hello” to him, right? And he’ll just walk right by you. He won’t even notice you. And suddenly he’ll grab you, and he’ll throw you in a corner, and he’ll say, “Do you know that ‘if’ is the middle word in life? If you can keep your head when all about you are losing theirs and blaming it on you, if you can trust yourself when all men doubt you”… I mean I’m… no, I can’t… I’m a little man, I’m a little man, he’s… he’s a great man! I should have been a pair of ragged claws scuttling across floors of silent seas…

The Photojournalist

Despite appearing in only three scenes, Hopper’s is one of the most intriguing characters in the sprawling story. Amongst the improvised hippy jive talk his dialogue is constructed from lines taken from Joseph Conrad’s Heart of Darkness and poems from Rudyard Kipling and TS Elliot. The photojournalist, whose name is never revealed, also has an important role to play in revealing Kurtz’s plans for Willard.

Hopper’s photojournalist appears as the ne plus ultra of combat photography; bearded and unkempt, wearing full camouflage with a red headband and sunglasses and covered in photography gear, some of it visibly battered.  The cameras are Nikon Fs with a variety of lenses; by the look of them a fast 50mm, possibly a 105mm and a 200mm. The role was suggested to Coppola by the stills photographer on the set Chas Gerretsen on the basis that if he wanted to mock TV correspondents in South Vietnam he should create a photojournalist because “we were all crazy.” Chas had served in Vietnam and routinely carried a number Nikon F’s, and so the role was born, replacing Captain Colby, Kurtz’s right hand man, which Hopper had originally been cast as. Chas sold several of his old Nikon F cameras and lenses to the production company and they were used in the film.

Michael Herr, who collaborated on the narrative of Apocalypse Now, undoubtedly had a strong influence on the portrayal of the Photojournalist. Herr is best known as author of the classic book on the Vietnam War Dispatches and several scenes and pieces of dialogue used from that book were later used in Apocalypse Now and also Full Metal Jacket.

In Like (Sean) Flynn

Herr was a correspondent for Esquire magazine during the Vietnam War and new many of the photojournalists who covered the conflict. This included Sean Flynn, a man with one of the most fascinating, but also one of the saddest stories of the war and the only child of hell-raising screen legend Errol. Initially following in his fathers footsteps as an actor (his first film was Son of Captain Blood, sequel to his father’s classic Captain Blood), he abandoned the craft to start a new life in Vietnam as a combat photographer.

He exploits are truly intrepid. He shot his way out of an ambush with the Green Berets with an M16; incurred injuries from a grenade fragment in battle; made a parachute jump with an Airborne Division, and identified a mine whilst photographing troops, saving an Australian unit from potential destruction. Flynn used a Leica M2 in Vietnam, and it came to light, complete with a strap that fashioned from a parachute cord and a hand grenade pin, just a few years ago.

Disappearance

In 1970 Flynn was captured by Viet Cong guerrillas at a checkpoint along with fellow photojournalist Dana Stone. The pair had elected to travel by motorbike rather than the limos the majority of photojournalists were travelling in. Neither he or Stone were never seen again and despite the efforts of his mother to find him Flynn was declared dead in absentia in 1984. Despite the continued efforts of friends and JPAC, the organization responsible for recovering the remains of fallen soldiers, the fate of two remains unknown.

The Cultural References section of Flynn’s entry in Wikipedia references him as the basis for the Photojournalist in Apocalypse Now, though it is not substantiated. It is entirely possible however, as Flynn, along with Stone and Englishman Tim Page, are portrayed as the lunatic journalists and “bad, dope-smoking cats” of Michael Herr’s Dispatches. What is certain is that his story is told on the album Combat Rock by The Clash on the “Sean Flynn” track and a film inspired by his life entitled The Road to Freedom which was filmed on location in Cambodia in 2011.

The Real Kurtz

The role of Colonel Kurtz and his ‘unsound methods’ (which included heads on sticks) was inspired by the character of the same name in Joseph Conrad’s novella ‘Heart of Darkness’, a book that impressed me hugely when I read it in my early twenties. What is less well known and is revealed in the UK documentary ‘The Search for Kurtz’ is another influence; CIA Paramilitary Operations Officer Tony Poe and his leadership of Operation Momentum, launched in 1962 to turn the Laotian Hmmong people into anti-communist guerillas.

The Wrath of Klaus Kinski

A huge influence and template for the Vietnam river epic is Aguirre, Wrath of God by Werner Herzog, starring a barely sane Klaus Kinski in the role of his life. The story follows the self styled ‘Wrath of God, Prince of Freedom, King of Tierra Firme’ Lope de Aguirre, who leads a group of conquistadores down the Amazon River in search of El Dorado, city of Gold.

It is an astonishing and spectacular film, described by Robert Egbert as is “one of the great haunting visions of the cinema”. Curiously, I did not make the connection with Apocalypse Now until researching this article, though now it seems obvious. Like Apocalypse Now, which was troubled by a heart attack, an overweight star, a mental breakdown and storms that destroyed the sets, the filming of Aguirre is the stuff of legend. Herzog allegedly pulled a gun on Kinski to force him to continue to act in the remote fever-ridden jungle district where the film was shot.

The Nikon F, Film Star

The Nikon F was the Vietnam war photographer’s choice, though the Leica M3 was also popular. Known as the ‘hockey puck’ for its indestructible build, it was used by David Duncan Davis, W. Eugene Smith and Alfred Eisenstaedt and famously stopped an AK47 round intended for Don McCullin. The first of Nikon’s SLRs was also quite the film star, as described in Michael Pritchard’s excellent book ‘A History of Photography in 50 Cameras‘.

“The Nikon F reinforced its reputation and established itself as modern design icon through its starring roles in films such as Blow-Up, with David Hemmings as a fashion photographer in London; Apocalypse Now with Dennis Hopper as a Photojournalist; and, later, with Clint Eastwood as National Geographic photographer in The Bridges of Madison County.”

I have a late Nikon F from 1971 and it shoots very well. It has the original standard non-metered eye level finder, like the ones Dennis Hopper was carrying. As much as I like an integrated light meter, the Photomic heads are just too ugly on the F and I manage with a hand held unit. They are a considerably easier on the eye on the F2 and I have added a DP-12 Photomic head to my 1975 F2.

Nikon SLRs in Movies

Beyond those described above, I’ve noticed Nikon F series Single Lens Reflex (SLR) cameras in several movies, including more greats like Full Metal Jacket and Taxi Driver. I found additional appearances from a little internet research, which revealed quite a few more. The Nikon F, F2, F3, F4 and F5 have all made appearances, but despite searching, I can’t find a movie with Nikon’s final pro SLR, the mighty Nikon F6 in it. Whilst I haven’t included TV, I am sure that my favourite TV detective, Columbo, used a Nikon F or F2 in one episode but I can find no reference to it. I suppose I will just have to watch every episode again…

classic cameras in movies Nikon F
1971 Nikon F with the classic 50mm f/1.4 NIKKOR-S Auto lens (1966-1974)
  • Lolita (1962, Nikon F1)
  • The French Connection (1971, Nikon F Photomic)
  • Diamonds are Forever (1971, Nikon F)
  • The Killing Fields (1984, Nikon F)
  • Jaws (1975, Nikon F2)
  • Taxi Driver (1976, Nikon F2)
  • Cannonball Run (1981, Nikon F)
  • The Year of Living Dangerously (1982, Nikon F)
  • Full Metal Jacket (1987, Nikon F) Private Joker and Rafterman!
  • Gorillas in the Mist (1988, Nikon F)
  • Groundhog Day (1993, Nikon F Photomic)
  • Bridges of Madison County (1995, Nikon F with motor drive)
  • Heat (1995, Nikon F4) 
  • The Lost World: Jurassic Park (1997, Nikon F5)
  • Ford v Ferrari (2019, Nikon F Photomic)
  • City of God (2002, Nikon F)
  • Walk the Line (2005, Nikon F Photomic)
  • Wonder Woman 1984 (2020, Nikon F3 HP)

Rear Window

Alfred Hitchcock’s Rear Window is another of the most iconic photographer/film camera combinations in movie history. The film is based on a short story, “It Had to Be Murder” and stars Jimmy Stewart as LB ‘Jeff’ Jeffries, a New York magazine photographer. Recuperating from a broken leg, Jeffries is confined to a wheelchair in his apartment in Greenwich Village.

Jeff’s rear window looks out onto a courtyard and his neighbour’s apartments, which he observes during his convalescence in a stifling Manhattan summer. The include a lonely middle-aged woman, a new wed couple, a dancer, a husband and his sick wife, an alcoholic pianist and a couple who often sleep out in the balcony in the hot weather. Jeff’s observations include some suspicious sounds and behaviour and he becomes convinced one of his neighbours, Lars Thorwald, has committed a murder.

Inspirations for a Murderer

Mischievously, Hitchcock modelled the murderer on a former meddling producer he did not care for, David O. Selznick. Grace Kelly plays the archetypical Hitchcock blonde heroine in Lisa Carol Fremont, a stylish and resourceful socialite who has to engage in much of the action as Jeff is wheelchair bound. Although he did not write the the screenplay, Hitchcock also supplied colour for the murder story from two cases he head read about in the newspapers: the infamous Dr. Crippen and the less well remembered Patrick Mohan, both of whom dismembered their victims.

Jimmy Stewart, his Exacta Varex with Grace Kelly and Thelma Ritter in Rear Window

The Role of the Photographer

Rear Window is another of my favourite films, and the role of the photographer is pure Hitchcock. David Campany describes it well in the essay Re-viewing Rear Window:

“For Hitchcock’s purposes, a photographer is above all someone who looks. It is their socially accepted voyeurism that is significant, not their images. Voyeurism requires a safe distance, a vantage point for the observer beyond the reach of the observed (much like a movie audience, watching but not accountable). In Rear Window, the photographer is cut off not just by the lens of his camera, or by the glass window of his apartment, or indeed by the abyss of the courtyard across which he stares. It is his professionalized looking, with its fantasy of objectivity, that cuts him off. It demands his separation from the world. Despite witnessing what he believes is a murderer covering his traces, he feels no urge to get it on film. Rather, he uses his camera’s long lens as a telescope to watch, swapping it for binoculars when things get really intense.”

That Obscure Object of Desire

Jeff’s camera was an Exakta Varex VX 35mm film SLR made by the improbably named Ihagee of Dresden, which was in East Germany at the time. Mounted on it was a huge 400mm telephoto lens; the catchily named Kilfitt fern-kilar f/5.6 model, and collectively they are now known as the ‘Rear Window stalking camera’ and much desired by collectors. Although scarcely known today beyond its association with the Hitchcock classic, Kilfitt was an innovative German lens manufacturer who introduced the first production varifocal (zoom) lens for still 35mm photography – The Zoomar of 1959, which arrived the same year as the Nikon’s game changing F. Kilfitt also produced the first macro lens to provide continuous close focusing in 1955. If you are interested in photography milestones such as these, take a look at the timeline on this site.

Which was First?

Today many people think of the Nikon F as the first Single Lens Reflex camera, but it was the Exacta that was the first 35mm SLR outside of prototypes . The F brought the innovations and features of earlier models into a single body so well that earlier models seem to have faded from consumer memory. Its effect on the camera market similarly profound as it ended dominance of German rangefinders from Zeiss and Leica.

The Leica M

Which brings us to the legendary German marque, which has also had more than its fair share of movie appearances, particularly the M3. Leica pioneered the 35mm ‘miniature format’, back in 1930 with the first practical camera to use standard cinema film, which required high quality lenses and negative enlargement to make the format work.

Subsequent development, based on many years of learning, resulted in the M3 of 1954, which a huge step forward on its predecessors, combining the viewfinder and rangefinder in one bright window, a bayonet lens mount, and rapid film advance lever. Despite its high price it was very successful with over 220,000 units sold by 1966 when production ended. By that time the Nikon F, nemesis of the teutonic rangefinder, had been in the market 7 years and the world of 35mm photography had changed forever, with the SLR having won the hearts and minds of many professional photographers.

The M6 TTL

Enthusiasts continue to argue over which is the best Leica and the M3 maintains a strong fan base, mainly for its large, bright high magnification viewfinder, which many argue has never been bettered. I’ve shot with the M3, M6TTL and M7 and my personal favourite is the M6TTL (0.58 version pictured below, along with 0.85 M7) The built in light meter is eschewed by the Leica hardcore, but I find it preferable and it has superior ergonomics with a modern film crank and large dial for the shutter speed. Leica consider a film rewind crank, which has been standard on virtually all film cameras since the ’60s to be a bit racy and like the original M3, neither film camera in production today (the Leica M-A and Leica M-P) sports one.

I came to Leica from the autofocus Q, which I travelled the world with as part of my job at the time. I am not a digital Leica M shooter, but I do love shooting with film Ms, the lenses are outstanding and full of character and the build quality is second to none. They are also very beautiful cameras and look great in the many movies they have appeared in.

The Leica M in Movies

classic film cameras in movies leica M3
1962 Leica M3 with collapsible Elmar 50mm f2.8 with 2000 Leica M6 TTL and 28mm Elmarit-M
  • Persona (1966, M3)
  • Downhill Racer (M3, 1969)
  • Darling (M3, 1965)
  • Green Berets (M3, 1968)
  • Le Mans ( M3, 1971)
  • Patton (M3, 1970)
  • The Day of The Jackal (M3, 1973)
  • The Odessa File (M3, 1974)
  • Woodstock (M4, 1974)
  • Dog Day Afternoon (M3, 1975)
  • The Omen (M3, 1976)
  • Under Fire (M4-2, 1983)
  • Salvador Leica (M3, 1986)
  • Wings of Desire (M4, 1987)
  • Mighty Joe Young (1988, M6)
  • Addicted to Love (M6, 1997)
  • George of the Jungle (M6, 1997)
  • Payback (M3, 1999)
  • Spy Game (M6 with motor drive, 2001)
  • Imposter (M6, 2002)
  • We Were Soldiers (M3, 2002)
  • Blood Diamond (M6, 2003)
  • Eurotrip (M7, 2004)
  • The Hitchhikers Guide to the Galaxy (M7, 2005)
  • The Omen (M7, 2006)

Other Classic Film Cameras in Movies

A huge number of film camera manufacturers have come and gone and their products have appeared in hundreds, if not thousands of movies, but here are a few of the more notable ones. Of the models listed below, I have only shot with the Olympus OM-1, another game changing camera which began a shift towards more compact, lighter 35 mm SLRs, away from the increasing weight of the Nikon pro SLRs and back towards the smaller form factor that Leica had always delivered with rangefinders.

Though I don’t have any of the Rolleiflex models listed below (2.8F and T), I have a Rolleiflex 3.5F from 1961 which I absolutely love, and is considered by many to be one of the finest film cameras ever made. The Rolleiflex uses 120 medium format film which produces huge and very detailed 6x6cm negatives. Shooting a Twin Lens Reflex (TLR) camera is an entirely different experience to shooting either an SLR or rangefinder, and though manual focus can be challenging, gazing at the world through that illuminated ground glass screen that sees the world back to front is absolutely entrancing.

classic film cameras in movies spiderman
‘Spiderman’ Yashica Electro 35 GSN
  • Rear Window (Graflex Speed Graphic, 1954)
  • Lolita (Agfa Isolette, Nikon S2 Rangefinder, 1962)
  • From Russia With Love (Rolleiflex T, 1963)
  • Bullit (Rolleiflex 2.8F, 1968)
  • Jaws (Pentax Spotmatic, 1975)
  • Close Encounters of the Third Kind (Rollei B35, 1977)
  • National Lampoon’s Vacation (Olympus OM-1, 1983)
  • Easy Money (Exacta VX, 1983)
  • The Killing Fields (Rolleiflex 2.8F, Pentax Spotmatic, 1984)
  • Bridges of Madison County (Nikon SP Rangefinder, 1995)
  • Ronin (Leica R6.2, 1998)
  • Catch me if you Can (Kodak Retina 2C, 2002)
  • Harry Potter and the Half-Blood Prince (Pentax 67 medium format, 2009)
  • Jurassic World (Lomography Diana F+, 2015)
  • Batman v Superman (Nikon S3 Y2K Rangefinder, 2016)
  • Kong: Skull Island (Canon AE-1 Program, 2017) 

The Last Word

The last word in this article goes to the humble Yashica Electro 35 GSN rangefinder pictured above, a typical manual focus rangefinder camera with a fixed lens and aperture priority auto exposure mode. You simply set the aperture and if it is not correct for the lighting conditions the ‘over’ or ‘slow’ directional arrows light up.

Long after it was discontinued, the inexpensive Electro has developed a cinematic identity thanks to an appearance as Peter Parker’s camera in The Amazing Spiderman (2012). There are several Electros (G, GS, GSN, GTN, GL, MG-1 and CC) and thanks to its moment in the spotlight the GSN has become known as the Spiderman version.

In addition to being inexpensive and fun to use, the camera has highly evocative 1960s branding; the space-age atomic symbol on the front of camera and the Color-Yashica branding on the sharp 45mm f/1.7 lens are both very 1960s indeed. Colour was new to consumers when the camera was first released in 1966! I have one myself, and whilst its no Leica, for value for money and fun to shoot with its hard to beat.

That’s it for my classic cameras in movies round up, the writing of which proved to be much more informative than I had imagined. If I have missed any cameras or influences for Apocalypse Now or Rear Window you think I should include please leave me a comment.

The Other Towns Called Deal

Town called Deal
Boats on Deal Beach, in Kent

The Original – the English Town of Deal

The well-known seaside town of Deal in Kent is one of my favourite locations anywhere, and one of the most picturesque and enjoyable places on the British coast to visit. I will declare that was raised there and get back to visit as often as I can, so I am not particularly objective. However, many people agree with me, as it has been voted one of the best places to live in Britain. I discovered recently that is it is not the only place with that name and that there are other towns called Deal: a seaside town in the USA with the same name; a village in Transylvania, Romania; two Deal islands, one as far away as Tasmania, and the appearance of quite a few more on the internet.

Deal or no DEAL – The Internet Confusion

A quick internet search can give the appearance of many places called Deal – one site claims 10. To make the confusion worse the term ‘Deal’ gets confused with all kinds of monetary ‘deals’, financial transactions and card dealing. If that wasn’t enough there is a cryptography term DEAL which stands for Data Encryption Algorithm with Larger blocks, and even an early car named Deal! This post provides a short jaunt to the other Deals around the world and attempts to clear up the internet confusion.

The Other Seaside Deal and its Extra Terrestrial Rock

I haven’t visited any of other towns called Deal, though I have unknowingly been very close to the other seaside Deal in New Jersey, USA many times. For some years I worked for a NJ software company based in Monmouth County and I often visited the seaside at Long Branch, which is the next town on the coast, and only about 5 miles away. If only I had known about the other seaside Deal at the time!

The name of the New Jersey town is derived from the original Deal in Kent, which comes from the Old English ‘dael’ meaning ‘valley’. The modern English word with the same origin is ‘dale’.  A settler, Thomas Whyte, an English carpenter from Deal, acquired land along the shore in the mid 1660s. Like much of the coast in that area, it is a pricey location. The average house price was $1.8m back in 2007, according to Forbes Magazine. There is a man-made lake in the area called Deal Lake, which is one of the largest in New Jersey, occupying 158 acres.

Other towns called Deal Long Branch NJ
Long Branch. About 5 miles from Deal, New Jersey

The other reference to Deal, NJ you might find is the Deal meteorite, which fell in 1829. It caused much excitement at the time, being accompanied by a fireball over the town and multiple booms. It is of the L6 chondrite variety, which mainly consists of obscure minerals such as  olivine and hypersthene, and weighs in 28g.

New Deal, Texas

There is a new New Deal in Texas, with a population was 794 at the 2010 census. This is named after President Roosevelt’s public works program, not our English seaside town, so it’s a red herring. It was originally called Monroe, after a local landowner, but as there was already a town in Texas with the name Monroe City, the U.S. postal department changed the name of the town to avoid confusion.

Transylvanian Deal

Deal is Romanian for ‘hill’ so it is not surprising there is a place of that name in Romania. It’s located in the county of Alba, Transylvania which had a population of 355 in 2011. The Wikipedia page is a stub article that provides very little information except for a translation of the name into other languages. The village has a FaceBook page, which provides some images.

Given it is such a common word, it’s also not surprising to find villages in Romania that incorporate it. There are several villages called După Deal, which according to Google Translate means ‘beyond the hill’. Searching for ‘Deal’ in Romania will also bring up place names that contain the term such as the Dealul Mare wine region.

Far Flung Deal Island, Tasmania

Far from South East Kent is Deal Island, Tasmania, the largest island of the remote Kent Group of islands and some 10,609 miles away! The island lies within the  Kent Group National Park, Tasmania’s northernmost national park and marine reserve.  A visitor in 2018 described it as “an imposing, dramatic landfall…picture a mammoth, granite tooth jutting out of the sea on an otherwise blank horizon.”

According to the same account, the average population of Deal Island for most of the year is just two caretakers, volunteers who stay for 3 months to maintain the heritage buildings, grave-sites, and air strip. The island is largely inaccessible unless you have a yacht and the caretakers are entirely reliant on solar power. At least the caretakers have some wildlife for company, as the island has populations of wallabies and geese.

There is a lighthouse on the island, which was constructed in 1865, decommissioned in 1992 and once the highest lighthouse in the Southern Hemisphere. The original lighthouse keeper’s residence is now a museum.

The reference to Kent sounds like it must be connected to Deal, Kent, but that’s another red herring. The island was named after captain William Kent, an English Royal Navy officer, known for his part in settling the region.

Deal Island, USA and the Skipjacks

Deal Island, USA is in Somerset County, Maryland. The population of the island was 578 at the 2000 census, though it is dropping, whilst shedding land at about six-and-a-half acres a year due to rising seas. The island is known for its skipjacks, single-masted vessels, which were the mainstay of the Chesapeake Bay oyster fleet in the 19th century.

The local oyster harvest reached its peak in 1884 but has declined steadily since, especially since the turn of the 21st century. New skipjacks were built up until the late twentieth century, but a change in the law in 1965 allowed motor powered boats to operate two days a week , and they have been in steady decline ever since. Few skipjacks remain today, but they remain a source of pride on Deal Island, which hosts skipjack races once a year. It sounds like a really interesting place to visit with traditional waterman’s homes, seafood shacks and wildlife such as osprey and pelicans. I would think it would be a great photographic destination. In addition to the boats and wildlife there is old wooden bank building still standing which closed after the crash of 1929!

Unverified Towns called Deal: Idaho, Pennsylvania, The Philippines and South Africa

You can find map references to towns called called Deal elsewhere, typically in very remote locations, but these appear to be automatically generated with nothing to substantiate them. The link I’ve shared here counts Deal, Kent twice, so its clearly unreliable.

There is also a Wikipedia stub article that references a Deal in Pennsylvania, but it provides no details except that it is an unincorporated community that had a post office in the 1880s!

Useful Resources on this Site

My post on the many pleasures of Deal describes some of the best ways to enjoy the English coastal town, which is an ancient place with a rich history. You can read more about that in my article on Deal history and its companion post on Deal’s famous visitors and residents. The most obvious start to Deal photography is at the beach. There are still several working boats to shoot on the shingle beach together with winding gear and plenty of lobster pots. I have put together a gallery of boat shots, all taken on film – you can view them at my boats of Deal, Kent gallery.

Camera Timeline – Major Milestones

Nikon FM3a camera milestones
The Nikon FM3a, the last manual film camera shipped by a major manufacturer

This is a shorter version of the history of photography timeline from chemistry to computation. It does not include developments in lenses, film processes or camera phones, listing only major camera milestones.

  • 1839 The first camera to be manufactured in any quantity is the Giroux Daguerreotype.
  • 1888 The Kodak n°1 box camera, the first ready-loaded, easy-to-use camera is introduced
  • 1895 The Pocket Kodak appears, the first mass-produced snapshot camera
  • 1905 The Soho Reflex single-lens reflex camera is introduced and becomes the definitive SLR model until after WWII
  • 1913 Oskar Barnack, creates the Ur-Leica, the prototype of a small-format 35mm camera
  • 1925  Leica introduces the Leica I, a watershed design that makes the 35mm format truly viable
  • 1929 The hugely influential Rolleiflex twin lens reflex camera (TLR) is introduced
  • 1930 The Leica I Leica Thread Mount (LTM) offers a camera with interchangeable lenses
  • 1932 The Leica II is launched, the first Leica camera with a rangefinder, which becomes a signature of the company
  • Zeiss Ikon produce the Contax I to compete with the  Leica II
  • 1933 The Leica III is introduced and will remain in production in various iterations until 1960
  • The first Rolleicord is introduced, a simplified version of the Standard Rolleiflex
  • 1936 the first widely-distributed 35mm SLR camera, the Kine Exakta, is introduced, with a design that will influence many subsequent SLRs
  • Canon introduces the Hansa, the first Asian 35mm camera
  • Zeus Ikon launch the Contax II, the first camera with a rangefinder and a viewfinder combined in a single window
  • 1937 The Rolleiflex Automat introduces automatic film loading and transport
  • 1938 Kodak Introduces the Super Six-20, the world’s first camera with built-in photoelectric exposure control
  • 1939 The Argus C3 is introduced and becomes the world’s best-selling 35mm camera, offering affordable 35mm rangefinder photography to amateurs
  • 1941 The Kodak Ektra 35mm RF is introduced with the first complete anti-reflection coated lens line for a consumer camera
  • 1948 Instant photography is introduced with the first instant-film camera, the Land Camera 95 or Polaroid camera
  • The iconic Hasselblad 1600F camera is introduced and goes on to develop a reputation as the ultimate professional camera.
  • 1949 Contax S camera is introduced, the first 35 mm SLR camera with a pentaprism eye-level viewfinder
  • 1954 The Leica M is introduced with the new Leica M mount and popularises the combined rangefinder and viewfinder
  • 1957 The Asahi Pentax SLR is introduced, placing controls in locations that would become standard on 35 mm SLRs
  • 1959 The Nikon F is introduced, marking the transition from rangefinders to SLRs for professional photographers
  • 1960 Konica introduces the Konica F, featuring the Hi-Synchro, the first SLR shutter with a speed of 1/2000s
  • 1962 AGFA introduces the first fully automatic camera, the Optima, with an automatic programmed exposure, using a selenium-meter-driven mechanical system
  • The Nikkorex F is the first production single-lens reflex camera with the metal Copal square shutter
  • 1963 Kodak introduces the Instamatic range of cameras, with an easy-to-use film cartridge and the phrase ‘load it you’ll love it’
  • 1964 The Pentax Spotmatic SLR is introduced with revolutionary stop-down light metering
  • 1966 The VEB Pentacon Prakica is the first SLR with an electronically controlled shutter
  • 1967 Nikon F Photomic SLR is the first camera with a centre-weighted exposure metering system
  • 1972 Kodak reduces the popular Instamatic Camera to pocket size with the introduction of the Pocket Istamatic Camera.
  • Olympus launches the OM-1, an ultra-compact 35mm SLR that initiates the compact SLR revolution of the ‘70s and ‘80s
  • 1975 Olympus launch the XA series, one of the smallest rangefinder cameras ever made
  • 1976 Canon introduces the AE-1, One of the most well known and widely circulated 35mm SLR cameras ever made
  • 1978 Konica introduces the C35 AF, the first point-and-shoot autofocus camera
  • 1981 The low-tech plastic Holga camera is introduced, which will later attain cult status with the advent of Lomography and become a major source of inspiration for Instagram
  • 1982 Nikon introduces the FM2, which uses an improved Copal Square Shutter to achieve an unheard-of speed range of 1 to 1/4000th second
  • 1983 The Olympus OM-4 is the first camera with a multi-spot exposure meter
  • 1984 LOMO begin mass-producing the LC-A, achieving popularity within the USSR and kickstarting Lomography
  • 1985 Minolta introduces the world’s first fully integrated autofocus SLR with the autofocus (AF) system built into the body – the Maxxum 7000.
  • 1986 The disposable camera is popularised by Fujifilm with the 35mm QuickSnap
  • The Canon T90 marks the pinnacle of manual-focus 35mm SLRs
  • 1987 Canon launches the EOS (Electro-Optical System), an entirely new system designed specifically to support autofocus lenses.
  • 1988 The Fuji DS-1P, the first digital handheld camera, is introduced, though it does not sell
  • 1991 The world’s first digital SLR is introduced, The Kodak Professional Digital Camera System (DCS) based on the Nikon F3
  • 1994 The Apple Quicktake 100 is the first camera to use USB to connect to a computer.
  • 1995 The Casio QV-10 is the first camera to incorporate an LCD screen on the back for image preview and playback
  • The Nikon D1 is the first fully integrated digital SLR designed from the ground up, rather than a digital modification to a film SLR
  • 2001 Nikon introduce the FM3a, the last manual focus film camera to be launched
  • 2002 Contax launch the N Digital the first full frame digital SLR digital camera
  • The Minolta Dimage A1 is the first model to stabilise images by shifting the sensor instead of using a lens-based system.
  • 2004 The Epson R-D1 is the first digital rangefinder camera
  • The Nikon F6 is launched, Nikon’s last high end professional film camera
  • 2005 The Canon EOS 5D is the first consumer DSLR to feature a full frame sensor
  • 2008 Panasonic releases the Lumix G1, the world’s first mirrorless interchangeable-lens camera
  • The Nikon D90 is the first DSLR with HD video recording capabilities
  • 2012  Sony launches the world’s first full frame compact camera – the RX1, with a fixed 35mm F2 lens
  • Olympus introduces the OM-D E-M5 with a 5-axis sensor-shifting image stabilisation system – the first of its kind in a consumer camera
  • 2013 Sony announces the ⍺7 which starts the full frame mirrorless revolution.
  • 2015 Sony announces the first camera to employ a back-side illuminated full frame sensor, the α7R II
  • 2020 The Nikon F6 film SLR is discontinued
  • 2021 Sony introduces the ⍺1, a 50.1MP, 8.6K camera capable of shooting bursts at up to 30fps

Deal Kent Photography Opportunities

Deal Photography
Denise, FE371, with Lobster Pots (film, Nikon F6)

Deal Photography Opportunity #1 – The Boats

Photography in the seaside town of Deal, Kent is one of my favourite locations anywhere. It one of the most picturesque and enjoyable places on the British coast to visit and was raised there and get back to visit as often as I can. My post on the many pleasures of Deal describes some of the best ways to enjoy the town. It’s an ancient place with a rich history. You can read more about that in my article on Deal history and its companion post on Deal’s famous visitors and residents. The most obvious start to Deal photography is at the beach. There are still several working boats to shoot on the shingle beach together with winding gear and plenty of lobster pots. I have put together a gallery of boat shots, all taken on film – you can view them at my boats of Deal, Kent gallery.

Deal Photography Opportunity #2 – The Pier

Deal photography
The view from Deal Pier (digital)

One of just eight piers in the Southeast and 60 surviving nationally, the current pier is the third sited at Deal, Kent. The history of the piers makes for interesting reading in this article by local historian Gregory Hollyoak. Built from reinforced concrete, the current 1026 feet pier was opened in 1957 by the Duke of Edinburgh.

The pier provides excellent views of the seafront, and photographers are often able to take advantage of the amazing cloud formations that gather over the town, which is one of the highlights of Deal photography. Visitors to the pier are welcomed at the entrance by a 3 metre high bronze statue, ‘Embracing the Sea’, by sculptor John Buck, which is also very photogenic. The pier is popular with anglers and has benches lining its entire length as well as a number of shelters. Catches include mackerel, garfish, mullet, pollack and sole in summer with whiting and codling in winter.

Deal Photography Opportunity #3 – The Conservation Area

Farrier Street Deal Deal Photography
Farrier Street, Deal (digital)

The town developed a mile or so inland from the coast, in an area now known as Upper Deal, where the ancient Parish church of St. Leonard’s stands with its distinctive cupola. In the seventeenth century development shifted closer to the beach in Lower Deal along the three streets that run parallel to the shore – Beach, Middle Street and Lower Street (now the High Street). Middle Street is now the heart of the picturesque conservation area (the first in Kent) with numerous narrow streets and alleys. Deal was a smuggling town and the alleys were ideal for taking contraband from boats on the beach into the town.

At one time these narrow streets also contained a very large number of pubs. At its peak in 1871 the town had 79 Public Houses and 16 Beer Houses for a population of around 8,000 people! See the post The Pubs of Old Deal for more on this subject. There are still a good number of great pubs to visit in the old part of the town, my favourites being The Ship Inn, which takes a good photography, and The Deal Hoy.

Deal Photography Opportunity #4 – The Seafront and Promenade

The area near the popular Kings Head pub is particularly attractive with plenty of bench seating shared with the nearby Port Arms. The pub and the guest house next door is decorated with flowers and bunting in the summer and it really is a great place to sit and relax. The seafront promenade extends from Sandown to Kingsdown and provides a wonderful walk with photographic opportunities provided by the boats, beach houses and the pier.

Deal Photography Opportunity #5- The Timeball Tower

Time ball Tower historic town Deal
Deal Timeball tower and anchor (digital)

The town also used to be a port, providing for the ships anchored in the sheltered anchorage known as the Downs and has one of only seven surviving timeballs in the UK. The Timeball Tower is four-storeys high and stands at where the entrance of the old Naval Yard used to be. The tower, with a huge anchor in the foreground, makes for an interesting subject.

Deal, Kent Photography Opportunity #6 – The Castles

By the time of Henry VIII the importance of the Downs made the coastline worthy of protection. Two of the original three castles built at that time survive. The artillery fortress at Deal, Kent (constructed 1539–40) is squat and functional. Another is close by at Walmer but this has evolved into an elegant stately home where the Duke of Wellington stayed in his role as Lord Warden of the Cinque Ports until his death at the age of 83 in 1852. A third castle at nearby Sandown was lost to the sea and is now little more than a rockery, though the area is still worth a visit.

Opportunity #7 – Out and About in South East Kent

Whilst photography in Deal, Kent provides plenty of photographic opportunities, the town is also a great base for photographers to explore the rest of South East Kent. Folkestone, Margate, Ramsgate, Broadstairs and Canterbury are all within easy reach. Further afield, Whitstable and Dungeoness beckon. I often visit these destinations when I stay in Deal, but the town itself remains my favourite place anywhere.

Opportunity #8, Deal Around the World

Photography in Deal, Kent is not the only photographic option in a place with that name – there are a few other Deals and Deal Islands around the world. I haven’t visited any of them, though I have unknowingly been very close to another seaside Deal in New Jersey, USA many times. For some years I worked for a software company based in Monmouth County, New Jersey and I often visited the seaside at Long Branch, which is the next town on the coast and only about 5 miles from the other Deal. If only I had known about it at the time! You can read more about the other places called Deal here.

The pubs of old deal ship photography inn
The Ship Inn, Deal (digital)

Useful Resources on this Site

Great Film Cameras – The Mighty Nikon F6

The Nikon F6 – The Last Emperor

The Nikon F6 was announced at Photokina 2004, along with the digital Nikon D2X. As Thom Hogan observed at the time, the launch of a new pro SLR surprised a few people, but it really shouldn’t have; Nikon delivered the F6 eight years after the F5, which was the standard interval between pro film bodies at that time.

The Digital Landscape

Perhaps what caught those people out was how far digital photography had already come by 2004. The world’s first digital SLR, The Kodak Professional Digital Camera System, had been introduced 13 years previously in 1991. It was based on the Nikon F3. The LCD screens on the back of digital cameras we take for granted arrived in 1995. By 1999, five years before the F6 appeared, the first fully integrated digital SLR designed from the ground up, The Nikon D1, had been launched. In 2002 Contax shipped the first full-frame DSLR, which was followed by Canon’s popular version, the EOS-1Ds. In the same year the Minolta Dimage A1 became the first digital camera to stabilise images by shifting the sensor. Digital photography was not new in 2004.

Nikon F6 with 50mm f1.8 lens

Roll forward to another trade show – CES 2017 and the president of Fujifilm’s North American imaging division provided a clue as to why Nikon launched the F6 in 2004. “The film market peaked in 2003 with 960 million rolls of film” he said. Film sales were already in decline by 2004 but post-peak demand was still impressive.

According to the same source, by 2017 film sales had dropped to a low point of 2% of that peak before rebounding. Happily, film sales have been growing modestly since then, with film specialists like Analogue Wonderland now selling over 200 types of film stocks.

Evolution of the Nikon F Mount Pro SLRs

As its name suggests, the F6 is the sixth of Nikon’s F mount pro bodies. The “F” came from the F in reflex. The F6 evolved from the legendary Nikon F, introduced in 1959. The F had a huge impact on the camera market, introducing the era of the professional SLR at the expense of Leica and Zeiss rangefinders. It was not the first SLR, but is often thought to be as it brought the innovations and features of earlier models into a single body.

The Nikon F evolved from Nikon’s rangefinder cameras, the first of which was introduced in 1947. The SP and S3 rangefinders required the addition of an optional reflex housing for telephoto lenses with focal lengths of 135mm or greater. Hence the need for an SLR camera, and the Nikon F was born.

In the original prototype Nikon F cameras, only the mirror box, pentaprism, and bayonet mount were new. The rest of the camera was virtually identical to the SP/S3 rangefinder.

Strong industrial design has always been a feature of Nikon’s pro SLRs – the lead designer of the Nikon F was Yusaku Kamekura, a leading figure in post-World War II Japanese graphic design, whose work included the 1967 Summer Olympics logo.

At its launch, the Nikon F introduced a comprehensive professional system. This provided a choice of lenses and accessories far beyond what had been available previously with rangefinders. By 1962 Nikon’s lens range extended from 21 mm to 1000 mm, and the F-mount would go on to support one of the largest collection of optical lenses ever created.

Mechanical Perfection – the F2

The Nikon F2 continued what the F had started, becoming standard issue for professional photographers for the most of the 1970s. It is still widely considered to be one the greatest 35mm mechanical SLRs of all time. In addition, the F2 also offered a choice of 10 viewfinders throughout its product cycle to suit every possible imaginable photographic situation. This unique modular approach continued until the introduction of the F6.

The Electronic Fs

Nikon introduced the F3 in 1980 as their flagship electronically controlled SLR camera. Giorgetto Giugiaro, a renowned Italian automotive and industrial designer, who has designed more great cars than just about anybody, designed the exterior. It was Guigiaro who introduced the grip and the red accent that would become a feature of the range. Professional photographers didn’t trust the F3’s electronics initially but time proved the F3 to be reliable. With pro adoption Nikon were able to cease production of the F2.

With the F4, introduced in 1988, Nikon brought multi-pattern metering, a high-speed shutter, faster flash sync, and automatic focusing in a camera which had been designed from scratch. Just as with the original F, Nikon did not pioneer the new features, they would be the first to gather them all in a single camera body. 

The tank-like F5 of 1996 offered a a more sophisticated matrix metering system, faster autofocus with better sensor frame coverage, higher continuous shooting capability and exposure bracketing. It was the biggest and heaviest of the range (including the F6), weighing in at a hefty 1,445g including its 8 AA batteries.

Enter the Dragon

Denise Deal Kent Nikon F6
Boats on Deal Beach, shot with a Nikon F6 in 2020

In 2004 the range culminated in the F6, which remained in production until late 2020. Giugiaro was once again responsible for styling the F6, as he had done for all the Nikon F bodies since the F3, and it closely resembles the Nikon D2 DSLR. An F6 review in Casual Photophile gushes at the F6’s awesome specs in a way that resonates with a fellow camera geek.

The F6’s spec sheet promises everything any shooter could want, including a 1/8000th of a second maximum shutter speed, a 1/250th of a second flash syncspeed, Nikon’s incredible color matrix metering along with spot and classic center-weighted metering, full PASM mode selection, i-TTL wireless flash metering, 100% viewfinder coverage, built-in 5.5 FPS motor drive (8 FPS with the added MB-40 battery pack), 41 slots of custom settings, compatibility with all Nikon AF lenses including full VR capability, backwards compatibility with every Nikon AI lens (extendable to non-AI with a factory modification from Nikon), CF card data storage, AF tracking, and a thousand more functions that’ll somehow justify this ridiculous run-on sentence.

Should I buy a Nikon F6?

Like many photographers, I thought long and hard about whether I should buy an F6. An F6 is not an inconsiderable purchase, especially compared to the F100 I already owned, which was giving me excellent results at a fraction of the cost of Nikon’s last flagship film camera. The F6 is also larger and heavier at 975g vs. 785g without batteries.

In the end I found plenty of reasons to buy an F6:

  • The autofocus is faster and the matrix meter superior to the F100’s
  • It is very rugged, featuring magnesium alloy construction, weather-proofing, a pro film transport and a Kevlar shutter rated to 150,000 releases.
  • The long production run should mean the camera is highly serviceable long into the future
  • It has a built-in data facility to display and store camera settings without a bulky data back. These settings can be also printed between frames on negatives which is really handy when you are trying to work out why a particular shot did or did not expose correctly.
  • Unlike the F5, the Nikon F6 supports matrix metering in “A” and “M” mode with Nikon Ai and AiS manual focus lenses. This means it works with almost any Nikon F-mount lens made since 1977.
  • The F6 is compatible with the latest generation of Nikon flashes and supports Nikon’s Creative Lighting System.
  • The F6 accepts a wide range of batteries. The body will take CR123A or DL123A cells, whilst the optional MB-40 accepts AAs or a rechargeable EN-EL4.
  • It’s Nikon’s last and most advanced autofocus film camera

The F6 in Action

I bought my F6 at Grey’s of Westminster, largely because of their after sales service. Once I had been using the camera for a little while, mostly shooting in Deal, Kent, I found a few more advantages over the F100, a camera I really enjoy using.

Straight out of the box the F6 has that top-of-the-range look and feel. Its smoother command dial operation and the embossed logos were immediately apparent. When setting up the F6 up I found the custom settings menu to be far easier and less cryptic than the F100’s codes. The F6 makes use of the rear LCD panel to use words rather than just numbers.

As I started shooting I found the grip felt better in my hand, whilst the AF-on button is angled up on the F6 to a position I find to be perfect for back-button focusing. Ergonomically, the F6 is close to perfect. I also discovered that I preferred how the F6 displays exposure compensation, which I use frequently.

Nikon F6
Lobster pots on Deal Beach, shot with a Nikon F6 in 2020

It really is a great film cameras and a joy to use. I’ve read some gripes about the autofocus sensor coverage being too small. The F6 uses the same autofocus module as the D2X APS-C DSLR, so the autofocus sensors cover a smaller area of the frame, but that has never troubled me. Some also decry the discontinuation of removable finders, but replaceable viewfinders make the camera more difficult to weather proof effectively so that decision makes perfect sense to me.

The End of the Line for the F6…

In July 2020 Nikon issued a recall of all F6s manufactured and/or sold after July 22, 2019. The recall was due to some components containing levels of a plasticiser called dibutyl phthalate which potentially exceeded the value specified in an EU regulation. The F6’s demise looked imminent and so it proved. It was was discontinued in October 2020 and an era ended.

In December of that year Emulsive published an article titled The Nikon F6 is Dead! Long live the Nikon F6, which served as the camera’s obituary:

The F6 represented the pinnacle of 35mm film camera functionality and usability. It embodies everything Nikon knew about making robust, reliable, and supremely usable cameras.

..but not for Film

You can still buy new film cameras. There are plenty at the lomography shop, the large format camera has been reinvented by The Intrepid Camera Company and Leica continue to ship M rangefinders. There is nothing on the market with the sophistication of the Nikon F6, however.

I’ve shot with the many Nikon cameras, including the F2, F3, FM3a, 28ti, D40X, D300, D600, D800, Df and Z7, and the F6 is my favourite autofocus Nikon. For manual focus I’d go with another engineering marvel, the FM3a.

For those interested, selected F6 specs are below, together with links to the full Nikon specs and original brochure.

Nikon F6 Specifications

  • Shutter: Electronically controlled vertical-travel focal-plane shutter with built-in Shutter Monitor, 1/30 to 1/8,000s; Bulb in M mode
  • Viewfinder frame coverage: Approx. 100%
  • Finder magnification: Approx. 0.74x with 50 mm lens set to infinity at -1.0m-1
  • Focusing screen: B-type BriteView Clear Matte Screen II, interchangeable with six other optional focusing screens
  • Exposure control: Programmed Auto with Flexible Program, Shutter-Priority Auto, Aperture-Priority Auto, Manual
  • Exposure compensation: With exposure compensation button; ±5 EV range, in 1/3, 1/2 or 1 steps
  • Auto Exposure Lock: with AE/AF-L button
  • Autofocus: TTL phase detection, Nikon Multi-CAM2000 autofocus module, approx. EV –1 to EV 19 (ISO 100)
  • Focus modes: Single Servo AF and Continuous Servo AF, and Manual
  • Focus tracking: Automatically activated in Single Servo AF or Continuous Servo AF
  • AF Area Modes: Single Area AF, Dynamic AF, Group Dynamic AF or Dynamic AF with Closest-Subject Priority selectable
  • Exposure metering: Three built-in exposure meters — 3D Color Matrix, Center-Weighted and Spot
  • Auto Exposure Bracketing: Number of shots: 2-7; compensation steps: 1/3, 1/2, 2/3, or 1 EV steps
  • Self timer: Electronically controlled; timer duration: 10 seconds
  • Automatic film loading: automatic or manual film rewind
  • Film speed setting: DX or Manual selectable (manual setting has priority over DX detected film speed); DX: ISO 25-5000, Manual: ISO 6-6400 in 1/3 steps
  • Flash control: TTL flash control by combined five-segment TTL Multi Sensor with single-component IC and 1,005-pixel RGB sensor; i-TTL Balanced Fill-Flash with SB-800/600; Film speed range in TTL auto flash: ISO 25-1000
  • Power source: Two CR123A or DL123A batteries; The optional MB-40 accepts eight AA batteries or a Nikon EN-EL4
  • Dimensions: (W x H x D) 158 x 119 x 77.5mm (6.2 x 4.7 x 3.1 in.)
  • Weight: (body only without batteries) Approx. 975g (34.4 oz.)
  • You can find the Original Nikon spec sheet here and brochure here

Great Film Cameras – The Nikon FM3a

Nikon FM3a
Nikon FM3a with 45mm f2.8 pancake lens

A Manual Film Camera for the Digital Age

The Nikon FM3a is one of the most refined manual SLR’s ever made, and as a 21st century manual focus SLR, somewhat of a throwback. It was produced in 2001 when the shift to digital cameras was well underway. The model was the last of Nikon’s semi-professional line of compact 35 mm film SLRs and one of the brand’s last film cameras; only the autofocus F6 SLR of 2004 and Nikon’s limited edition rangefinder swan song, the SP of 2005, came later.

The D1X, an improved version of Nikons first DSLR, the D1, was already out by the time the FM3a was launched. The retro looking FM3a sat on shelves in camera shops around the world next to the hulking digital flagship and autofocus film cameras such as the F5 and F100. Increasing digital camera sales, low sales volume and the increasing costs of such a mechanically sophisticated unit put paid to the FM3A in January 2006. This left only the Nikon F6 and the Nikon FM10 in Nikon’s 35mm film SLR line. 

Nikon built the FM3a for serious amateur photographers who wanted a a high quality camera with full manual control. Personally, I am grateful for that. It may be a camera out of time, but it is an outstanding piece of engineering: compact, handsome, precise, durable, reliable and a pleasure to shoot with.

Evolution of the FM/FE Series

The first model of the mechanical Nikon FM series, the FM was introduced in 1977. Along with the electronic FE of 1978, the FM replaced the mechanical Nikkormat FT series and electronic Nikon EL series. In 1983 Nikon introduced the mechanical FM2 with a honeycomb-pattern titanium curtain shutter that enabled a top shutter speed of 1/4000 sec and 1/200 sec for flash sync. This was a huge step forward compared to the FM’s 1/1000 sec. and 1/125 sec. The electronic Nikon FE2 followed later the same year.

Launch and Packaging

The Nikon FM3a was introduced in February 2001 at the PMA show in Orlando, Florida. Prior its introduction, Nikon customers had to choose between the mechanical FM model with manual exposure control or the electronic FE with aperture priority mode that wouldn’t work without batteries. After the FM3a became available photographers had the best of both worlds with a hybrid shutter that allows both electronically-controlled auto-exposure shooting and full manual control without the need for batteries.

The FM3a was available in black and chrome. For the chrome version there was a matching Nikkor 45 mm f/2.8P pancake lens which contained a CPU to enable it function with Nikon’s autofocus cameras. The FM3A could make use of a range of accessories such as the Nikon MD-12 motor drive, the MF-16 databack and the various TTL flashes.

What Makes the Nikon FM3a a Great Camera?

Brill Windmill Nikin FM3a
Brill Windmill shot with a Nikon FM3a and a 50mm f1.4 lens

The Nikon FM3a is one of the most refined manual SLR’s ever made. Its compact size, large bright viewfinder, ergonomic controls, excellent analogue light meter display and accurate focusing split image focusing screen make it a pleasure to use. The absence of the normal SLR blackout on the FM3A is an added bonus.

An Engineering Marvel

Under the covers the Nikon FM3a has one of the most advanced SLR shutters ever built – a marvel of compact mechanical engineering. It is built to such a high standard that it can shoot at 1/4000 of a second without battery power, which makes fast shutter speeds much more attainable. This is a feat most other mechanical shutters just can’t match, topping out at 1/1000 or 1/2000 of a second.

Adding batteries powers the excellent analogue light meter, the electronically controlled shutter for aperture priority shooting, exposure lock, and DX film coding. They also enable the TTL flash exposure compensation for fill flash – the only manual-focus Nikon to have this feature.

It weighs in at 570g, only a little more than the king of compact SLRs – the Olympus OM-1 (510g). At 142.5 x 90 x 58 mm it also compares well against the OM-1’s diminutive 136 x 83 x 50 mm form factor.

I enjoy using the analogue light meter, which is easy to use and much preferable to LCD displays such as the one on my F3. The two needles, one matched to your settings and one to the light measured by the meter, are clear and easy to see. That analogue instrument is also far more durable than LEDs. When the inevitable electronics apocalypse claims many of my cameras the FM3a will just keep going…

Nikon FM3a Specifications

  • Shutter: Vertical-travel, metal focal-plane shutter: 8 to 8 to 1/4000 sec step-less aperture-priority auto. Bulb, 1 to 1/4000 sec manual with mechanical control (all settings available without batteries in manual).
  • Viewfinder frame Coverage: Approx. 93%
  • Viewfinder Magnification: Approx. 0.83x with 50-mm lens set to infinity
  • Focusing screen: K3 type (split prism-image microprism type, Clear Matte Screen IIa) standard, B3 type and E3 type optional
  • Viewfinder information: Shutter speed, exposure meter indication, shutter indication, direct aperture value, exposure compensation mark, ready light
  • Exposure Compensation: ±2 EV in units of 1/3 EV
  • Auto Exposure Lock: AE lock button 
  • Self-timer: Mechanical, countdown time of approx. 4 to 10 seconds
  • TTL flash Compensation: Compensation to -1 EV activated with the TTL flash compensation button
  • Automatic DX film recognition
  • Film-check window On rear of camera
  • Power Source: One 3-V lithium battery (CR-1/3N type), two 1.55 V silver batteries (SR44 type), or two 1.5 V alkaline batteries (LR44 type)
  • Dimensions (W x H x D): Approx. 142.5 x 90 x 58 mm / 5.6 x 3.5 x 2.3 in.
  • (camera body only)
  • Weight: Approx. 570 g / 20.1 oz. (camera body only, including battery)

Future Proof Pleasure

The FM3a is an outstanding piece of engineering that will last long into the future. It is compact, handsome, precise, durable, reliable and a pleasure to shoot with. For me, along with the F, F2 and F6 it is one of Nikon’s greatest cameras. It has its fair share of entries on the greatest ever film cameras lists too – for good reason.

Photography Timeline – From Chemistry to Computation

Introduction

Nikon FM3A photography timeline
My Nikon FM3A film camera – the last manual focus 35mm SLR released by a major maker

There are many strands in a photography timeline – the chemistry of film and processing, the physics of optics, the mechanical engineering of shutters, the electronics of metering and digital photography, and the iconic camera designs that bring everything together. At each end of the photography timeline, the science is bewilderingly complex – from the arcane chemical processes of early photography to the algorithms of computational photography, which enables cameras to go beyond capturing photons to compute pictures.

It’s not a linear journey; digital photography has been accompanied by a resurgence of interest in all things analogue, characterised by toy cameras, digital filters and apps that produce or replicate the look of film.

I’ve reviewed, and borrowed from, many timelines and dozens of articles and books on the history of film, film processes, cameras, lenses, digital technology, phone camera development and computational photography to compile this photography timeline and in an attempt to combine these strands. The sections of the timeline are of my own devising.

I’ve tried to be diligent with my research and check the facts. The sources for the majority of entries are included as URLs. I have also referred to several excellent books: A History of Photography in 50 Cameras by Michael Pritchard; the Taschen books 20th Century Photography and A History of Photography; Photography A Concise History by Ian Jeffrey and Photography, the Definitive Visual History by Tom Ang, all of which I can recommend.

Photography Timeline 1826-2020

1826-1850 The Genesis of Photography

c. 1826 Joseph Nicéphore Niépce uses bitumen of Judea for photographs on metal and makes the first successful camera photograph, View From My Window at Gras

1827 Niépce addresses a memorandum on his invention to the Royal Society in London, but does not disclose details

1829 Unable to reduce the very long exposure times of his experiments, Niépce enters into a partnership with Louis-Jacques-Mandé Daguerre

Charles Chevalier creates a compound achromatic lens to cut down on chromatic aberration, a failure of a lens to focus all colours to the same plane, for Louis-Jacques-Mandé Daguerre’s photographic experiments

1832 Robert Hunt’s Researches on Light records the first known description employing platinum to make a photographic print, but does not succeed in producing a permanent image

1835 William Henry Fox Talbot makes his first successful camera photograph or “photogenic drawing” using paper sensitised with silver chloride,

1839 The public birthday of photography, from three inventors – Dagurerre, Fox Talbot and Bayard

Louis-Jacques-Mandé Daguerre’s Daguerreotype becomes the first photographic process to be adopted, creating a unique image on a silvered metal plate of remarkable sharpness.

Hearing of Daguerre’s invention, Fox Talbot announces a paper process to achieve images by action of light and presents his photogenic drawings at the Royal Society in London

Hippolyte Bayard produces direct-positive images (like Daguerre’s process) on sensitized paper (like Talbot’s).

Sir John Herschel suggests fixing images in sodium thiosulphate. He also coins the terms photographynegative and positive.

The first camera to be manufactured in any quantity is the Giroux Daguerreotype, which uses a sliding box design.

Stereoscopic depth sensing is first explained by Charles Wheatstone as he invents the stereoscope

1840 The Petzval Portrait becomes the first wide-aperture portrait lens and the first photographic lens where the design was computed mathematically before construction

Alexander Wolcott opens The earliest known photography studio New York City – a “Daguerrean Parlor” for tiny portraits, using a camera with a mirror substituted for the lens

Alexander Wolcott patents a modified Daguerrotype camera using a polished concave mirror to reflect the focused light onto a photosensitive plate

The cyanotype or blue-print is invented by Sir John Herschel, the first photographic process not to use silver

Fox Talbot discovers what will be revealed as the Calotype process the following year, the first known method of multiplying an image

J.F. Goddard uses iodine to shorten exposure times for daguerreotypes

1841 Fox Talbot patents the Calotype process, or photogenic drawings that produces photographic images on salted paper – a negative-positive process that makes multiple copies possible.

The first photographic studio in Europe is opened by Richard Beard in a glasshouse on the roof of the Royal Polytechnic Institution in London

The Royal Academy of Science in Brussels displays the earliest stereographs

1843 Anna Atkins publishes the first book with photographic illustrations, using the cyanotype process.

Joseph Puchberger patents the first hand crank driven swing lens panoramic camera

1844 Fox Talbot publishes The Pencil of Nature bringing photography to the attention of a wider public

1845 The Bourquin of Paris camera is the first camera with the lens in a metal tube using a rack and pinion mechanism for focusing.

Two French Physicists, Fizeau and Foucault develop the first recognisable shutter mechanism in order to photograph the sun

1847 Louis Désiré Blanquard-Evard improves Talbot’s Calotype process and presents his research to the French Academy of Sciences

1848 Edmond Becquerel makes the first, temporary, full-colour photographs, though an exposure lasting hours or days is required and the colours sometimes fade right before the viewer’s eyes

Claude Felix Abel Niépce de Saint-Victor uses albumen on glass plates for negatives

1850 The albumen print is announced by Louis-Désiré Blanquard-Évrard, delivering greater density, contrast and sharpness than had been possible with a salted paper print.

1851-1870 Instantaneous Photography

1851 English sculptor Frederick Scott Archer invents the Collodion process, or collodion wet plate process, which is 20 times faster than all previous methods and is free from patent restrictions

The Great Exhibition transforms stereoscopy from a minor scientific interest to a a craze which will not wane until the 1870s

1853 The Tintype process is first described by Adolphe-Alexandre Martin – an inexpensive direct positive on a thin sheet of metal coated with a dark lacquer or enamel

Thomas Ottewill registers the double sliding folding camera which combines the folding principle with the sliding box design

1854 James Ambrose Cutting takes out several patents relating to the Ambrotype process, underexposed or bleached wet collodion negatives that appeared positive when placed against a dark coating or backing 

Parisian portrait photographer André-Adolphe-Eugène Disdéri patents the Carte-de-visite (CdV), a new style of portrait utilizing albumen paper the size of a visiting card that will become commonly traded among friends and visitors

1855 The carbon process is patented by A. L. Poitevin, producing an image resistant to fading which becomes widely used in book illustration

1857 The folding camera with tapering bellows is invented by C.G.H. Kinnear, forming the basis for subsequent bellows designs

1858 John Waterhouse invents Waterhouse stops, a system using plates with different aperture diameters that could be inserted into a slot in the lens barrel which are the earliest selectable stops.

John Harrison Powell registers his design for a portable stereoscopic camera.

Fox Talbot perfects photoglyphic engraving, the forerunner of the they dust-grain photogravure process.

1859 Thomas Sutton introduces the Panoramic Camera, which uses a spherical water-filled lens to create a panoramic photograph

Dr. J.M. Taupenot develops the dry collodion-albumen process, though adoption of dry plate photography would come later with the gelatine dry plate process

1860 John Jabez Edwin Mayall popularises the carte-de-visite with a set of portraits of the Royal Family at Buckingham Palace published in an album

1861 James Clerk Maxwell presents a projected additive colour image, the first demonstration of colour photography by the three-colour method

The first photographic single-lens reflex camera (SLR) is invented by Thomas Sutton

Oliver Wendell Holmes creates but does not patent a handheld, more economical, stereoscopic viewer than had been available before

1862 The first successful wide-angle lens is the Harrison & Schnitzer Globe

1863 The cabinet card is first introduced by Windsor & Bridge in London, a larger form of the carte-de-visite suitable for display in parlours

1866 The Rapid Rectilinear lens is introduced by John Henry Dallmeyer, reducing distortion, coma and lateral colour

The Woodburytype process is patented, producing very high quality continuous tone monochrome prints

1868 Louis Ducos du Hauron patents the process for making subtractive colour prints on paper

The South Kensington Museum (now the V&A) offers Julia Margaret Cameron space for a portrait studio, making her the museum’s first artist-in-residence

1869 Pictorialist photographer Henry Peach Robinson publishes Pictorial Effect in Photography with a goal of teaching aesthetic concepts to photographers

1871-1900 Instantaneous Photography without the Chemistry

1871 English physician Richard Leach Maddox invents the lightweight gelatin dry plate silver bromide process, assigning the complex and arduous chemistry work photographers had previously to undertake to a factory

1873 Charles Harper Bennett improves the gelatin silver process by hardening the emulsion, making it more resistant to friction

The platinotype process, which produces platinum prints, is patented by William Willis.

1877 George Eastman learns to make his own gelatin dry plates, based on the writings of the British innovators, including Charles Harper Bennett

Adolf Miethe and Johannes Gaedicke produce Blitzlicht – the first ever widely used flash powder

1878 Heat ripening of gelatin emulsions is discovered by Charles Harper Bennett, making possible very short exposures and paving the way for the snapshot

1879 George Eastman applies for a patent for an emulsion-coating machine, which enables him to mass-produce photographic dry plates

1881 Thomas Bolas patents a hand-held, box form camera he calls a detective camera

1882 Etienne Jules Marey perfects a chronophotographic gun, a device capable of taking 12 exposures a second.

1883 Ottomar Anschütz designs a camera with an internal roller blind shutter mechanism in front of the photographic plate – the first focal-plane shutter in recognisable form

William Schmid patents the first detective camera to be widely sold

1885 The first flexible photographic roll film was sold by George Eastman, though this original “film” was actually a coating on a paper base

1886 Frederick E. Ives develops the halftone engraving process, making it possible to reproduce photographic images in the same operation as printing text

The first single use camera, the Ready Fotografer, is introduced, using a dry plate, though it appears to have enjoyed very limited success

C.P. Stirn patents the Stirn Concealed Vest Camera (or waistcoat camera in the UK) which becomes a popular and much copied design

1887 The Rev. Hannibal Goodwin files a patent application for camera film on celluloid rolls, though it will be not granted until 1898, by which time George Eastman has started production of roll-film using his own process

1888 The Kodak n°1 box camera, the first ready-loaded, easy-to-use camera is introduced with the slogan “You press the button, we do the rest.”

1889 George Eastman introduces the first transparent plastic roll film, made from highly flammable cellulose nitrate film 

The Loman Reflex, the first commercially produced camera with a focal-plane shutter, is introduced

1890 The Zeiss Protar, the first successful anastigmat photographic lens, designed Dr Paul Rudolph, is introduced

Hurter and Driffield introduce the “S” shaped characteristic curve which is central to sensitometry, the science of light-sensitive materials

The Ilford Manual of Photography is first published, providing detailed technical information regarding optics, chemistry and printing.

W.W. Rouch and Co. introduce the Eureka, which will become a popular detective, or hand, camera

The German manufacturer C.P. Goerz incorporates the Anschütz focal-plane shutter into a camera

1891 Bausch and Lomb introduce the first of their iris diaphragm shutters, incorporating an f-stop and shutter speed setting device

1892 Samuel Turner applies for a US patent for paper-backed, daylight-loading roll film

1893 The Cooke triplet lens is patented by Harold Dennis Taylor of T. Cooke & Sons, the first lens system that eliminates most of the optical distortion or aberration at the outer edge of lenses

1895 The Pocket Kodak appears, the first mass-produced snapshot camera

1896 The Zeiss Planar lens, designed by Dr Paul Rudolph, is introduced.

The Dallmeyer-Bergheim soft-focus lens produces soft definition without losing the natural structure of the object being photographed

A collapsible version of the Goerz Anschütz camera, the Ango, is introduced, which becomes popular and is widely copied

1897 Kodak markets the Folding Pocket Kodak which produces a 2 1/4″ x 3 1/4″ negative – the standard size for decades

1899 The Sanderson hand camera, the first highly flexible view camera that allows photographers to retain the correct perspective, is introduced

1900-1947 The Rise of Popular Photography

1900 Kodak bring the Brownie, an inexpensive user-reloadable point-and-shoot box camera and the most successful camera range of all time, to market

1901 The popular medium format film 120 film is launched by Eastman Kodak for its Brownie No. 2, and will become the longest surviving roll film format

1902 Carl Zeiss introduces the Tessar lens, an inexpensive design that becomes extremely popular

The Thornton-Packard Company introduces The Royal Ruby, a field camera in polished mahogany with brass fittings and leather bellows, as the King of Cameras

1904  Realising that tarnish reduces reflection, Dennis Taylor of Cooke Company develops a chemical method for producing lens coatings

The term Straight Photography is first used in the journal Camera Work as response to Pictorialism

The Midg No. 0, a quarterplate magazine camera that takes twelve glass plates in metal holder is introduced.

1905 The Soho Reflex large-format single-lens reflex camera is introduced and becomes the definitive SLR model until after WWII

The first telephoto lens optically corrected and fixed as a system is introduced – the f/8 Busch Bis-Telar

Thomas Manly introduces the Ozobrome process, a simplified carbon process, which becomes a favourite amongst Pictorialists

1906 Panchromatic plates, sensitive to all wavelengths of visible light, are marketed by Wratten and Wainright in England

c.1906 The Ticka, a watch-style disguised camera, is introduced and goes on to become the most popular watch-form camera ever made

1907 The Autochrome plate is introduced, the first commercially successful colour photography product.

1908 Kodak produces the world’s first commercially practical safety film using cellulose acetate base instead of the highly flammable cellulose nitrate base.

c. 1910 Adoption of the bromoil process begins, creating the soft images reminiscent of paint popular with the Pictorialists

1911 In Italy, The Bragaglia brothers begin experiments in photodynamism

1912 Kodak introduces the Vest Pocket Kodak, or ‘VPK’

The Graflex Speed Graphic press camera is introduced and will continue in production until 1973

1913 Kodak invents 35mm film for the early motion picture industry

Oskar Barnack, creates the Ur-Leica, the prototype of a small-format 35mm camera, doubling the width of 18x24mm cinema film and running it horizontally, rather than vertically as in cinema cameras of the time

1916 The first camera with a coupled rangefinder is marketed – the 3A Kodak Autographic Special

1917 Paul Strand’s essay Photography and the New God in the final issue of Camera Works argues for images to be sharply focused and clearly camera-made

1924 The first common wide aperture lens becomes available with the f/2 Ernemann Ermanox

1923 The first fisheye lens is the Beck Hill Sky (or Cloud in the UK) lens designed for scientific cloud cover studies

1925  Leica introduces the Leica I, a watershed design that makes the 35mm format truly viable

The wide aperture Ermanox becomes available with an f/1.8 lens

1929 The Rolleiflex offers photographers superb build quality, superior optics and bright viewfinders. 

The Zeiss Sonnar lens is patented by Zeiss Ikon. It is notable for its relatively light weight, simple design and fast aperture.

The Vacublitz, the first true flashbulb made from aluminum foil sealed in oxygen, is produced in Germany by the Hauser Company.

1930 The Leica I Leica Thread Mount (LTM) offers a camera with interchangeable lenses.

LOMO (Leningrad Optical Mechanical Association) produce the first Russian-manufactured camera

c. 1931 Dr Harold Eugene “Doc” Edgerton, invents of the ‘strobe’ flash, transforming the stroboscope from an obscure laboratory instrument into a common device

Rodenstock introduces the Imagon, which will become one one of the classic professional soft-focus portrait lenses, a look strongly associated with images of Old Hollywood

1932 The Leica II is launched, the first Leica camera with a rangefinder, which becomes a signature of the company

Zeiss Ikon produce the Contax I to compete with the  Leica II

Group f.64 is formed – an association of California photographers who promote sharply detailed, purist photography

The first Agfacolor film is introduced, a film-based version of their Agfa-Farbenplatte (color plate) product which is similar to Autochrome

The first photo-electric light meter is introduced, the Weston Model 617

Voigtländer introduce the Prominent, a a6x4 folding bed, coupled rangefinder camera, Voigtländer’s first rangefinder camera

1933 The Leica III is introduced and is produced in parallel with the Leica II, and will remain in production in various iterations until 1960

The first Rolleicord is introduced, a simplified version of the Standard Rolleiflex, with a cheaper 75mm Zeiss Triotar lens

1934 Kodak releases the first preloaded 35mm film, the 135 film cartridge, removing the need for photographers to load their own film into reusable cassettes in a dark room

1935 Eastman Kodak markets Kodachrome film, the first colour film that uses a subtractive color method to be successfully mass-marketed

Zeiss Ikon introduce the Super Ikonta B, a premium quality, folding medium format rangefinder camera notable both for its build and image quality

Canon introduces the Hansa, the first Asian 35MM camera.

Leica introduces the Thambar, a legendary 90mm f2.2 soft focus portrait lens

Interference-based anti-reflective coatings are invented and developed by Alexander Smakula of the Carl Zeiss optics company

1936 the first widely-distributed 35mm SLR camera, the Kine Exakta, is introduced, with a design that will influence many subsequent SLRs.

Zeus Ikon launch the Contax II, the first camera with a rangefinder and a viewfinder combined in a single window.

1937 The Rolleiflex Automat introduces automatic film loading and transport.

The Minox subminiature camera is introduced, becoming one of the most suitable cameras for covert use.

1938 Kodak Introduces the Super Six-20, the world’s first camera with built-in photoelectric exposure control

The first hot shoe appears on the Univex Mercury, though hot shoes did not become common until the 1960s.

Jaeger-LeCoultre produce the Compass Camera, an Ultra-Compact 35mm Camera, machined out of solid aluminium and designed by Noel Pemberton Billing

1939 The Argus C3 is introduced and becomes the world’s best-selling 35mm camera, offering affordable 35mm rangefinder photography to amateurs

1939-40 The Zone System is formulated by Ansel Adams and Fred Archer as ” a codification of the principles of sensitometry“, based on the studies of Hurter and Driffield

1941 The Kodak Ektra 35mm RF is introduced with the first complete anti-reflection coated lens line for a consumer camera

1942 Eastman Kodak introduces Kodacolor – the first negative film for making colour paper prints.

1945 The Kodak dye-transfer process is introduced

1948-1984: The Refinement of Film Photography and the Birth of Digital

1948 Instant photography is introduced with the first instant-film camera, the Land Camera 95 or Polaroid camera.

The iconic Hasselblad 1600F camera is introduced and goes on to develop a reputation as the ultimate professional camera.

Nikon introduces the Nikon 1 rangefinder, the first Nikon-branded camera ever produced. The design is based on the Contax rangefinder but with a simpler shutter similar to that used by Leica.

1949 The modern lens aperture markings of f-numbers in geometric sequence of f/1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, 32 etc. is standardised

The Contax S camera is introduced, the first 35 mm SLR camera with a pentaprism eye-level viewfinder

1954 The Leica M is introduced with the new Leica M mount and combined rangefinder and viewfinder

Eastman Kodak introduces high-speed Tri-X film

1955 The Kilfitt Makro-Kilar f/3.5 is the first macro lens to provide continuous close focusing

1957 The Asahi Pentax SLR is introduced, placing controls in locations that would become standard on 35 mm SLRs

1959 The Nikon F is introduced, Nikon’s first SLR and the first SLR aimed at professional photographers

The the first production varifocal (zoom) lens for still 35mm photography is produced – The Zoomar 36-82mm f/2.8 for Voigtländer Bessamatic 35mm SLRs

Kodak High Speed Ektrachrome film becomes the fastest colour film on the market

1960 Konica introduces the Konica F, featuring the Hi-Synchro, the first SLR shutter with a speed of 1/2000s

1961 Eastman Kodak introduces faster Kodachrome II color film

1962 AGFA introduces the first fully automatic camera, the Optima, with an automatic programmed exposure, using a selenium-meter-driven mechanical system

The Nikkorex F is the first production single-lens reflex camera with the metal Copal square shutter

1963 Kodak introduces the Instamatic range of cameras, with an easy-to-use film cartridge and the phrase ‘load it you’ll love it’

Polaroid launches the first instant picture colour process, Polacolor

1964 The Pentax Spotmatic SLR is introduced with revolutionary stop-down light metering

1965 The word pixel is first published by Frederic C. Billingsley of JPL

1966 The VEB Pentacon Prakica is the first SLR with an electronically controlled shutter

Zeiss produce the Planar 50mm f/0.7, the world’s fastest lens, used by NASA to photograph the dark side of the moon

The Rollei 35 is introduced as the smallest full-frame 35mm camera in the world

1967 Nikon F Photomic SLR is the first camera with a centre-weighted exposure metering system

1969 The foundations for digital photography are established with the development of the charged-couple device (CCD) at Bell Labs

1971 Nikon introduce the F2 to succeed the legendary F with a variety of finder options.

1972 Kodak reduces the popular Instamatic Camera to pocket size with the introduction of the Pocket Istamatic Camera with the new easy-load 110 Film Cartridge.

Polaroid introduces the SX-70 an improvement on previous models that ejects pictures automatically and without chemical residue,

1973 Fairchild Semiconductor launch the first commercial CCD chip (0.01 Megapixels) and the MV-100, the first commercial CCD camera.

Olympus launches the OM-1, an ultra-compact 35mm SLR that initiates the compact SLR revolution of the ‘70s and ‘80s.

1975 Steven Sasson invents the world’s first digital camera while working at Eastman Kodak which shoots shoots a mere 0.01 Megapixel image.

Bryce Bayer of Kodak develops the Bayer filter mosaic pattern for CCD color image sensors, an integral part of most digital camera’s image sensor.

Olympus launch the XA series, one of the smallest rangefinder cameras ever made, featuring a fast 35mm f2.8 F. Zuiko lens, and aperture priority metering.

1976 Canon introduces the AE-1, One of the most well known and widely circulated 35mm SLR cameras ever made

Leica experiments with the first autofocus camera system but abandons it.

The Copal Compact Square Shutter (CCS), one of the most notable focal plane shutters of the ’70s, is introduced with the Konica Autoreflex TC

1977 Fuji introduces the first zoom lens to be sold as the primary lens for an interchangeable lens camera – the Fuji Fujinon-Z 43-75mm f/3.5-4.5

1978 Konica introduces the C35 AF, the first point-and-shoot autofocus camera.

1979 The highly portable and collapsable medium format Plaubel Makina 67 is released

1980 The Ricoh AF Rikenon 50mm f/2, the first interchangeable autofocus SLR lens, is introduced

Nikon introduces the F3, with manual and semi-automatic exposure control.

1981 Sony introduces the Mavica, a TV camera that records TV-quality still images on magnetic floppy discs.

The Sigma 21-35mm f/3.5-4 becomes the first super-wide angle zoom lens for still cameras.

The low-tech plastic Holga camera is introduced, which will later attain cult status with the advent of Lomography and become a major source of inspiration for Instagram.

1982 Nikon introduces the FM2, It uses an improved Copal Square Shutter to achieve an unheard-of speed range of 1 to 1/4000th second and a fast flash X-sync speed of 1/250th second.

1983 The Olympus OM-4 is the first camera with a multi-spot exposure meter, taking up to eight spot measurements and averaging them

1984 LOMO begin mass-producing the LC-A, achieving popularity within the USSR and kickstarting Lomography.

The Contax T, the first in a series of high quality, exceptionally compact 35mm rangefinder cameras is introduced

Leica introduces the M6, which resembles the Leica M3 but adds a modern, off-the-shutter light meter with no moving parts and LED arrows in the viewfinder.

1985-2006: Autofocus to Camera Phones

1985 Minolta introduces the world’s first fully integrated autofocus SLR with the autofocus (AF) system built into the body – the Maxxum 7000.

1986 The disposable camera is popularised by Fujifilm with the 35mm QuickSnap, which helps to define consumer photography in the late ’80s and ’90s

The Canon T90 marks the pinnacle of manual-focus 35mm SLRs

Canon launch the RC-701 ‘Realtime camera’ the first commercially available Still Video Camera

1987 Canon launches the EOS (Electro-Optical System), an entirely new system designed specifically to support autofocus lenses.

Canon becomes the first camera maker to successfully commercialise Ultrasonic Motor (USM) lenses which appear with the introduction of the EF 300 mm f/2.8L USM lens

1988 The Fuji DS-1P, the first digital handheld camera, is introduced, though it does not sell

The JPEG and MPEG standards are set.

Kodak introduce the DC 210, the first “Megapixel resolution” digital camera selling for under $1000 ($899).

1989 Canon introduces the 50mm f/1.0L, the fastest AF EF mount lens, and one of the fastest lenses in the world.

1990 Adobe Photoshop 1.0 image manipulation program is introduced for Apple Macintosh computer.

Eastman Kodak announces the development of its Photo CD system

The gum oil process, a painstaking and highly expressive photographic method, is invented by Karl P. Koenig. 

1991 The world’s first digital SLR is introduced, The Kodak Professional Digital Camera System (DCS) based on the Nikon F3

1992 The Lomographic Society International (LSI) is founded

Leaf Systems Inc. release the first digital camera back for medium format cameras with a 4x4cm, 4-MP CCD.

1993 The f2 35 mm autofocus  Konica Hexar is introduced, one of the quietest of 35mm cameras

The instantly recognisable Nikon 35Ti compact camera is released with a distinctive analog display on top

The Canon EF 1200mm f/5.6L USM is introduced, which Canon claims as the longest focal length lens available for any interchangeable-lens autofocus SLR.

1994 The Apple Quicktake 100 is the first camera to use USB to connect to a computer.

Nikon introduces the Vibration Reduction system, the first optical-stabilized lens.

1995 The Casio QV-10 is the first camera to incorporate an LCD screen on the back for image preview and playback

1996 Eastman Kodak, FujiFilm, AgfaPhoto, and Konica introduce the Advanced Photo System (APS), enabling the camera to record information other than the image

The Canon IXUS is the first IXUS APS camera, Canon’s contribution to the launch of the APS film system and an important milestone in compact camera design

1997 Philippe Kahn publicly shares a picture via a cellphone for the first time

1998 Leica launches The M6 TTL to replace the M6 with a larger, reversed shutter dial and TTL flash capability

1999 The first commercial camera phone, the Kyocera Visual Phone VP-210, is launched in Japan

The Nikon D1 is the first fully integrated digital SLR designed from the ground up, rather than a digital modification to a film SLR

2000 Sharp and J-Phone introduce the first mass market camera-phone in Japan, The J-SH04

2001 Nikon produce the manual focus FM3a, the last manual focus 35mm SLR released by a major maker

Kodak lose $60 for every digital camera according to a Harvard case study

2002 Contax launch the N Digital the first full frame digital SLR digital camera

Europe gets its first camera phone with the arrival of the Nokia 6750

Canon introduces its full-frame DSLR, the Canon EOS-1Ds

Foveon X3 sensor technology is introduced in the Sigma SD9 DSLR camera

Leica introduces the M7 with auto-exposure in aperture priority mode and an electronically controlled shutter.

2003 The film market peaks with 960 million rolls of film sold

The Minolta Dimage A1 is the first model to stabilise images by shifting the sensor instead of using a lens-based system.

2004 The Epson R-D1 is the first digital rangefinder camera

The Nikon F6 is launched. It is the sixth and last high end professional film camera since the Nikon F of 1959

2005 The Canon EOS 5D is the first consumer DSLR to feature a full frame sensor

AgfaPhoto files for bankruptcy and the production of Agfa brand consumer films ends

2006 DALSA Semiconductor announces the worlds first sensor with a total resolution of over 100 million pixels

ISO 518:2006 specifies the standard dimensions of camera accessory shoes

2007-Present: Smart Photography and Analogue Nostalgia

2007 Apple reinvents the phone with the iPhone, replacing the keypad with a touchscreen and adding computer-like capabilities

The Samsung B710 offers a dual lens phone

2008 Panasonic releases the Lumix G1, the world’s first mirrorless interchangeable-lens camera – which uses the main image sensor for autofocus, metering and full-time electronic viewing.

The Nikon D90 is the first DSLR with HD video recording capabilities

2009 FujiFilm launches world’s first digital 3D system

The FinePix Real 3D System includes includes the FinePix Real 3D W1 digital camera, FinePix Real 3D V1 picture viewer and 3D print capability

 The Leica M9 is the first full-frame digital Leica M. 

2010 Instagram, the photo and video-sharing social networking service is launched on iOS.

Apple launches the iPhone 4S and pitches it as a point-and-shoot camera killer

Worldwide demand for photographic film falls to less than a tenth of what it had been ten years before

2009 Sony introduces the first consumer back-side illuminated (BSI) sensor, the “Exmor R“, which improves low-light performance

c.2010 Photographers start to use social media filters and apps such as Hipstamatic s part of a wave of analogue nostalgia

2011 Lytro releases the first pocket-sized consumer light-field camera, capable of refocusing images after they are taken

The Fujifilm FinePix X100 is introduced, the first model in the Fujifilm X-series, a range that makes the case for the benefits of APS-C over full-frame cameras

Instagram adds hashtags to help users discover both photographs and each other

2012  Sony launches the world’s first full frame compact camera – the RX1, with a fixed 35mm F2 lens

Olympus introduces the OM-D E-M5 with a 5-axis sensor-shifting image stabilisation system – the first of its kind in a consumer camera

Nokia launches the Lumia 920, the first cell phone with an optical stabilised sensor

The Nikon D800 is introduced with the world’s highest resolution DSLR sensor

2013 Sony announces the ⍺7 which starts the full frame mirrorless revolution.

Nokia launches the Lumia 1020 phone with a 1.5 inch 41 megapixel rear sensor

Sales of digital cameras in the United States of America start to fall in terms of revenue and in unit shipments, as more consumers turn to smartphones and social media

2014 The HTC One M8 popularises dual lens cameras

Leica introduces the Leica T (Typ 701) with Leica’s first fully-electronic, designed-for-mirrorless lens mount

2015 Google Photos delivers AI-based organisation of images

Sony announces the first camera to employ a back-side illuminated full frame sensor, the α7R II.

Leica announces the full frame, fixed-lens compact Leica Q (Typ 116) – the first full-frame Leica to incorporate an autofocus system.

2016 Apple introduces Portrait Mode, which uses the dual backside cameras to create a depth map to isolate a foreground subject and then blur the background

Apple introduces the iPhone 7 Plus. The iPhone offers a dual camera setup with different focal lengths, 23mm and 56mm, entering the realms of telephoto on a phone.

2017 Intrepid Camera launches its Kickstarter project for a light-weight, low cost, compact 10X8 film camera.

2018 The Huawei P20 Pro provides a new triple camera system

Canon officially discontinues the EOS-1V, the company’s last remaining film camera

Nikon introduces the Z6 and Z7 mirrorless cameras.

Canon introduces the mirrorless EOS R

Google Night Sight achieves similar results to a camera on a tripod with a handheld Pixel camera phone using consecutive shots reassembled into a single image via an algorithim

Production of Ektachrome film resumes

Leica introduce the Leica M10-D, a digital camera without an LCD screen designed to combine the excitement of film with digital technology.

Researchers at Dartmouth College announce the Quanta Image Sensor (QIS) which replaces pixels with jots, where each jot can detect a single particle of light (photon)

2019 Xiaomi introduce the CC9 Pro, with five rear cameras including one with 108-megapixels

The Fujifilm GFX 100 is the world’s first medium format camera to offer in-body image stabilization, with a 102MP BSI-CMOS sensor

Nikon officially releases the 58mm f/0.95 S Noct, its fastest lens.

4.5 million digital single-lens reflex (DSLR) cameras manufactured by CIPA companies are shipped, down from 16.2 million in 2012

2020 Samsung Introduces the Galaxy S20 Ultra with five cameras to capture 108MP photos, 100 x zoom and 40MP selfies

Nikon’s introduces the D780, its first DSLR to incorporate on-chip phase-detection autofocus, a feature inherited from its mirrorless Z series 

Nikon releases the NIKKOR Z 50mm f/1.2 S for the Nikon Z mount system

Canon launches the EOS R series next-generation full-frame mirrorless cameras featuring Dual Pixel CMOS AF technology that provides autofocus in low-light conditions previously too dark to focus in.

The Apple 12 ships, with a new 7-element design with an ƒ/1.6 aperture for the primary camera as well as advancements to Smart HDR and Deep Fusion.

Fujifilm launches the compact prime lens X100V. The fifth X100-series camera, it is described in Digital Photography Review as the most capable prime-lens compact camera, ever

2021 Sony introduces the A1, a 50.1MP, 8.6K camera capable of shooting bursts at up to 30fps blackout-free, with 15 stops of dynamic range, real-time animal eye AF and anti-distortion shutter technology.

Historic Deal Part II – Famous Deal Visitors and Residents

In the first part of this post I described the history of Deal and how the town developed as a port, a garrison, a mining town, and finally a seaside resort, but did not spend much time on famous Deal visitors or residents, of which there are several. In this article I describe several of the most famous residents and visitors to the town, which includes some of the most notable figures of the last two hundred years.

Deal Kent Pier historic deal visitors
Deal sea front on a stormy day, from the pier

Admiral Nelson

Admiral Horatio Lord Nelson, widely regarded as Britain’s greatest military hero, visited Deal when his fleet was anchored in the Downs, the anchorage just off the coast of Deal. The weather must have been inclement as he wrote to Lady Hamilton in 1801 that ‘this is the coldest place on earth, most assuredly’ 

Nelson’s aide-de-camp Captain Edward Parker was severely wounded in a Raid on Boulogne in 1801. The Admiral arranged lodgings for him in Deal so he could recover. Despite the care he received Captain Parker died of his wounds and is buried in the churchyard of St Georges’s Church. His tomb was paid for by Admiral Nelson, who attended the funeral.

Nelson Street (in which I rented a cottage in the summer for many years) was named after the Admiral, as were two Lord Nelson pubs (one in Deal and one in Walmer) and two Deal Luggers (a local boat type) – the Brave Nelson and the Nelson.

Emma, Lady Hamilton, Nelson’s great love, is known to have stayed at the Three Kings in Deal, later the Royal Hotel, where she could watch Nelson’s ships from her window.

Princess Adelaide

Princess Adelaide of Saxe Meiningen stayed at the Royal Hotel after she landed at Deal on her way to marry the future King William IV. There is a large property on the seafront named Adelaide House, and a pub was named in her honour in Church Street Walmer. The pub closed in 1913 and the house is now a private residence. Adelaide, the capital city of South Australia, is also named after her.

Winston Churchill

Winston Churchill is legendary as a statesman, an orator and the war time leader who rallied Britain from the brink of defeat to victory in WWII. Churchill was appointed Lord Warden of the Cinque Ports and Constable of Dover Castle in 1941 and was guest of the Royal Hotel whilst visiting Dover Castle during the war.

Churchill painted The Beach at Walmer, an oil on canvas, in 1938. The view in the painting is of bathers with one of the Walmer Castle’s cannons in the foreground. He and his family enjoyed bathing in the sea and the beach was one of his favourite subjects to paint. was given as a gift to General Ismay, Churchill’s chief military adviser during WWII. The work was auctioned at Christie’s in 2011 for £313,250.

Churchill was given the freedom of Deal and Dover, in 1951 and visited Deal to inspect the Royal Marines.

LS Lowry

LS Lowry, famous for his distinctive industrial landscapes, visited Deal in 1912. There he sketched a beach scene which he used much to produce a painting called ‘The Beach’ in 1947. The Royal Hotel is recognisable in the work, which was sold at auction by Christie’s for £1.5m in 2006.

The Duke of Wellington

The Duke of Wellington is best known for his victory against Napoleon at the Battle of Waterloo in 1815, though his battle record is long and exemplary. He participated in around 60 battles and is regarded as one of the greatest defensive commanders of all time. After his military career he served as Prime Minister twice.

Wellington lived in Walmer Castle in his role as Lord Warden of the Cinque Ports until his death at the age of 83 in 1852. Walmer Castle was built as a Tudor Artillery fortress. However, unlike Deal Castle, which kept its squat, brooding profile, Walmer Castle evolved into a comfortable stately home.

The Duke, then Lt. Gen. Sir Arthur Wellesley, also lived in Wellesley House in Walmer just before the Peninsula War of 1807.  The Wellesley Arms in Walmer Castle Road was named after him. The pub finally closed in 1911 and is now a private residence.

Charles Dickens

Charles Dickens, the quintessential Victorian author created some of the world’s best-known fictional characters and is still regarded as one of the world’s greatest story tellers. He is not usually considered amongst famous Deal visitors as he is closely associated with the seaside town of Broadstairs, 16 miles awy. He first visited Broadstairs in 1837, and visited frequently for next two decades, writing Bleak House in the house of the same name.

Nevertheless, Dickens did visit Deal in 1847 to attend the celebrations that accompanied the opening of the South East Railway line, of which Deal was the terminus. He stayed in the Swan Inn, in Queen’s Street. This stay is not to be confused with his more well known stay at the Swan Hotel in Stafford, which he referred to as ‘The Dodo’. Deal is mentioned in Bleak House:

At last we came into the narrow streets of Deal, and very gloomy they were upon a raw misty morning. The long flat beach, with its little irregular houses, wooden and brick, and its litter of capstans, and great boats, and sheds, and bare upright poles with tackle and blocks, and loose gravelly waste places overgrown with grass and weeds, wore as dull an appearance as any place I ever saw.

JMW Turner

JMW Turner is perhaps Britain’s most well known painter, famed for his luminous skies and turbulent seascapes. Like Dickens he is not thought of amongst famous Deal visitors and residents as his connection to Margate is better known, especially after the museum bearing his name was opened in 2011.

It is less well known that he also lived in Deal. Turner was eccentric, but also intensely private and reclusive, so when Margate became too popular for his liking he persuaded his landlady and companion Mrs Booth to move with him to Deal, where they bought a two-storey property in Beach Street with views of the English Channel and Goodwin Sands.

Whilst in Deal, Turner found the anonymity he sought and painted four works, Sailing Boat Off DealDeal, Off Deal and Deal In A Storm. The latter was painted in 1824 and is owned by Deal Town Council. It shows a dramatic beach scene under a lightening lit sky with boatmen preparing to launch boats for a rescue a ship wrecked on the Goodwin Sands. Whilst he was in Deal he was rowed out to the sands where he watched a cricket match at low water, a tradition that survived until 2003. When he moved to Chelsea in later life he habitually wore a naval greatcoat and was known as ‘The Admiral’ in the area. 

Joseph Lister

The last of our famous Deal visitors is Joseph Lister, the British medical pioneer and father of modern surgery, lived at Park House, The Beach, Walmer. He introduced the use of carbolic acid as an antiseptic, which became widely used in surgery. His work led to a reduction in post-operative infections and made surgery much safer

Lister moved to Walmer after suffering a stroke and died there in 1912, the same year that LS Lowry visited Deal. In 1902 he had been called out of his retirement to oversee the emergency appendix operation for Edward VII. Lister’s antiseptic surgical method was employed by the surgeons and the King survived. Park House now displays a Blue Plaque.

The Pubs of Old Deal

The pubs of old deal ship inn
The Ship Inn, Middle Street, Deal

The British Pub is world renowned, and for good reason. In towns and villages across the country pubs have played a vital role since our earliest history. Pubs in Deal have played a fascinating variety of roles over the course of the town’s history. It’s a story that is well told in Andrew Sargent’s excellent book Drinking in Deal’, which was the main source for this short article. Another fine book on the subject is The Old Pubs of Deal and Walmer by Steve Glover and Michael Rogers.

The Boatmen

As Deal was an important port for many years – see the article The Historic Town of Deal on this site for more on this. Many of the pubs in Deal, particularly those around Beach Street, were frequented by the Deal Boatmen. Some pubs, such as the Rose and Crown, even had an early license for those boatmen returning home early in the morning. Pubs were places for the boatmen to socialise but also to wait, and in some cases, watch for salvage opportunities and other work. The Fountain and The Napier Tavern, both which were on the seaward side of Beach Street, had look out verandas. Today, The Royal Hotel is the only surviving property on the beach – the others were all demolished in 1924 when the road was widened.

In addition to the boatmen, Deal’s pubs were frequented by sailors on shore leave from their ships anchored in the Downs and Royal Marines from the barracks in the town. Occasionally the marines caused trouble in the town and Drinking in Deal provides accounts of drunken vandalism and disorder. One of the more amusing stories occurred in 1863 when a marine was caught under the bed of the landlord’s daughter in The Deal Hoy. He escaped, only to be appended later that day, not far away in The Bowling Green.

Emergency Accommodation – for the Living and The Dead

Deal’s pubs also served as emergency accommodation for shipwrecked or injured sailors. The proximity of the Goodwin Sands meant this was a regular occurrence over the years. In 1702 it was recorded that 400 infirm seamen were being cared for in the town. The Great Storm of 1703 battered the coast for 9 days, during which The Navy lost 387 men on the Restoration, 220 on the Stirling Castle, 387 on the Mary and 269 on the Northumberland.

The Ship Inn was one of the pubs that took in survivors from the steamship Strathclyde which sank in 1876 with the loss of 38 lives.  The Antwerp (now The Bohemian) took in survivors from the Great Storm of 1877 which did a great deal of damage along the Kent coast. Corpses, including those of drowned sailors, were sometimes taken to pubs until the town had its own mortuary around 1890. This was common enough for the coroner of West Kent to complain in 1879 that he had told publicans repeatedly not to receive corpses in their houses as ‘a licensed house was for the living, not the dead’. Inquests were often held in Deal’s pubs until forbidden by law in 1902.   

Multipurpose Establishments

Pubs in Deal had a wide variety of uses. The New Inn doubled as the local excise office between 1840 and 1884; Public Auctions were held at several pubs – most notably The Black Horse, whilst The Rose and Crown acted as a milk collection point as it had early morning license. Military pensions were paid from The White Horse in 1878 and the Deal Fire brigade, along with many other organisations, associations and clubs, used the town’s pubs for meetings and dinners.

Inns and Stabling

The town’s Inns also acted as staging posts for travellers . In Deal, some travellers would come ashore from the Downs and continue their journey by coach and horses to London. The Swan in Queen Street had stabling for 20 horses and 6 coaches in 1838, and The Walmer Castle in South Street was a terminus for the coach to London and the mail coach. The Inns and pubs would also house itinerant tradespeople of all kinds.

Smuggler’s Haunts

Deal has a history of smuggling and some pubs were used as receiving houses as well as unofficial stations for the boatmen. In particular, The Fountain, a very old pub of weatherboard construction that stood next to the Royal Hotel on the beach, was reputed to have a strong association with smugglers. According to an article in the East Kent Mercury posted in the Dover Kent Archives “Many a successful run was planned in the bar of the Fountain Hotel and there were secret panels, false stairs and a tunnel all used by the smugglers. The Fountain lost its smuggling association when the activity came to an end in Deal but it became notorious again in 1905 when the licensee was murdered by one of the barmen.”

The same source posts an article from the Kentish Weekly Post in 1813. It describes how two Customs Officers, having seized a boat on the beach with a quantity of smuggled spirits on board, were violently assaulted by a number of smugglers. They emerged from The Port Arms, one of the town’s oldest pubs, which stood on the beach at the time, and carried away the casks.

What’s in a Name?

Rose Hotel old pubs of Deal Kent
The well faded sign for the Rose Hotel in 2016

Many of the names of Deal’s pubs reflected its strong nautical links. The Deal Cutter, Deal Lugger and Deal Hoy were all named after local boat types. The Walmer Castle was not named after the nearby fortification but an ill-fated Deal Lugger. There were pubs named after Lord Nelson, and fellow Admirals Keppel, Keith, Rodney and Sidney Smith. These naval leaders were most famous for their actions in the Revolutionary and Napoleonic wars when the town of Deal was booming. Admiral Nelson visited the town during that time, and Admiral Keppel was also a visitor to the pub that was renamed in his honour in 1778. For more on Nelson and other famous visitors to the town see my post Deal’s Illustrious Residents and Visitors.

Through Admiral Nelson’s victories against Napoleon Bonaparte are well known, Sidney Smith’s role in his downfall is not so well remembered. In fact, his actions were significant enough that Bonapart said of him: “That man made me miss my destiny”.

Another British military hero, the Duke of Wellington, also had strong links with the town as he resided in Walmer Castle as Lord Warden of the Cinque Ports. The Wellesley Arms was named after him. It seems fitting that John Ferris, another old soldier, who took over the pub in 1867, was a veteran of the Charge of the Light Brigade of 1854.

Deal’s nautical pub names included The Jolly Sailor, Port Arms, Pier Hotel, Ship Inn, Ship and Castle, Waterman’s Arms and The Anchor. Naturally there were also pubs in Deal with names that were common across the country such as The Kings Head, The Black Horse, and The Rose.

Pub Signs with a Story

Pub names became compulsory in 1393 during the reign of Richard II along with the requirement to hang a sign outside. Given the low level of literacy of their customers, Publicans initially opted for signs that were easy to recognise such as a crown or bull. By way of contrast, the New Inn, was applied liberally to new establishments making it hard to determine the history of the old pub of that name in Deal High Street.

Many of the signs for pubs in Deal and Walmer were painted by Bill Pearce, Charrington’s artist. These included signs for The Rose Hotel (pictured here), The Walmer Castle and The Drum Major.

The rose shown on the sign for the Rose Hotel is of a Noisette rose, which was brought to this country from France by the Rev. Henry Honeywood D’Ombrain, the first vicar of St. George’s Church which is adjacent to The Rose Hotel. He was instituted as the Vicar in 1852. A well known plant breeder, his work was noticed by Darwin, with whom he corresponded.  Darwin quotes D’Ombrain’s findings in his The variation of animals and plants under domestication of 1863.

The Walmer Castle was named after a Lugger of the same name, which was lost with all hands off the Isle of Wight in 1892. The ill-fated boat, shown on the pub sign throughout the 1970s, was previously named The Petrel. She had been renamed and refitted after she was found drifting and full of water off Brixam, in an incident where four Walmer boats were lost. Among those drowned in the second tragedy were the skipper and owner, Henry Axon, who had missed the previous disaster having left the Lugger to act as pilot for another boat.

The Many Pubs of Deal

When I was growing up it was still the habit of much of the town to go to the pub every Friday and Saturday night. My friends and I made a selection each weekend from a circuit of pubs: The Kings Head and Port Arms on the seafront; The Black Horse, New Inn and The Rose on the High Street, or The Walmer Castle in South Street. Occasionally we’d diversify and visit The Pelican, Clarendon Hotel or Pier Hotel – all of which were on the sea front. If we were in Walmer it would be The Lifeboat, The Stag or Lord Nelson.

We had a lot of choice as there were still a great many pubs in the town. I was told the apocryphal story that that there was once a pub in Deal for every day of the year, and there were still enough pubs in town that I believed it. Research shows this to be an exaggeration; according to Drinking in Deal, at its peak in 1871 Deal had 79 Public Houses and 16 Beer Houses, which is still a large number for a population of around 8,000 souls at the time.

This is confirmed by Victorian ‘density indicators’, which were based on the size of the population and the number of licensed houses. In 1899 Deal’s was 1,057, far higher than the nearby coastal towns of Dover (646), Ramsgate (615) or Folkestone (556).

The Rise and Fall of the Beer House

Part of the growth in Pub numbers in Deal can be accounted for by the new Beer Houses that were a result of the 1830 Beerhouse Act. This allowed a ratepayer to brew or sell beer on or off the premises for a payment of two guineas to the Excise. These houses were not permitted to sell wine or spirits but were also not under the control of the magistrates.

The Act was intended to increase the availability of beer so that the the population might be weaned off stronger alcoholic drinks such as gin, which had established an evil reputation in the previous century during the gin craze. The act resulted in the opening of thousands of new drinking establishments and many new breweries throughout the country. The Saracen’s Head in Alfred Square started as a beer house, as did The Prince Albert across the road and The Railway Tavern near Deal Station.  Before the act Deal had had 39 Public Houses. 

In 1869 new legislation brought the licensing of new beer houses under the control of the magistrates and many became Public Houses. Some never made the transition. The Deal Lugger was refused a license in 1867 and 1869 and remained a beer house until it closed.  

Lost Pubs and Survivors

Deal has lost many of its old pubs – there is a long listing at The Lost Pubs Project, but many wonderful establishments remain. My favourites, in no particular order, are the Deal Hoy, The Kings Head, The Royal Hotel and The Ship. In nearby Walmer I am fond of The Freed Man, and just along the coast in Kingsdown The Zetland Arms is always a pleasure to visit.

As I write this in the lockdown of Spring 2020, all the pubs in Deal, like those throughout the rest of the country, are closed due to the Corona Virus. However, the culture of Britain’s pubs is inextricably linked with our tradition of resilience and these old houses have already survived much turbulence in their long histories. I greatly look forward to their re-opening.

Three black and white photo galleries of Deal can also be found on this site Deal Gallery, Deal Gallery 2 and Boats of Deal (film).

The Historic Town of Deal – Part I

The historic town of Deal is unique in once having been a port without a harbour.  Central to the town’s history is the sheltered anchorage, known as The Downs, which lies between the Deal shoreline and the notorious ‘ship swallower’ the Goodwin Sands, which acts as a breakwater for ships in the channel.  Hundreds of ships could be anchored in The Downs at once, sometimes remaining for weeks at a time. Whilst at anchor, the ships required provisions that were supplied from Deal and the town became a thriving port.

Three Castles and a Duke

By the time of Henry VIII the importance of the Downs made the coastline worthy of protection. There is a Tudor artillery fortress at Deal (constructed 1539–40). Another is close by at Walmer. This evolved into a stately home where the Duke of Wellington stayed in his role as Lord Warden of the Cinque Ports until his death at the age of 83 in 1852. The Duke, then Lt. Gen. Sir Arthur Wellesley, also lived in Wellesley House in Walmer just before the Peninsula War of 1807. A third castle at nearby Sandown was lost to the sea.

Farrier Street in the Historic Town of Deal
Farrier Street, Deal

A Major Port

Deal gained special status in the 12th century when it was granted a Royal Charter as part of the confederation of five ports (The Cinque Ports). The confederation provided the crown with ships as required in return for exemption from tax and tolls.

Unlike nearby Sandwich, which lost its status due to changes in the coastline, Deal retained its strategic importance. In the eighteenth century the town was still one of the four great ports of England, along with Portsmouth, Rochester and Plymouth.

Smuggling, Hovelling and Heroism

Amongst this maritime activity was extensive smuggling.  Deal’s smuggling activities were so notorious that Prime Minister William Pitt the Younger had the town’s Luggers burned on the beach. Smuggling soon resumed however, with the support of at least some of the community. In 1801 smugglers were aided by a local mob who attacked the revenue men when they forced a lugger onto Deal beach.

The author of a Lloyd’s report in 1869 observed: “Deal might have been built for smuggling … The streets run parallel to the beach, and close to it, and are connected by numerous narrow alleys, out of which open doors leading into yards and sheds. The beach extends some miles, and at various parts of it, on the shingle itself, stand roomy wooden sheds, belonging to the boatmen. The cargoes of a whole fleet of ships, once landed on the beach, might be so effectually disposed of in these yards and sheds, in a few hours, that not a trace of them would remain.

The Deal Lugger

The Luggers, which weighed up to 30 tons, were two masted and could be launched from Deal’s steep shingle banks. They were designed and built by skilled craftsmen for speed, strength and seaworthiness, and were the fore runners of the lifeboats.

Operating Luggers was hazardous. In The Last of Our Luggers and the Men who Sailed in Them (1929), E.C. Pain describes the loss of the Deal Lugger Fawn, run down by a steamer in 1864; Topsy, sunk by a French vessel in 1868, Reform, dashed against the pier in 1871, Walmer Castle, which foundered off Ventnor in 1892, and the Earl of Zetland which had the same fate in 1860. Pubs in Deal and Kingsdown respectively were named after the last two boats. Luggers fell out of use with the disappearance of sailing ships from the Downs at the end of the nineteenth century, the last, according to Pain, being the Cosmopolite which finished as a relic on Walmer beach.

There is still an example of a later, smaller, design based on the Lugger on the beach at Deal. The Lady Irene was built in 1906 as a trip boat to take holiday-makers on short trips out to sea.  

Painting boat, Lady Irene historic town of Deal Beach Kent
Lady Irene undergoing maintenance on Deal beach in 2017

Deal’s boatmen used their Luggers for salvage and to rescue shipwreck victims as well as for smuggling, and were known for their fearless seamanship. Accordingly, the boatmen, whose work was known as ‘hovelling’ developed a reputation for both villainy and heroism simultaneously.

In 1858 the Collector of Customs at Deal asserted that ‘this place has long been notorious for the lawless character of persons who flock by hundreds to disasters merely for the sake of plunder.’ However the author of Our Sea Coast Heroes, published in the 1880s, had an entirely different perspective: ‘The race of boatmen now existing at Deal has never been surpassed for those generous qualities which have rendered their forefathers famous…. There is no danger to themselves which they do not habitually incur in their endeavours to save life or property. They are indeed a race of heroes who go forth on their mission of mercy with their lives in their hands.’

The Lifeboat Station

Because of the difficulties in reaching ships wrecked on the Goodwin Sands there were several lifeboats stationed along the coast. The Walmer station was established in 1856, followed by North Deal, which closed in the 1930s when Walmer received a motor boat, and Kingsdown. Only Walmer is still operational.

The Walmer lifeboat Charles Dibdin (ON 762) was one of 19 lifeboats which took part in the Dunkirk evacuation in 1940. She was manned by a naval crew, and no details are known about the trip, but she came back decorated with holes in both sides. Since 1856 Walmer crews have received 28 awards for gallantry.

The Naval Yard and Timeball Tower

Time ball Tower historic town Deal Kent
The Timeball Tower

A naval yard was built in Deal in 1672. This provided for the ships anchored in the Downs. Over time, this grew to several acres in size. It was not a dockyard as Deal offered no dock, so small supply boats were kept at the yard, which remained an important part of the town until it closed in 1864.

Deal has one of only seven surviving timeballs in the UK. The Timeball Tower is four-storeys high and stood at the entrance of the Naval Yard. The ball fell at precisely 1 PM each day, triggered by an electrical signal from the Royal Observatory. This allowed the ships’ marine chronometers to be checked or reset, which was vital for accurate navigation. The tower stands on the site of an earlier Shutter Telegraph and Semaphore station, used for the suppression of Smuggling.

In 1805 news of victory at Trafalgar, where the Royal Navy annihilated the greatest threat to British security for 200 years, and the death of Britain’s greatest war hero, arrived in Deal by schooner. It was subsequently transmitted to the Admiralty in London from the Deal telegraph station.

Nelson visited Deal whilst his fleet was at anchor in the Downs. Nelson Street (in which I rented a cottage in the summer for many years) was named after the Admiral, as were two Lord Nelson pubs (one in Deal and one in Walmer) and two Deal Luggers – the Brave Nelson and the Nelson.

A High Density of Pubs

The historic town of Deal developed a mile or so inland from the coast, in an area now known as Upper Deal, where the ancient Parish church of St. Leonard’s stands with its distinctive cupola, once a landmark to shipping. In the seventeenth century development shifted closer to the beach in Lower Deal along the three streets that run parallel to the shore – Beach, Middle Street and Lower Street (now the High Street). There are numerous narrow streets and alleys that cross these three main streets, such as Farrier street in the shot above. These were ideal for taking smuggled goods quickly from boats on the beach down into the town.

At one time these narrow streets also contained a very large number of pubs. At its peak in 1871 the town had 79 Public Houses and 16 Beer Houses for a population of around 8,000 people. The Victorians recorded ‘density indicators’ based on the size of the population and the number of licensed houses. In 1899 Deal’s was 1,057, far higher than nearby Dover (646), Ramsgate (615) or Folkestone (556). See the post The Pubs of Old Deal for more on this subject.

Garrison Town

Deal was a garrison town for over two hundred years. A cavalry barracks for the 15th Light Dragoons built in 1793 was expanded to accommodate infantry before becoming home to the Royal Marines in 1869 where they remained until 1996. The last unit to leave, preceded by 41 Commando, was the Royal Marines School of Music, which had moved to Deal in 1930. The school relocated to Portsmouth, where it remains today.

In 1989 part of the Royal Marines School of Music was bombed by the IRA resulting in the deaths of 11 musicians, and 22 injuries. There is a memorial bandstand on Walmer Green where concerts are still regularly played in the summer months.

Mining Town

Coal was first discovered in Kent as part of excavations to build a Channel tunnel in the late 19th century, though the first commercial coal was not mined until 1912. Numerous bore holes were drilled resulting in collieries at Betteshanger, Chislet, Snowdown and Tilmanstone. In the late 1920s farmland on the outskirts of Deal at Mill Hill was acquired to build housing for the miners. Mill Hill remained a vibrant mining community until the pits were closed. Betteshanger, where my stepfather worked for 23 years, was the last colliery in Kent to close in 1989, just a year short of the centenary of the discovery of coal in the area.

Boom and Bust

Deal has enjoyed and endured periods of boom and bust over the centuries. It was booming during the Revolutionary and Napoleonic wars but declined as a port afterwards, leading to William Cobbet’s harsh commentary on the ‘villainous place’ in 1823. The town started to attract more visitors after 1847 when the railway arrived. Charles Dickens attended the celebrations that accompanied the opening of the South East Railway line, of which Deal was the terminus. The town also benefited from the late Victorian growth in seaside holidays, particularly after the 1871 Bank Holiday Act which was accompanied by a rise in disposable income for much of the population.

Boats and Angling

Morning Haze historic town of Deal
Morning Haze on Deal Beach

Deal ceased to be classified as a port in 1881, but became popular for angling. In October 1957, 11,000 anglers attended the first National Angling Festival for 18 years. Events like these continued to be popular throughout the 1950s and 1960s and the town had several tackle shops for the anglers. There were also had many fishing boats on the beach, some of which were available for charter to fisherman or divers who wanted to explore the wrecks on the Goodwin Sands.

These boats started to disappear as government requirements for licensing and equipment became more stringent and there are few working boats on the beach today. I’ve been photographing boats like FE 371 ‘Denise’, DR 28 ‘Morning Haze’, DR 110 ‘Moss Rose’, DR 181 ‘Fair Port’ and the old Deal Trip boat ‘Lady Irene’ for many years. The letters identify the port of origin and are typically DR for Dover, FE for Folkestone or R for Ramsgate. Some of these (like Denise for example) are potters and and are surrounded by lobster pots. You can find photographs of them in the Deal Gallery

Seaside Town

Today it is a highly rated seaside resort with many boutiques, bars and restaurants. The seafront and the conservation area, centred on Middle Street, are both particularly attractive. See my post on The Many Pleasures of Deal for ideas.

Deal Pier

One of Deal’s most notable seaside attractions is the pier. The first was of wooden construction. This was never completed and was destroyed in a gale in 1857. It it was replaced by an iron pier in 1864 which was severely damaged by a drifting ship which had been hit by a mine in 1940 and demolished in 1943.

The current pier, the last intact leisure pier in Kent, was opened in 1957 and is made of reinforced concrete. It was opened by Prince Philip, who remarked that he had a link with the town due to his involvement in the rescue the pier master. The Pier Master, Captain Arthur Vyvyan Harris, had been in a tanker blown up by a mine in 1943 and the-then Lieutenant Philip had helped him up the scramble nets.

The pier provides an excellent view of Deal seafront, as well as the coast from Thanet in the North to St Margaret’s bay in the South. The pier is internationally recognised as an angling venue and features a glass-walled café-bar at the end of the pier.

If you are thinking of visiting, take a look at my post on the top ten attractions the town has to offer – or check out the three black and white photography galleries on this site: Deal Gallery, Deal Gallery 2 and Boats of Deal (film). If you are interested in Deal’s famous residents and visitors there is also a post on that subject on this site.

Three Days in Venice

Arriving in the afternoon from London, I took a water taxi into the city.  It’s a great way to arrive with passing boats throwing up spray as they speed past and I was in a high state of excitement by the time I reached my hotel, the Ca’ Sagredo, as this was also a much anticipated first visit to Venice.  The hotel is a very well-preserved former 15th century palazzo situated in the Cannaregio district – the largest of the six districts that make up the city. It is on the Grand Canal and opposite the Rialto Market.  it is, quite deservedly, a national monument.

I was most taken by the staircase with its marble cherubs and Scalone die Giganti (Fall of the Giants) frescoes, which I thought was one of the great interior sights of my trip.  During my stay I spent a considerable amount of time photographing the staircase and eventually I was pleased with the shot that accompanies this post.

Staircase ca'sagredo venice
The Scalone dei Giganti staircase of the Ca’ Sagrada Hotel

The hotel is right next to a Gondola station; you can take the traghetto across to the area of the Rialto market for the tourist rate of 2 Euros (locals pay 70 cents), something I ended up doing frequently.

As soon as I had dropped my bags I took a Gondola trip down to the mouth of Grand Canal. I was captivated by the Baroque Santa Maria della Salute. The domed basilica is one of the symbols of the city and was built as a response to the plague which decimated the city in the 17th century. The basilica still hosts the annual Festa della Madonna della Salute each November, which gives thanks for the intercession of the Virgin Mary to end the plague.

Returning to the hotel in the Gondola, I explored the local area, walking across the famous Ponte di Rialto (Rialto Bridge) which connects the districts of San Marco and San Polo. Up until 1854 this was the only bridge across the Grand Canal and there are still only 4 bridges along its 3.8 km length. Later I walked up the Strada Nova, one of the main streets in the city. 

In the evening I ventured out once more and had drinks at the Gritti Palace, another 15th century former palace, once owned by Andrea Gritti, doge of Venice from 1523 to 1538.  This hotel is one of the most expensive in the city and has some of the best views as it is opposite the Santa Maria della Salute church.  Watching the Gondolas go past as the sun starts to go down from the hotel terrace is a great experience.

I walked back towards the Ca’ Sagredo and had dinner at the modest Osteria dal Riccio Peoco in the local square, Campo San Apostoli, which was inexpensive and delicious. 

Iron prow Venice Gondolier
The fero da prora of a Gondola

The next day, I took a a second Gondola ride, during which I photographed many sites, Gondolas and Gondoliers. I noticed they were speaking a language that didn’t sound like standard Italian to me and asked the Gondolier about it. He said they were speaking in Venetian dialect, which is actually a language and spoken around the Veneto region. We passed under the white limestone Bridge of Sighs that connects the Doge’s Palace to the prison opposite. It was  Lord Byron who gave the bridge this name – the suggestion being that prisoners would sigh at their final view of Venice before incarceration or execution. Like many stories that give rise to names it isn’t true, but the bridge is still used to transport low risk offenders to prison.

Returning to the hotel I set off to walk around the lagoon city.  I enjoyed seeing the winged lion in Campo Manin, a large bronze sculpture at the base of a statue of Daniele Manin – a hero of Italian unification.  The winged lion is the Lion of Saint Mark, and is the symbol both of the city of Venice and of the Venetian Republic.

I found the Leaning Tower of Santo Stefano, a 13th century, 66m brick-built gothic bell tower located in the Sestiere San Marc.   Though much less famous, its inclination is remarkably similar to that of the Tower of Pisa, at about 2 meters out of kilter. After the crowds of much of the city that day the square was extremely quiet.  I passed through it a couple of times after that and it was always close to deserted.

Next I visited Piazza San Marco, both the grand showpiece and principle square of the city. There’s a lot to take in including St Mark’s Basilica, The Doge’s Palace, the Clock Tower and the columns of Saint Mark and Saint Theodore. I walked the square and took in the entrancing view stopping for a coffee at Caffè Florian, one of the world’s oldest coffee houses. Later, I lunched nearby at Ostaria La Campana, a local’s place right in the midst of a tourist area.

As it was getting to that time of the evening I thought a Daqueri at Harry’s Bar would be a good idea. Sadly it wasn’t. I paid a visit, but I think I missed the time when it was a good place to go by many years. It’s a pretty terrible place now, as many online reviews attest. I paid the eye watering price for an OK Daiquiri to the aloof barman and left the place as fast as I could.

Venice Salute Grand Canal
The Santa Maria della Salute church from the terrace of the Gritti Palace

Close by the view of the the Santa Maria della Salute church beckoned at the Gritti Palace. I had a drink there and then dinner on the balcony at the Club del Doge. The view of such a beautiful church with gondolas gliding past and the sun going down plus a decent risotto (a Hemingway variant with scampi) meant I didn’t begrudge the hefty bill.

The next day city I took the river bus down to the Dorsoduro Sestiere to visit the museums there and to see the Santa Maria della Salute church land side. The Gallerie dell’Academia was my first stop. Here I enjoyed the neoclassical sculptures of Antonio Canova , took in Hieronymus Bosch’s disturbing Visions of the Hererafter and walked around a room dedicated to Lord Byron in Venice.

Lord Byron lived in Venice after he was forced to leave England to flee the many debts and scandals caused by his aristocratic excesses. He conducted his Venetian affairs in some style from a Grand Canal palazzo with his many servants and a menagerie that included monkeys, a wolf, a fox, a crow and an eagle. Seeking distraction and mental stimulation he also studied the Armenian language at a monastery on the tiny island of San Lazzaro in the lagoon.

After that I walked to the Peggy Guggenheim Collection, a modern art museum housed an 18th-century palazzo, which was once the home of the American heiress. it is full of cubist, surrealist and abstract expressionist work. I was most impressed by the works of by Picasso, Dali, Yves Tanguy, Max Ernst and Alberto Burri.

I spent the evening walking along the canals in the Cannaregio Sestiere, the northernmost of the six districts of Venice, walking along the Fondamenta della Misericordia/degli Ormesini/Capuccine. It is a beautiful area to walk around. It was quiet until sunset when it become quite lively though I still managed to find a Cicchetti place I could sit outside at.

Early on my last morning I went back to the Rialto Market, the city’s ancient main market, to see the fish market in full swing before my water taxi arrived. There has been a market there since 1097 and it is still going strong. I love the theatre of fish markets and enjoy visiting them wherever I can find them. Mid morning my water taxi arrived and took me to the station where I took the train to Densezano to spend a few days in Sirmione.

From Muscat to the Mountains Part 2

The next day we left Muscat and headed for Jebel Akhdar – the Green Mountain. This forms the central section of the Al Hajar (Rocky or Stone) Mountain range, which run for about 700 km thorough Oman and the UAE. They are also known simply as ‘The Oman Mountains’. As their name suggests the range is mostly bare rock and desert. The ‘green’ of the Green Mountain starts at higher altitudes where there is enough rain to support shrubs, trees and agriculture. Damask roses, pomegranates, walnuts and apricots are all grown there.

The peaks of Jebel Akhdar surround a high plateau and have historically created a division between the relatively inaccessible interior and rule from the coast at Muscat. The mountain road is very good though access is relatively recent. As there is a military base on the mountain it was only in 2005 that the mountain was opened up to visitors. There is still a checkpoint at the bottom off the ascent but that is just to ensure that visitors are in possession of a four wheel drive vehicle and a valid driving license.

Birkat al Mouz and Old Birkat

Old Birkat Oman
Old Birkat

As we neared the mountains we drove up a steep slope to an elevated vantage point. Form there we had a view of the deserted mud brick village of Old Birkat at the base of the mountain. It was a spectacular sight and one I will never forget. I took the shot with the Nikon Z7 and the 24-70mm f4 S kit lens, which I used for all the landscape shots on this trip. I use the smaller and more discrete Leica Q for street photography.

Descending the slope we drove to the nearby town of Birkat al Mouz, which translates to pool of bananas. We drove though a large date plantation and my guide went to pray at a small mosque, leaving me to admire some deserted mud brick houses and the ancient Aflaj irrigation system. In 2006, the Al Sharieh Falaj system, built between 1674-1741, was designated as one of five UNESCO Heritage Sites. Falaj is the singular of Aflaj and this ancient system of water channels dates back some 5,000 years.

The Saiq Plateau and Wadi al Ayn

Continuing our ascent we drove up a series of very steep hairpin bends to the Saiq Plateau – a distance of a little over 30 km. We stopped and walked to the rim of the cliff at Wadi al Ayn, which provided another spectacular, and more panoramic, view. Diana, Princess of Wales, apparently enjoyed the view here on a royal visit to Oman 1986 and there is a viewing point named after her at the nearby Hotel Anatara. It is an incredible vista that takes in a huge gorge with terraced steps cut into the side complete with several villages precariously hanging off the cliffs. For the second time that day I was completely entranced. As we left my guide poured water over a couple of areas of rock to show me some fossils, including an ancient turtle. Finding a marine fossil at such a high altitude was surprising but the rocks of the Hajar Mountains formed under the sea. The Oman mountains, as it turns out, are a geologist’s paradise.

Returning to our Land Cruiser we completed the last of the 50km journey up the Jebel Akhdar to my hotel – The Alila. Here we greeted with typical Omani hospitality of coffee and dates. The Alila is in a spectacular location overlooking another huge gorge. It is built of dark grey local stone and is one of the best examples of modern design I have seen anywhere. It also has an infinity pool that is, for once, not misnamed and a great kitchen. I tried the famous local dish of Suwa and was not disappointed. They also served some delicious Biryani dishes such as Biryani Al Khadruat, B. Samak and B. Dilaj.

My guide had told me that it was market day in the town of Sinaw the following day where the Bedu would be selling their camels and goats. We promptly arranged a day out on that basis.

The Souk at Sinaw

Camels Sinaw Oman
The Souk at Sinaw

We met at 6.00 AM in the hotel reception and headed down the mountain. Sinaw is in the Al Sharqiya region, not far from the sands of the same name, and about 90 km from the Green Mountain. The town has a large Souk based around an outdoor courtyard and Thursday is market day.

We arrived at about 7.30 having stopped briefly for Qahwa (Omani coffee) and the market was in full swing. There was a continual procession of white Toyota Hiluxes arriving laden with goods and livestock. Tied to posts along one side of the courtyard of the souk were a long line camels, whilst under cover goats were being auctioned, and on the other side there was a substantial fish market. Around the edges vegetables, fresh and dry fruit, dates, dry shark meat, animal feed and much else was for sale. It really felt like a desert town, and only saw one other Westerner whilst I was there.

It was now lunch time and my guide was keen for me to sample camel so we stopped at a place he knew towards the sand. We were served both curried camel and braised camel – I preferred the former which reminder me a little of goat curry.

The Sharqiya Sands

After lunch we headed for the Sharqiya Sands (also known as the Wahiba Sands), stopping at a tyre centre in a nearby town to deflate the tyres to desert running pressures. The sands cover an area 180km North to South and 80km East to West with large longitudinal dunes, that can reach as high as 100m tall. There are no permanent human settlements there, although there are plenty of animal pens at the edge of the desert.

We travelled a few kilometres out into the desert and got stuck in the dunes. My guide was not troubled by this, and after letting a little more air out of the types we escaped and carried on, stopping at a Bedu tent for coffee and dates and a look at various items for sale. Someone had just caught a scorpion and put it in a bottle, which gave me pause for thought. A bit of quick internet research showed that there is an anti-venom available for scorpion stings in Oman, and though the venom typically causes ‘significant local pain and some swelling’, it doesn’t cause the ‘local and systematic toxicity, local tissue destruction and deranged blood clotting’ of local snake bites. I had no idea blood clotting could be deranged and it increased my inclination to avoid Omani snakes.

We hobbled back to the tyre shop using every bit of sand and rough ground we could as the tyres were practically deflated. After a top up my guide enquired if I wanted to head back out to the deep desert, but as we were travelling with a a single vehicle I declined, so I didn’t see the really huge dunes, and need to go back some time.

Wadi Bani Khalid

I had never seen a wadi close up so our next destination was Wadi Bani Khalid, probably the best-known wadi in country, which is also an oasis. The term wadi is a little confusing as it means both valley and riverbed fed by the rains – more of which later. Wadi Bani Khalid is famed for its large green pools which are fed by a constant flow of water though an eroded canyon strewn with boulders.

Perhaps because it is such a short walk from the car park to the pools, the wadi has been developed for tourism and has bridge and seating areas, where you can sit and watch the teeming fish. It is very popular with picnickers, but it was very quiet when we were there. There is a cave network near the pools but we decided not to go in. The sky above had become heavy with rain clouds and dangerous flash floods can develop quickly.

After that it was time to head home. It’s around 250 km drive from Wadi Bani Khalid to the Alila on Jabal Akhdar so we got back about 7 PM.

Nizwa – the Old Mountain Capital

Nizwa Market Goats Oman Mountain
The famous Friday market at Nizwa

The next day I was up even earlier, and met my guide at 5 AM in the hotel reception. Nizwa is a short drive away, but the action at the famed livestock market there is best seen early.

Nizwa is an ancient place located in the heart of the country at the base of the Oman mountains. It was the nation’s capital in the 6th and 7th century, and was an early to convert to Islam. Traditionally conservative, it was another destination that thwarted explorer Wilfred Thesiger during his time in Oman. His account of his time in the Arabian Peninuslar Arabian Sands is well worth reading and provides a glimpse into a vanished nomadic lifestyle.

As soon as we arrived, we headed straight for the market. It was heaving with activity and the auctioneers where busy leading sometimes reluctant goats round in a large circle for buyers to inspect. I stood on the outside and then made my way into the centre where I could shoot down on the action, capturing the image shown here.

Nizwa is known for its imposing fort built in 1668. It is one of Oman’s most-visited national monuments and was our next visit. It also has a good souk where you can find handcrafted silver Khanjars along with many other forms of silver craftsmanship. It is also known for pottery, goat wool textiles and high quality dates. Around the back of the market were some tables where Khanjars and old Lee Enfield rifles were for sale. That might sound edgy, but it really wasn’t at all – Nizwa is a major tourist destination and I felt perfectly safe all the time I was there.

We had a most delicious lunch of grilled lamb and a flatbread wrap of salad from a packed little kebab shop and then headed back up the mountain to the Alila, where I spent my final day in the Oman mountains admiring the astonishing view from in and around the hotel pool. It had been a fantastic trip and I would love to go back, the people, the culture and landscape make it one of the most interesting countries I have ever visited.

The Unexpected Wadi

My visit to the Oman mountains were a great adventure – even my return to the UK was a little more exciting than I had expected as it started to rain hard just as I was about to leave for the airport. The hotel told me to expect to spend another night as the mountain road is closed at the checkpoint when it rains, but it was only raining at the top of the mountain and my driver lived close so he arrived as scheduled.

It was an interesting journey down the mountain as the rain had dislodged a lot of shingle and small boulders and we can encountered quite a bit of flooding. Shortly into our descent, the driver told me we might have to wait for a little while ‘at the wadi’. We soon came across a raging torrent in our path. I eyed the fast moving water pensively. “That doesn’t look very much like the last wadi I saw” I said. My driver waved his hand in a dismissive gesture and told me that he lived on the mountain, that this was nothing out of the ordinary and we would cross without difficulty. I believed him on the first two points… Happily he was right on all points and we were soon through the flood water. The rain stopped as we got to a lower altitude and before long I was bidding farewell, but I hope not goodbye, to Oman at Muscat airport.

From Muscat to the Mountains Part 1

Though I’ve seen a little of the Middle East from trips to Dubai and Doha, I didn’t feel like I’d really experienced much in the way of authentic local culture from visiting those sleek, high rise metropolises. Each time I was in Dubai I took the opportunity to venture into the sands of the Empty Quarter, which was exciting but almost entirely devoid of local people. It was these safaris which whetted my appetite for a more authentic experience and genesis for this trip from Muscat to the mountains. Unlike Dubai, Oman is not yet a widely recognised holiday destination, so reactions to news of my trip were often quizzical.

It’s certainly true that Oman, particularly the mountainous interior, has only opened up to the West relatively recently. The Omani coast was captured by the Portuguese in 1507 but by 1650 they had been driven out and tribal conflict made the country difficult to explore beyond the coast into the 1940s. Explorer Wilfred Thesiger’s superb Arabian Sands, a haunting tale of the last years of the Bedu way of life describes how challenging it was. Despite spending five years in the sands of the Empty Quarter he was prevented from exploring Jebel Akhdar, the Green Mountain, which would I would be visiting.

I planned a two centre trip to the Sultanate on the basis of some traveller’s recommendations, a chat with my excellent travel agent and a little research. I arranged to have guides, on this trip in both locations, as there is no substitute for local knowledge. Both my guides were excellent and made a huge difference to the trip. From my research I learned that Oman is safe, with a friendly and welcoming people, an incredibly scenic landscape, many heritage sites and a rich culture. Over the course of the week I found all this to be true. As a Brit, I was also interested to learn of the long-standing friendship and strategic relationship between the UK and Oman.

A Greeting with a Khanjar

I flew into Muscat via Doha on Qatar Airlines and stayed at The Chedi, a tastefully appointed beach front hotel in the Al Ghubrah district of the city and set in an oasis-style location. I was greeted by a smiling doorman wearing a Khanjar, a traditional curved dagger, in an ornate sheath. The Khanjar has a long history and is still worn ceremonially in Muscat and day-to-day in mountain cities like Nizwa. The image of a Khanjar forms part of the Omani flag, and is present on banknotes and all official documents. I had seen nothing like it before and it made me think that that the week was going to be a bit different – which proved to be the case.

Muscat sits between the mountains and the sea and extends down the coast for some 30km. It is a low rise, architecturally conservative city and very different from Dubai or Doha by design. As impressive as the skylines of those two high rise cities are, neither can match Muscat for heritage

Since 1970 Oman has been transformed by the current ruler, Sultan Qaboos, who has pursued a comprehensive modernisation program since he replaced his father, supported by the British military, including the SAS. Unsurprisingly, his influence can be seen most strongly in the capital.

Sultan Qaboos Grand Mosque

Grand Mosque Oman
Sultan Qaboos Grand Mosque

The first place I visited in Muscat was Sultan Qaboos Grand Mosque. This was built in Modern Arabic style to celebrate 30 years of the Sultan’s rule and one of only a few mosques open to non-Muslim visitors.

As my trip was in September when the temperature in Muscat is still quite high it was extremely quiet. When almost deserted the sheer scale of the design – which can accommodate 20,000 worshippers and took 300,000 tons of Indian sandstone to construct – appears all the more impressive.

I was struck both by the scale and and the elegance of the modern Arabic architecture. The latticed dome of the main prayer hall rises to 50 metres, and the main minaret is 90 metres tall. It is flanked by four half height minarets. If you have limited time in Muscat I’d make the Grand Mosque a must see.

My next stop was the Royal Opera House, which is another building developed at the Sultan’s request and was built in limestone by the same architects as the Grand Mosque to a similar modern arabesque design. The exterior makes the ROH worth a stop, and you can also take a short tour inside, where productions are being readied. 

The Port of Muttrah

From the opera House I headed west to the old port of Muttrah, which is close to Old Muscat.

The 4000 sq. m fish market is a modern Scandinavian design that takes pride of place on the waterfront of the Muttrah Corniche. Completed in 2017, the form of the canopy was inspired by the flow of Arabic calligraphy. The building replaces the open air bazaar of old. The attraction of fish markets for me is the animated negotiations of the fishermen and the fish mongers – it’s pure theatre and I’ve seen some great examples of that in Tokyo and Catania, Sicily on past trips. 

As always, if you can get to the market early, you’ll see it at its lively best. I arrived late on my first visit after seeing the Grand Mosque and the market was very quiet, so I returned at 8AM the following morning and was rewarded with a much more animated spectacle.

Souk Muscat Oman
Muttrah Souk

Close by is the Muttrah Souk, known locally as Al Dhalam (Darkness), after the original dim lighting conditions. It is one of the oldest markets in the Arab world and also one of the few markets you can purchase gold, frankincense and myrrh under one roof. That roof was originally palm leaves, supported by mud walls, but it is a modern structure today and you can whip through the main drag very quickly. You’ll see a lot more and get a better sense of the place If you venture off into the tangle of narrow alleys that branch off from the main artery, where the stalls are more varied. Wool pashminas, frankincense, leatherware and gold jewellery, which is sold by weight, are amongst the many goods on offer.

The accompanying photograph of the Souk breaks plenty of photographic rules, and I probably would not have used it before I came across the work of William Klein. I am glad of what I learned from the early master of street photography because the image captures a much better sense of the souk than any of my other pictures.

Further along the Corniche is the Muttrah fort, built by the Portuguese in 1580, which provides great views of the curve of the Corniche around the old port. On the day of my visit traditional dhows rubbed shoulders with the one of the Sultan’s yachts.

From the fort Corniche leads to Al Riyam Park which is overlooked by giant frankincense burner, which resembles a white 1950s UFO.

Old Muscat

Old Muscat from the road Oman
Old Muscat from the road

I was keen to photograph Old Muscat from the road – you can see the shot on the left. The old town is located in a rocky valley and looks specular from when viewed from the road. The old town contains the Al Alam Palace and the Bait Zubair Museum, both of which I visited.

The Bait Zubair Museum is a private ethnographic museum and part of a cultural foundation. It is much smaller than the National Museum but it is well worth the time.

A visit provides some good insights into Omani traditions, including clothing, jewellery, household items and historical weapons, including the Khanjar. Carrying rifles and earlier long guns is a tradition in Oman and the association between Oman and Britain was evident from the rifles on display including modified Lee Enfield and ‘Muscat Martini’ rifles. These were heavily decorated with silver which still plays an important role in all things decorative today.

The Al Alam Palace, which means “The Flag” in Arabic, is one of the Sultan’s six royal residences. It is used only for official functions and you can’t enter the palace or grounds. The palace is is flanked by 16th century Portuguese forts perched on rocky hills so the approach to it is extremely impressive.

I finished my stay in Muscat with dinner at The Beach Restaurant, an excellent seafood restaurant where you can watch the sun go down over the Gulf of Oman amongst traditional Arabian fire pits.

The next day I was up early to head for Jebel Akkdar, which is the subject of my next post.

Around the World with a Leica Q

Nearly three years after I first posted about my new Leica Q on this site, it was stolen from a South Kensington Pub. This was after a visit to the Natural History Museum to see the 2019 Wildlife Photographer of the Year Exhibition. I am fairly sure it was a professional thief, rather than an opportunist, who stole it as the camera was right next to me in its bag and our table was never unattended – yet we saw nothing. As the pub had no CCTV the police soon closed the case. The camera was insured, so I replaced it immediately, deciding not to wait for the new Q2 model rumoured to be coming out later in 2019. Instead, I bought a second Q in black from the excellent Red Dot Cameras. I considered the red-dotless Q-P ‘stealth’ model as a replacement, but the premium was quite considerable, so instead I carefully taped over the logo with black electrician’s tape.

Always on the Move…

Leica Q Empty Quarter
The Empty Quarter, UAE

2016-2018 were big travel years for me as my work took me to the US, Europe, the Middle East, Africa and, for a short while, the Far East. I also went on a couple of road trips – one from Canada to Mexico, and another across Japan. I was rarely at home during those years and I took my Leica Q everywhere I went. I took around 25,000 shots along the way and came to love my camera; it took everything the world could throw at it, whilst remaining perfectly usable, was a joy to handle and allowed me to create some of my best images. In this post I’ll share what I learned along the way.

Lessons Learned

Firstly, the Leica Q is extremely tough and resilient . When I changed straps from the elegant, but thin, leather strap that came with the Q to my preferred, and wider, M strap I didn’t attach it correctly. It later came unfastened – just as I was about to shoot the Sydney Opera House. It hit the ground hard but fortunately had only a small ding on the top plate to show for it. Many other cameras would have been rendered unusable by the impact, if not damaged beyond repair.

Sydney Opera House Leica Q
This shot was taken just after my Leica Q hit the ground with some force.

The reason the Q survived the impact so well is because the top plate is machined from a solid block of aluminium that sits atop a tank -like body of magnesium alloy. For travellers there is just no substitute for a resilient camera – knocks are inevitable over time.

It’s worth mentioning that there is a knack to putting the strap on correctly to avoid testing the Q’s build quality the way I did. The easiest way is to take the metal fastener off the strap, put it on the camera first and then attach the strap. It’s actually pretty hard to get it wrong if you do it that way.

For a camera that lacks weather proofing it does very well in harsh conditions. Eventually the sensor needed cleaning, but that was after two years of shooting in some hostile climates including a couple of visits to one of the most inhospitable – the Rub al Khali desert, otherwise known as the Empty Quarter.

The Summilux f1.7 stabilised lens is unparalleled for sharpness. It’s the best lens I have ever owned, works incredibly well with the full frame sensor and of course delivers the recognisable but difficult to define Leica look. It is an aspherical (ASPH) lens, a design that tends to be more compact, sharper in the corners wide open and offers a bit more contrast.

I also found Leica’s choice of 28mm for a fixed lens to be a good one. 28mm is wide enough for landscape and urban work and you can easily crop in a little for street photography.

Shooting with the Leica Q is enjoyable and intuitive. The Q combines minimalist manual controls with modern electronic assistance to create a first class user experience.

After service is incredible. When I had the sensor cleaned (which was free of charge) Leica service replaced the chequered outer covering of the camera as part of the service!

It is worth considering both the hand grip and the Match Technical Thumbs Up for improved ergonomics. I prefer the Thumbs Up both in terms of handling and because the hand grip needs to be removed to change the battery or a memory card. It comes off quickly, but it will still slow you down a little. I use the Thumbs Up EP-SQ2 which is machined from solid brass and locks onto the hot-shoe with a hex key. It is pricey, but worth it as it is beautifully made. Once the Thumbs Up is on the camera it really does feel like it was always there and part of the original product.

When I got my replacement Q I was reminded of just how excellent the packaging is. The ‘chest of drawers’ that contains the camera, its accessories (all in their own little Leica bags) and documentation is really well designed. Just search YouTube for Leica Q unboxing to see how many people have been enthralled by the experience.

Despite its relatively small size it is a camera that attracts attention – good and bad. I keep the famous red dot logo covered, but Leica cognoscenti still comment favourably on my choice of camera from time to time. This is particularly the case in Deal, Kent where my parents live, and where I often visit. It seems there is a high concentration of Leica users there…

Death in Tijuana

This is the last post in a short series that covers a week-long roadtrip from Vancouver to Tijuana with two old friends, and to be clear – no one dies – that was just an unreliable forecast of how the trip would end.

To recap: our planning was pretty limited and covered just the start point, the end point, and the hotels we would stay in.  All other details would be determined en route.  The hotels, which were my responsibility, were rather unequally distributed, but that was where the way points fell on this trip: Vancouver, Seattle and Portland are all quite close together. On day three of our seven day trip we had covered only 300 or so miles southward (though our mileage was actually much higher), and still had around 1,100 miles to cover – most of them on slow coast roads.

From Portland onwards ‘You do realise we have to be in Mexico on Friday?’ became a more frequent refrain, particularly whenever I was setting up my tripod as our anxiety about our slow start increased.

Don’t go to Tijuana

Tijuana sugar skull girl
I didn’t meet death in Tijuana, or in Palma, where this shot was actually taken.

Another common theme on the trip was the consistent advice we were given on the subject of Tijuana; everyone was very clear that we really shouldn’t go there as it is was too far dangerous. The most memorable example of this in advice came from an ex US Marine in Harry’s Bar, Pismo Beach:  ‘Don’t don’t do it man’, was his advice.  ‘Don’t go to Tijuana.  I was there recently and I saw a man get kicked almost to death by school children’.

This alarming anecdote from an ex-military type was only sightly worse than we had heard all week.  From Vancouver to Pismo Beach we were told that a trip to Tijuana meant we would almost certainly be robbed and were likely to encounter much worse – in this case meeting a violent end at the hands of school children.  This was to be the case until we reached San Diego and got some more balanced, first hand advice.

We reached the Andaz Hotel in San Diego late in the afternoon, having set out from Pismo Beach fairly early that morning. The traffic around the sprawl of LA (a city none of us are fond of) was horrible, but there really is no way round it. The Andaz has a great rooftop bar and taking refreshments there we got the first sensible advice about visiting Tijuana we’d heard all week. We were told the best way to visit was to take a taxi to the border, walk across and then take a taxi to our destination – in our case Mission 19 restaurant. Re-assured we booked a taxi, but I elected not to take my camera, which is why the image that accompanies this post is not from Mexico, though it is from another Spanish speaking country.

Mission accomplished

We executed the plan without a hitch, though I did find our time on foot in Tijuana a little intimidating, and had a memorable dinner at Mission 19. The tuna with trout roe and green chilli, sea urchin soup and braised beef short rib were all outstanding. From the restaurant we took a taxi back to San Diego and had a night cap in the Double Deuce in the Gaslamp Quarter – watching people attempting to ride the mechanical bull. There was a pleasing symmetry to ending up in Gaslamp as we’d started in Gastown, Vancouver, just six days previously.

Ron Burgundy is not far away…

The following morning was our last day and we elected to see a little more of San Diego. After a leisurely roof top breakfast at the Andaz we returned our hired Chevy Suburban and headed for the Hotel del Coronado, one of the last surviving wooden Victorian beach properties in the US. Over a pleasant, if insubstantial, seafood lunch there we got talking to our server who told us there was a ‘Ron Burgundy tribute bar’ in the city. It turned out to be no such thing, but Urban Solace is worth a visit anyway and a picture of the great man does indeed hang behind the bar.

‘Is your name, literally, like…Nigel?’

After a beer in Urban Solace, my companions Ted and Nick were keen to explore the area whilst I was still hungry and decided to stay and get something more to eat. No sooner had I finished than I received a video on my phone from Ted, featuring a local woman asking me if my name was “literally, like, Nigel?”

Naturally, the video ended with some encouragement to join them all in a nearby bar. I did, and was greeted by Nick and Ted at a table of slightly inebriated people all keen to get their photo taken with me. I never did find out what my friends had told these people about me, but whatever it was, it was undoubtedly far from the truth. As we toasted for the last time before we left for the airport, they started to chant my name for no discernible reason – which was a memorable if sightly puzzling way to end what I can only describe as a truly epic trip.

From San Francisco to Pismo Beach

On day 6 of our trip from Vancouver to Tijuana we awoke in San Francisco.  From there we would continue down the coast to our stop for the night at Pismo Beach –  a  small city between San Francisco and LA.  We started the day by not going to Lombard Street.   I had seen it, and Ted was now a local, leaving only Nick wanting to drive on the crookedest street in the world.   When quizzed Nick on how he keen he was to go, given the traffic was likely to be heavy, he seemed a little diffident, so we skipped it.  As Nick started to complain about this omission, not visiting Lombard Street become one of the highlights of the trip for Ted and I.

After a brief visit to see Ted’s home and family in leafy Palo Alto, Ted took us to the best coffee shop in the area, the ZombieRunner Cafe & Running Store on South California Ave, just off El Camino Real.  Close by was the dive bar he typically visits on a Friday night – Antonio’s Nut House.  For afficionados of dive bars, this is the real deal, and the last of its kind in the affluent city.  In one corner is an animated ape in a cage, which Ted claimed never to have noticed before, despite his many visits.

Carmel-by-the-Sea

From Palo Alto we headed to Santa Cruz to pick up Highway 1, and in an hour from there we were in Carmel-by-the-Sea on the Monterey Peninsular. It is a beautiful town, and much loved by artists.  There are around 100 galleries in Carmel, many of which can be found along one road – Ocean Avenue.

Our first stop was the Mission Ranch.  This nineteenth century ranch was restored by the former Mayor of Carmel, Clint Eastwood, and is now a hotel and restaurant.  We had planned to have lunch there, but finding the restaurant closed we headed to the old Spanish Mission of San Carlos Borromeo del río Carmelo.  

The Mission

Carmel Mission Pismo BeachCarmel Mission was founded in 1770 and is one of the oldest of California’s 21 missions.   These are all located on or near El Camino Real, a road named in honor of the Spanish monarchy which provided the finance for expeditions to California.  It is also the only Spanish mission in California that has its original bell and bell tower.

It has been carefully restored and today it is both an active parish church and a museum.  I was pleased to find a small statue and two paintings so beautifully lit in chiaroscuro fashion it would surely have found favour with Caravaggio, the orignal master of darkness and light.  I took the shot shown here with my Leica Q, and was glad of its fast f1.7 lens, which operated in the gloom at only ISO 1,600 with the aperture wide open.

Being hungry by that time, we searched for somewhere to eat and were fortunate to come across to Tree House Cafe.  Here you can dine on a combination of  dishes from the Mediterranean, Greece and Thailand on a beautiful rooftop veranda. 

Detour on Route 1

After lunch we got back onto route 1, eager to see Big Sur and to enjoy the views of the coast down to Pismo Beach. We stopped at the spectacular Bixby Canyon Bridge for me to take a few shots, though sadly the light was not great.

Just south of the bridge we found the road was closed  due to a landslide.  It was only then that we remembered that our friend James had mentioned landslides back in Portland,   Sure enough, when we examined our much annotated map, James had routed us inland to avoid exactly what we were going to do next – drive all the way back up the Monterey Peninsular before taking Route 101 to avoid the landslide.

Unwilling to give up, Ted scoured the map for another route, and eventually came up with a small dotted line that crossed the mountains that separated coastal Route 1 from inland Route 101.   Nick was skeptical of our Chevy Suburban’s off-road abilities, and we debated it for a while.  I settled the matter by declaring the dotted line a goat track, and quite impassible.  With the matter settled and no other options, we turned around and headed north.  ‘Did I mention we need to be in Mexico by Friday?’ asked Ted once again.

On to Pismo Beach

With the detour it was dark when we arrived at Pismo Beach, once famed for an abundance of clams.   Back in 1957 in an episode of Bugs Bunny, the eponymous rabbit  and traveling companion Daffy Duck emerge from a tunnel,  into what Bugs believed to be Pismo Beach with ‘all the clams we can eat.’  The clams are much diminished in numbers now, but there is still an annual festival in their honour, and the city claims to be the clam chowder capital of the world.  A large clam statue at the southern end of Price Street ensures no visitor can miss the association.

The Pismo Beach disaster

Soon after I returned to the UK from the trip I was watching the US crime drama Ray Donovan, when I was startled to hear Bunchy, Ray’s brother exclaim ‘Jesus,  I moved my fucking family back from Pismo Beach for you, Ray!’   It’s also been mentioned in Futurama, Robot Chicken and the movie Clueless, which references the fictional Pismo Beach Disaster.

At night the back streets reminded me somewhat of Brighton in the UK – my second favourite seaside town after Deal, in Kent.   We checked in at the very pleasant Inn by the Pier, and stopped for a quick pre dinner sharpener at the bar.  Asking about the local hotspots our charming barmaid, Bobby, told us that wherever we went sooner or later we would end up at Harry’s.  Everyone did.  It sounded like destiny.

Dinner before destiny

Not wishing to meet our destiny on an empty stomach we went for dinner at the nearby Oyster Loft at which we made a second enquiry about where we go for drinks afterwards.  We were curious to be directed to the city of  San Luis Obispo, some 20 minutes drive away.  The courteous and professional staff there at the Oyster Loft also advised us that on no account should we visit Harry’s, which was 5 minutes walk away in Pismo Beach.  I took a look at our options online; San Luis Obispo’s best known landmark appeared to be bubble gum alley – a narrow walkway with walls coated in used gum.  In local news a female resident had just been sentenced to 8 years in jail for slashing her boyfriend’s throat with a box cutter.  By way of contrast Harry’s Beach Bar and Night Club looked innocuous enough.  We decided to go to Harry’s.   

Death in Tijuana

Harry’s was not the worst bar I’ve ever been to by any stretch of the imagination, but I couldn’t recommend it.  It was large and noisy and filled with older crowd whose careworn features and less than pristine dress gave the appearance that they had endured what we call in the UK ‘a hard paper round’.  The charm that any good dive bar has was completely absent.

It was my round and I approached the bar. The woman next to me had drunk herself to the point of insensibility.  She muttered to herself and swayed alarmingly on her stool so I moved to avoid a collision.  A tall man to her right steadied her and started to take control of the situation, enquiring how she was going to get home and whether he could help her into a taxi.  He seemed genuinely concerned and helpful.  Surrounded by people who seemed likely to be considerably less noble than this, I silently gave thanks for his good citizenship.

I brought the round of beers to where Nick and Ted were standing.  They had fallen in with a group that appeared less villainous that the rest of Harry’s guests and were discussing our forthcoming trip to Tijuana.  ‘Don’t don’t do it man’, offered the largest person in the party, who was an ex US Marine.  ‘Don’t go to Tijuana.  I was there recently and I saw a man get kicked almost to death by school children’.

This alarming anecdote from an ex military type was only sightly worse than what we had heard all week.  From Vancouver to Pismo Beach we were told that a trip to Tijuana meant we would almost certainly be robbed and were likely to encounter much worse – in this case a violent end at the hands of school children.  This was to be the case until we reached San Diego and got some more balanced, first hand advice.  Ted was phlegmatic about it.  ‘As long as we remember the Spanish for help, we’ll be fine’ was his assessment.

Though the Redwoods to San Francisco

This was day 5 of our trip from Vancouver to Tijuana and our longest drive.  We had to cover some 400 miles, mostly on twisting two lane highways, from our lodge near Gold Beach on the Oregon coast  to San Francisco, a journey which would take more than 7 hours – if we didn’t stop.  This was also to be our day amongst the Giant Redwoods.  Initially, our progress was slow as we were constantly distracted by the views from the coast road.  Most of the time we were able to pull over in a layby, but to view Arch Rock, a massive rock formation along one of the most rugged sections of the Oregon coast, we needed to park up and walk a short trail.

Avenue of the Giants, San Francisco CaliforniaFirst Sight of The Redwoods

Stopping at the mysteriously named Trees of Mystery, located at Klamath, California, we were greeted by a very kitsch 49 foot tall Paul Bunyan, a giant lumberjack of American folklore, and his proportionally large Blue Ox, Babe.   Whilst these are really very large statues (most visitors would not reach Babe’s knee), they did not prepare us for the sheer scale of the Giant Redwoods we saw as we walked the trails.  Whilst they are the world’s largest single trees, they are also both the largest and oldest living things on Earth.  These incredible trees can also be viewed from the top of the forest via a gondola ride, though personally I found their majesty was best appreciated at ground level.

Taking the opportunity for brunch, we visited the Forest Cafe just across the road.  Unsurprisingly, it was forest themed and even more kitsch than the statues.   One of the specialities there is local dish called a Monte Cristo, which we sampled .  This is an XXL French toast sandwich, filled with ham and Swiss cheese, fried, dusted with icing sugar, and served with side of hash browns.   I think of it as the Mr Creosote of Croque-monsieurs.

The Avenue of the Giants

The next waypoint on our trip had the advantage of being one we could see without stopping – in theory at least.  This was the Avenue of the Giants, actually State Highway 254, which we entered from the northern end a few miles south of the town of Fortuna, and is pictured here.  The road was once was part of Route 101 until it was bypassed in the 1960s.  It was an incredible driving experience; the highway is lined with magnificent Coast Redwoods and runs parallel to a small and picturesque river.

Coast Redwoods (aka California redwoods) are also astonishingly large.   Curiously, the height these redwoods can attain is related to the availability of fog.  This is because transporting water to such great heights by conventional means is extremely difficult and the upper leaves supplement their water supply by extracting it from fog.

Shrine Tree Chevy Suburban California RedwoodsAlong the route there is a drive-through Redwood, and it seemed unreasonable not to sample it, especially as, unlike other examples, the opening in the trunk is natural.  As we paid for our $8 ticket (the tree is privately owned), we were told that our Chevy Suburban was the very largest vehicle the Shrine Drive-Thru Tree could accommodate.  Nick drove, I assisted from the passenger side and Ted took photos of the unlikely sight of a huge SUV passing through a tree.  At points there was barely an inch to spare either side, but the paint was still all on the car as we exited.

Shoreline Highway

From the Avenue of the Giants it is just 30 miles or so to California State Route 1, also known as the Pacific Coast Highway (PCH) and the inspiration for our trip.  North to South, it runs 750 miles inland from Leggett, in northern Mendocino, along the coast to Capistrano Beach, which is about 50 miles South of Long Beach.   The stretch we were on passes through Mendocino, Sonoma and Marin Counties and is known officially Shoreline Highway until it reaches the Golden Gate Bridge at Sausalito.

The Shoreline Highway is a beautiful but slow, windy stretch of two-lane blacktop that hugs the coast.  it is not what most people think of as the PCH, which is the section that runs between San Luis Obispo and Monterey, passing through Big Sur, Carmel and Monterey.  I read online that the drive between Leggett and Sausalito could be done in a day, ‘but it would be a tiring one’.  This amused me somewhat as we were already 5 hours into our drive at Leggett.

San Francisco Golden Gate BridgeGolden Gate Bridge

After about 3 hours we arrived at Sausalito, cheering in unison as we caught sight of San Francisco’s most famous landmark, the Golden Gate Bridge, resplendent in International Orange.  Ted knew of some places with good views up in the Marin headlands just north of bridge, so we headed under the 101 and up a narrow winding road, which you can see in the photo.

Whilst there are many places to shoot the bridge from this is actually one of the best vantage points in the late afternoon or early evening. Parking, however, at one of the few designated areas, is really difficult.   Once parked up we enjoyed a great view of this truly amazing piece of engineering.  It was constructed in the 1930s and had to overcome wind, fog, deep water, tides and vested interests opposed to its construction to span the Golden Gate strait.  At that time, at 746 high the towers were taller than any building in the city of San Francisco.

J Town, San Francisco

I love Japan, so I was excited to be staying at the Hotel Kabuki in the J Town (aka Japantown and Nihonmachi) part of San Francisco that evening.  This affection for all things Japanese had only become stronger since my 10 day roadtrip across the country the previous year.   There are far fewer Japan Towns than China Towns in the USA, with just 3 versus around 50.    San Francisco’s is both the largest, and oldest.

J Town covers 6-blocks and has many Japanese restaurants and shops mostly along Post Street, between Fillmore and Laguna Street.  Next to our hotel in Post Street is the Peace Plaza, which contains a 5-story pagoda, a gift from the city in Osaka in the 1960s.   We were really pleased with the recently renovated boutique Kabuki, which mixes Japanese and western influences to great effect.    We strolled the few blocks of the area and ate dinner at Izakaya Kou.  Izakaya are Japanese gastro pubs that developed from sake shops which allowed customers to consume the drink on the premises, and typically serve tapas style dishes.  The food was delicious and beautifully presented.

Back at the bar of the Kabuki we reflected that our trip was rapidly coming to an end; we had only our penultimate stop at Pismo Beach before our final night’s stay in San Diego.  The day’s drive had been an epic one of more than 400 twisting miles from our lodge in the Oregon wilderness. At a mere 254 miles the road to Pismo Beach was going to be a breeze in comparison. 

The Magnificent Oregon Coast

US-26 To the Coast

Camp 18 Logging Museum Oregon CoastIt was day four of our epic roadtrip from Vancouver to Tijuana, and time to hit the Oregon coast.  Over the past three days, of the 1,823 miles we would eventually travel between Mexico and Canada we had covered just over 300.  We were also now heading slightly northward so that I could shoot Cannon Beach.  Nick and Ted were impatient to head South, but 60 miles from Portland on US-26 we saw an incredible assortment of rusting and antiquated machinery, and decided to stop.  Barring our short visit to Gas Works Park, Seattle, the trip had not been a photographic success so far.  Heavy cloud in Vancouver, heavy rain in Seattle and heavy drinking in Portland had all got in the way.

We had pulled over at Camp 18 Logging Museum, so called because early logging operations always numbered their camps and the museum is located at mile post 18 on Highway 26, 18 miles from the coast.  There is a great collection of old logging machinery outside in the car park, including steam engines, giant mechanical saws. tractors and the battered old logging truck shown left.

Logging is central to Oregon’s history.  Kick -started by California’s gold-rush and boosted hugely by WWII, the demand for lumber grew and Oregon became a central national and international timber producer with thousands of logging operations.  Today natural resources are a much smaller part of Oregon’s economy, which has shifted to manufacturing, services, and high tech industries.

It was too early for lunch but the restaurant made for interesting viewing – the massive doors are opened with axe handles and the dining room room is held up by an enormous log some 85 foot high and weighing many tons.   There are also several very large wooden statues of the local cryptid Big Foot.  In the gift shop Ted enquired if the shop assistant had ever seen one of the giant wilderness-dwelling bipeds, expecting a dismissive reply.  “You wouldn’t be able to see one if it were stood right next to you”, was her surprising response.  Inspired by this, Nick downloaded an app to track sightings of cryptids in the US and kept us informed of the latest in our vicinity throughout the rest of the trip.   It turns out that cryptid hunting and crypto zoological groups are quite popular in the US.  Big Foot has plenty of legendary company as this map shows.

Cannon Beach Haystack RockCannon Beach

Ever more mindful of the distance we still had to cover, we got back in the Chav Wagon and headed for the coast.  We arrived at Cannon Beach, named after a ship’s cannon that washed ashore in 1846, around noon.  The beach each is famous for the 235 ft high monolith Haystack Rock, which is flanked by the Needles – a pair of tall companion rocks.  It is one of the largest sea stacks on the Pacific Coast and is home to a colony of Puffins.  Canon Beach is probably the best known beach on the Oregon coast, certainly to photographers – but there are several others to explore, which are well described in this article on the best beaches in Oregon.

I carefully set up my tripod from a couple of different angles, watched with a mixture of mirth and frustration by my travelling companions, who were both feeling the chill on the windswept beach.  Focused on my photography I barely noticed the cold, or that the odd hour or two that had passed.

The Oregon Coast Highway

We had coffee at Sleepy Monks near the beach and then joined the Oregon Coast Highway, which would be our companion for the rest of the day.  Its a spectacular piece of two lane blacktop, but subject to landslides, which require a diversion across the coastal range of mountains we had just crossed.  Google Maps showed a distance of 285 miles and a journey time of 6 hours 28 minutes to our next destination, which was Gold Beach.   We paused at Neahkahnie Viewpoint, near Manzanita to admire the view of the apparently endless curve of the beach and numerous other scenic spots along the coast before stopping for lunch at Gracie’s Sea Hag in Depoe Bay, which claims the world’s smallest harbour.  

In addition to the coast views we were much taken by the many fine bridges we crossed, such as the Siuslaw River Bridge at Florence.  They were constructed in the 1920s and 1930s and the product of one man’s vision.  This was Conde B. McCullough, the Oregon state bridge engineer from 1919 to 1935 who combined  Gothic Art Deco and Art Moderne sources to great effect.

The Road To the Lodge

After lunch we made a few more stops for photography, most notably at Humbug Mountain, which we considered to be the perfect habitat for American Hobbits.  By the time we got to Gold Beach it was about 8PM, and we were feeling tired and hungry again.  Gold Beach (originally Ellensburg and renamed after gold was found on a nearby beach), is not the most prepossessing of seaside towns – its known for its jet boat rides on the Rogue River and little else.   The only reason we were stopping there was that we had found an interesting place to stay which conveniently broke our journey.  This was  the Tu Tu’ Tun Lodge, located some miles outside town on the Rogue River.   The road to the lodge was impenetrably dark, somewhat narrow and fearsomely winding.  On our right hand side there appeared to be some precipitous drops into we knew not what.  This combination did not suit vast bulk of our Chevy Suburban particularly well.   To increase our peril, every mile or so a deer would leap out into the road in front of us, seemingly tired of life.  We were relieved to arrive at the lodge safely but found it to be extremely quiet; the main building was locked and deserted.  Our keys were in envelopes outside.  We inspected our rooms which were cabin style found them to be very well appointed with a good sized wood fire.  A wood fire was all very well, but our thoughts at this point were on dinner.

Gold Beach

Oregon Coastal HighwayI remembered that there was a small shop some miles back towards Gold Beach, so we set off towards the town.  After a few more close calls with deer we came to the Rogue River Grocery and Tavern in the apparently invisible community of Agness.  As we entered the grocery, lit with an eerie yellow light quite possibly not of this earth, I noticed a large and rather disreputable looking stuffed turkey in one corner.  The head had been removed at some point and glued back on, with a visible white join.   The tavern was out back and in near darkness; a lone drinker sat motionless in the dark.  Reviewing our our choice of ingredients for dinner we found them be be rather limited and settled on a couple of tins of spam, some burger rolls and a copious amount of assorted beer.  With the certainty of eating established, albeit not very well, we quizzed the store keeper about what dining options there might be in Gold Beach.   He shook his head disapprovingly.  “You won’t get anything in town at this time of night.  It’s all shut up now.”   He spoke to us as if we had rolled in at midnight expecting dinner, but actually it was only 8.30 in the evening.

Unsure that this assessment was sound, we headed into town and found the Sea Star to be open.  The Sea Star was a local’s place, but friendly enough, though I was a little wary of the man who paced up and down the bar the entire time we were there.  We some ordered bar snacks, but as they turned out to be rather insubstantial, we finished our drinks and headed back to the lodge.  We lit the fire in my room and Nick cooked spam over the wood fire, which we ate in the burger rolls as we tucked into the beer.  Surprisingly, this turned out to be a better supper than we had expected.

The next morning we awoke to the full glory of being out in the Oregon wilderness.  The Tu Tu’ Tun Lodge really is in a beautiful location.  It’s primary disadvantage for us is that it really is a very long way from Mexico.  This was to be the big mileage day; we had to be cover the 408 miles to San Francisco, which Roadtrippers estimated at 7 hours 15 minutes.  Somehow we also had to find time to stop at least a couple of times to see the giant Redwoods of Northern California.  As soon as we hit the coast road we saw a succession of beautiful beaches.  The beaches of the Oregon coast are long and wild.  The forests come down close to the shoreline, and the shore is decorated with bleached white driftwood.  Offshore, there are large rocks and sea stacks.  In the soft early morning light they were quite breathtaking.   Road tripping on the Oregon coast is often shaded by neighbouring California, but having travelled the length of the US West Coast I can honestly say that it was Oregon that impressed me most.

The Fine City of Portland

Fire Hydrant outside Loyal Legion Portland
Fire Hydrant outside the Loyal Legion

On the third day of our epic roadtrip from Vancouver to Tijuana, we took the I5 Interstate from Seattle to Portland.  It is the main and most direct North-South route in Washington State and the drive takes less than three hours if the traffic is good.  Given a few days to spare, there are mountains, islands and lakes to explore, but there isn’t a lot to see from the interstate.    Arriving at the boutique HiLo Hotel, we dropped our bags and set out to get to know Portland a little better.  Within five minutes of our hotel we stumbled across Jake’s Famous Crawfish, which has been in business since 1892.  Being unfamiliar with both Jake and his renowned Crawfish we stopped there for lunch and found the both the food and beverages to be excellent.

The Loyal Legion

We spent much of the meal debating whether to go on the bike-bar tour of Portland that Ted had booked.  Billed as ‘Beer, Bike and The Portland Way’, it was a 2 hour, 3 stop pub-crawl on a pedal powered bar.  In good weather this would have been quite compelling, but the cold weather, combined with our inherent fear of exertion put us off.  After some debate, which required a few more rounds of drinks to settle, we cancelled the tour.  We had reached out to a friend in Portland, James, before the trip and whilst chez Jake we firmed up our arrangements.  The plan was that we would meet at the Loyal Legion, an establishment whose sole purpose is to celebrate the Oregon Craft Brewing tradition.   Re-orienting our sole purpose to the same, we took a taxi across the Willamette River.

None of us were in particularly good shape when we arrived at the Loyal Legion, as we had been slightly over served at lunch and all felt tired and somewhat listless.  As we stood outside the bar, taking in the bracing air, Ted noticed a man pacing manically back and forth between two posts on the other side of the road.  He remarked that the pacer had the right sort of idea, a comment that refers to his habit of pacing away a hangover.  This was a technique he had used extensively at Nick’s house one particularly painful New Year’s Day, and became known as ‘Ted’s Turkish prison walk’ after a scene from the film Midnight Express.

1,000 Years of Silence

Starting to feel the cold, as none of us had brought adequate cold weather clothing, we ventured inside the Loyal Legion.   Portland has more breweries per capita than any other city in the world, and the Loyal Legion has a fine selection of their beers: 99 in fact.  Looking at the extensive menu I was most taken by a stout called 1,000 Years of Silence from the Fort George Brewery, which I duly ordered.   Nick chastised me for not reading the small print, as the beer is rated at a startling 10.5% ABV.  It was a magnificent brew, but not one you could drink a lot of and remain concious.  James arrived shortly afterwards and we had a great evening with him.  After a good spell in the Loyal Legion we had dinner at the Trifecta Tavern next door and then headed to James’ cigar bar: McMenamins Greater Trumps, where he gave us each a fine cigar.  We participated in the pub quiz and I helpfully illustrated each of our answers, which later proved to be popular with the quiz markers.

Mexico By Friday

Ted had invested in a large scale map of the West Coast, which we pored over with James during the evening, carefully recording his advice on the map.  Our inattention to one of his carefully inked annotations – about landslides – would cost us a great deal of time later in the trip.

The next morning we loaded the Chav Wagon early and were about to set out when a homeless person set about us.  ‘God has a plan for you!’ she screamed, spitting at us with rage.  Sympathetic to the poor woman’s plight but not particularly keen to hear more about God’s plans for us, we set off.  We were headed for Cannon Beach, a renowned beauty spot on the coast.  Getting there meant taking Highway 26 across a small mountain range – and heading slightly North.  ‘You do realise we have to be in Mexico on Friday?’ Ted remarked pointedly as we headed back the way we had come.  This became a frequently used phrase on the rest of the trip – particularly whenever I was setting up my tripod.

From Vancouver to Tijuana

Vancouver Library RoadtripAt the end of April 2018, I embarked on a week long roadtrip from Vancouver to Tijuana with two old friends.  Our planning was limited to some banter on WhatsApp and covered just the start point, the end point, and the hotels we would stay in.  All other details could be determined en route.  We excluded Alaska from the scope of the trip – albeit with some regret, as it added another 40 hours of driving.  The hotels, which were my responsibility, were rather unequally distributed, but that was where the way points fell on this trip: Vancouver, Seattle and Portland are all quite close together.

Misplaced Confidence

We were confident we could easily do the trip in a week – after all, we had covered 2,332 miles in 10 days on a Route 66 trip that took in Monument Valley (something  most experienced travellers will tell you is inadvisable) and this was somewhat shorter.  As we found out later, there is a world of difference between driving on the arrow straight roads of the South West and the winding Pacific Coast Highway.  We had also not factored in getting through the vast, traffic logged urban sprawl of Los Angeles.

We had established a high mileage rhythm on the previous roadtrip – we rolled in a 5,600 lb. beast of a vehicle, shared the driving and were untroubled by long periods of time on the road.  For us, that is what defines a roadtrip and gave us our misplaced confidence that the trip would be a breeze.

We saw so much in a week that a single post would never do our West Coast trip justice.  Instead I will break it up into sections and give selected highlights their own posts, such as Seattle’s excellent Gas Works Park.  As this post describes the start of the journey, our itinerary is below.  The mileages and time estimates come from the app Roadtrippers – which is really quite useful.  For those planning a trip like this, bear in mind that these are most direct routes, not necessarily the most scenic; our actual mileage, as you can see below, was rather higher as a result.

The Itinerary (with Link to Posts)

  • Vancouver, British Columbia
  • Seattle, Washington (141 miles, 2 hours 28 minutes)
  • Portland, Oregon (173 miles, 2 hours 47 minutes)
  • Gold Beach, Oregon (301 miles, 5 hours 31 minutes)
  • San Francisco, California (408 miles, 7 hours 15 minutes)
  • Pismo Beach, California (246 miles, 3 hours 55 minutes)
  • San Diego, California (249 miles, 4 hours 55 minutes)
  • Tijuana, Baja California (20 miles, 27 minutes)

Estimated roadtrip Total: 1,589 miles, 27 hours 20 minutes
Actual roadtrip Total: 1,823 miles, approximately 36 hours

Vancouver

My friend Nick and I flew from London Heathrow and were met by Ted, who now lives in Palo Alto, in a wine bar in Vancouver airport.  He was clutching a glass of red wine and a welcome sign that had us in stitches.   We headed to our hotel – the Fairmont, which turned out not to be the one Ted had recommended.  It turned out that there are two Fairmont Hotels in Vancouver.  Our very poor planning was already starting to show.

Having checked into the wrong Fairmont we took an enjoyable evening stroll in Gas Town, taking in the famous Steam Clock.  We finished the evening with dinner at the excellent Pourhouse and a night cap in the hotel bar.

In the morning we were up early and took a bracing walk from our hotel along the seawall to Stanley Park, stopping to admire Douglas Coupland’s superb Digital Orca and the many seaplanes in the harbour on the way.  From there we took a taxi to the iconic Capilano suspension bridge and enjoyed a walk amongst the old growth Douglas fir trees.   We took a taxi back into the city and took in Vancouver’s striking Central Library (shown here), the design of which is based loosely on the Colosseum. After that we visited Earls in Yale Town for a late lunch and then it was time to hit the road.  We couldn’t hire a car from Vancouver to San Diego (we didn’t plan to drive in Mexico), so we had arranged to pick up the hire car in Seattle.  As the train times didn’t line up with our chosen departure time we booked a car service to get us there.

An Old White Stretch

Ted took care of this and a slightly seedy looking white stretch limo duly appeared, with a Russian driver who looked like an unreformed alcoholic.  He made it plain that whilst having alcohol in the car was against the rules, he wouldn’t be checking up on us.  We loaded the car, including some local beverages, amongst which was a promising sounding beer called 33 Acres of Darkness, and set off.  The sound system in the ageing stretch was temperamental but eventually we got our play lists loaded.  We crossed the border into the USA, narrowly getting ahead of a coach load of excitable school children.  Our driver was severly chastised by US customs for bringing an alien orange with him, and was required to leave it in Canada.  Otherwise our border crossing was unremarkable.  We took the most direct route and so we didn’t see much in the way in scenery, which later reading revealed to be a mistake, but it was a fun and relaxing leg of the journey.

Seattle

Seattle was cold and overcast when we arrived and it soon started to rain heavily.  I am sure Seattle is a great city, but it wasn’t at its best for us on this trip.  Nick and I were tired from the flight, the section of bars we took in missed the mark, and whilst we had an excellent dinner at Canon, the waitress made it quite clear that we were incompetent diners who were quite incapable of ordering either food or drink without close supervision.   Between bar and restaurant the rain turned to hail.  As we passed a bedraggled line of Millennials, queuing to watch comic JP Sears and vainly trying to shelter from hail stones the size of marbles, I was glad we would soon be heading South and into better weather.

At breakfast in the W Hotel  we debated where to go in Seattle before we headed for Portland.  Naturally we all wanted to see the Space Needle.  I had read that the best place to view of it from, as part of the Seattle skyline, was from Kerry Park – so we duly headed there.  Mercifully it was dry but somewhat misty.  When we arrived I also found the sun to be entirely in the wrong place to get a good shot of the skyline.   Nevertheless I set up my tripod and did my best with the light I had.  Nick and Ted, meanwhile, started chatting with a drone photographer who was operating next to me, humorously comparing my DSLR, cable release and tripod setup very unfavourably with the agile 4K equipped aerial device.

Determined to get at least one good shot of Seattle, we headed for Gas Works Park, which was a revelation – the link will take you to my blog about it as a one of the photographic highlights of the trip.  Though it was still bitterly cold, it was bright and sunny by the time we arrived.  We were incredibly impressed by the rusting collection of industrial era technology, partly overgrown and daubed with graffiti, that forms the unlikely centre piece for the park.  There were also great views of the city skyline over Lake Union.  We spent quite a while at GWP and then went to collect our vehicle.

Getting our Wheels

Unless you are renting an exotic of some description, it is impossible to specify the exact make and model of vehicle you would like.  Our hope was for another Chevy Suburban, but aside from knowing that it would be a large SUV, we had no idea what we would get.  We were pleased to find Hertz had a Suburban for us, though it looked a little bit of a chav wagon in white compared to our preferred US Government black; Suburbans, albeit in HD form, are used extensively by the FBI.   The 2017 Chevy Suburban is 18.5 feet long, can carry nine passengers and will tow a handy 8,300 pounds.   Whilst that might sound excessive, when you are in a vehicle for up to 10 hours a day a bit of space makes a lot of difference.   With its ladder frame chassis and soft suspension it is no driver’s vehicle, but it has huge presence and the big 5.3L V8 makes for effortless mileage.   Content that we we had a proven set of wheels under us, we loaded up and headed for Portland, Oregon, with little idea what we would find when we got there.