The legendary German marque has had more than its fair share of movie appearances, particularly the M3. Leica pioneered the 35mm ‘miniature format’, back in 1930 with the first practical camera to use standard cinema film, which required high quality lenses and negative enlargement to make the format work.
Subsequent development, based on many years of learning, resulted in the M3 of 1954, which a huge step forward on its predecessors, combining the viewfinder and rangefinder in one bright window, a bayonet lens mount, and rapid film advance lever. Despite its high price it was very successful with over 220,000 units sold by 1966 when production ended. By that time the Nikon F, nemesis of the teutonic rangefinder, had been in the market 7 years and the world of 35mm photography had changed forever, with the SLR having won the hearts and minds of many professional photographers.
The M6 TTL
Enthusiasts continue to argue over which is the best Leica and the M3 maintains a strong fan base, mainly for its large, bright high magnification viewfinder, which many argue has never been bettered. I’ve shot with the M3, M6TTL and M7 and my personal favourite is the M6TTL (0.58 version pictured below, along with 0.85 M7) The built in light meter is eschewed by the Leica hardcore, but I find it preferable and it has superior ergonomics with a modern film crank and large dial for the shutter speed. Leica consider a film rewind crank, which has been standard on virtually all film cameras since the ’60s to be a bit racy and like the original M3, neither film camera in production today (the Leica M-A and Leica M-P) sports one.
I came to Leica from the autofocus Q, which I travelled the world with as part of my job at the time. I am not a digital Leica M shooter, but I do love shooting with film Ms, the lenses are outstanding and full of character and the build quality is second to none. They are also very beautiful cameras and look great in the many movies they have appeared in.
The Leica M in Movies
Persona (1966, M3)
Downhill Racer (M3, 1969)
Darling (M3, 1965)
Green Berets (M3, 1968)
Le Mans ( M3, 1971)
Patton (M3, 1970)
The Day of The Jackal (M3, 1973)
The Odessa File (M3, 1974)
Woodstock (M4, 1974)
Dog Day Afternoon (M3, 1975)
The Omen (M3, 1976)
Under Fire (M4-2, 1983)
Salvador Leica (M3, 1986)
Wings of Desire (M4, 1987)
Mighty Joe Young (1988, M6)
Addicted to Love (M6, 1997)
George of the Jungle (M6, 1997)
Payback (M3, 1999)
Spy Game (M6 with motor drive, 2001)
Imposter (M6, 2002)
We Were Soldiers (M3, 2002)
Blood Diamond (M6, 2003)
Eurotrip (M7, 2004)
The Hitchhikers Guide to the Galaxy (M7, 2005)
The Omen (M7, 2006)
Other Classic Film Cameras in Movies
A huge number of film camera manufacturers have come and gone and their products have appeared in hundreds, if not thousands of movies, but here are a few of the more notable ones. Of the models listed below, I have only shot with the Olympus OM-1, another game changing camera which began a shift towards more compact, lighter 35 mm SLRs, away from the increasing weight of the Nikon pro SLRs and back towards the smaller form factor that Leica had always delivered with rangefinders.
Though I don’t have any of the Rolleiflex models listed below (2.8F and T), I have a Rolleiflex 3.5F from 1961 which I absolutely love, and is considered by many to be one of the finest film cameras ever made. The Rolleiflex uses 120 medium format film which produces huge and very detailed 6x6cm negatives. Shooting a Twin Lens Reflex (TLR) camera is an entirely different experience to shooting either an SLR or rangefinder, and though manual focus can be challenging, gazing at the world through that illuminated ground glass screen that sees the world back to front is absolutely entrancing.
Close Encounters of the Third Kind (Rollei B35, 1977)
National Lampoon’s Vacation (Olympus OM-1, 1983)
Easy Money (Exacta VX, 1983)
The Killing Fields (Rolleiflex 2.8F, Pentax Spotmatic, 1984)
Bridges of Madison County (Nikon SP Rangefinder, 1995)
Ronin (Leica R6.2, 1998)
Catch me if you Can (Kodak Retina 2C, 2002)
Harry Potter and the Half-Blood Prince (Pentax 67 medium format, 2009)
Jurassic World (Lomography Diana F+, 2015)
Batman v Superman (Nikon S3 Y2K Rangefinder, 2016)
Kong: Skull Island (Canon AE-1 Program, 2017)
The Last Word
The last word in this article goes to the humble Yashica Electro 35 GSN rangefinder pictured above, a typical manual focus rangefinder camera with a fixed lens and aperture priority auto exposure mode. You simply set the aperture and if it is not correct for the lighting conditions the ‘over’ or ‘slow’ directional arrows light up.
Long after it was discontinued, the inexpensive Electro has developed a cinematic identity thanks to an appearance as Peter Parker’s camera in The Amazing Spiderman (2012). There are several Electros (G, GS, GSN, GTN, GL, MG-1 and CC) and thanks to its moment in the spotlight the GSN has become known as the Spiderman version.
In addition to being inexpensive and fun to use, the camera has highly evocative 1960s branding; the space-age atomic symbol on the front of camera and the Color-Yashica branding on the sharp 45mm f/1.7 lens are both very 1960s indeed. Colour was new to consumers when the camera was first released in 1966! I have one myself, and whilst its no Leica, for value for money and fun to shoot with its hard to beat.
That’s it for my classic cameras in movies round up. If I have missed any cameras you think I should include please leave me a comment. For more about historically important cameras, please visit the year by year timeline.
This year by year camera timeline lists significant milestones and cameras representative of the year, as well as some curiosities and evolutionary dead-ends, from 1900.
1900 Kodak introduces the first of the Brownie series which brings the snapshot to the masses. It is a cardboard box camera with a simple meniscus lens that takes 2 1/4-inch square pictures on 117 roll film
Kodak markets the The No. 3 Folding Pocket Kodak Camera, a camera that would go on to have probably the largest number of model variations of any Kodak camera made
1901 The Kodak No.2 Brownie is the first camera to use 120 roll film
1902 The Royal Ruby is introduced by Thornton-Pickard, an early pioneer in the development of the camera industry, as its top of the range field camera
1903 The Century Camera Co. introduces the Grand Century Senior. It is constructed of mahogany and features a revolving back and triple extension bed in addition to front standard adjustment
1904 Century introduces the No. 2 Field Camera offering front and rear focus via rack and pinion; double swing; reversing by removable back and a three-piece lens board for 5 x 7, 6.5 x 8.5 and 8 x 10 inch plate film
The No. 4 Screen Focus Kodak combines the use of roll film with a ground glass with an unusual construction that allows the roll film back to be swung out of the way to make place for the ground glass
1905 The Soho Reflex single-lens reflex camera is introduced and becomes the definitive SLR model until after WWII
Houghtons Limited introduces the Ticka Watch Pocket Camera. It is about 2½ inches in diameter with the lens mounted in the barrel and the film in a cassette
1906 Kodak markets the No. 4A Folding Kodak, a large camera for amateur photographers, producing negatives of 4 1/4 x 6 1/2 inch on roll film or glass plates
1907 The Revolving Back Auto Graflex camera is first patented by the Folmer and Schwing division of the Eastman Kodak company. The camera’s main feature is a revolving back for taking horizontal or vertical pictures without having to rotate the camera
The Butcher Royal Mail Stamp Camera is the simplest type of multiplying camera, featuring a polished mahogany box with fifteen lenses, an internal septum to separate the images, and spring mounted metal plate shutter to produce fifteen images on small 3-1/4″ x 4-1/4″ dry plates or film
1908 Kodak markets the No. 4A Speed Kodak, a specialist camera for the professional or serious amateur photographer offering shutter speeds from 1/5 to 1/1000 of a second
1909 The 1A Graflex SLR is introduced. It shoots 2¼ x 4¼ inch Kodak 1A roll film and is notable for its pantograph viewing hood
Houghtons Ltd. introduces the Ensignette Camera, an all metal bellows camera which folded into a vest pocket size camera like the Kodak VPK. It is a milestone in popular photography, providing for the first time a practical, truly compact camera at an affordable price to the average person
1910 Kodak launches the No. 2A Folding Pocket Brownie folding roll film camera for 116 film producing 2 1/2 X 4 1/4″ images
1911 Newman & Guardia Ltd introduces the Model 11A Postcard Sibyl for 5 ½” x 3 ½” plates featuring a folding reflecting view-finder with spirit levels
c. 1911 The original Makina model is launched by Plaubel. It is a strut folding press-type camera, taking 6 x 4.5cm film plates
1912 The first Speed Graphic press cameras are produced. Production continues until 1973
The Vest Pocket Kodak camera, or ‘VPK’ as it was usually known, is launched and becomes one of the most popular and successful cameras of its day. Over 2 million would be sold before the model was discontinued in 1926.
1913 The Homeos stereo camera is the first 35mm camera to go into production
The first commercially successful 35mm camera is the American Tourist Multiple produced by Herbert & Huesgen, New Ideas Mfg. Co
1914Oskar Barnack, creates the Ur-Leica, the prototype of a small-format 35mm camera
Kodak introduces the No. 0 Brownie, the smallest in the range. It takes pictures the same size as the popular Vest Pocket Kodak of 1912
1915 The Minnigraph, made by Benno Levy-Roth of Berlin, may be the first still camera to use cine film. It makes what will later be considered half-frame (18 x 24 mm) pictures, on film held in special cassettes
1916 Kodak introduces the 3A Autographic Special. Generally regarded as the first rangefinder camera, it has a 3-band split-image coupled rangefinder built into the base of the front standard
c. 1917 Conley’s Kewpie No. 3A is a postcard format box camera for type No. 125 roll film with two reflecting type finders, one for horizontal and one for vertical exposures
1918 The Adam, a cardboard box camera, is the first Japanese camera to sell for ¥1
1919 The Cocarette is one of the first new products of German camera maker Contessa-Nettel after the merger that led to the foundation of that company in 1919.
1920 The Venus is a folding camera made by Ihagee in Dresden optimized for exposures in horizontal format
1921-1930
1921 Newman & Guardia Ltd launches the N&G Folding Reflex with a collapsible focusing screen and mirror
The Paff-Reflex is introduced by Ihagee. It is the first SLR made by the company which will later introduce the first 35mm SLR
1922 The Ensign Cupid is the first camera to use a ‘double window’ arrangement for doubling the number of exposures on a roll
1923 J.H. Dallmeyer Ltd introduces the Dallmeyer Speed with a a fast focal plane shutter capable of providing speeds up to 1/1000th of a second accompanied by a fast Pentac F2.0 lens.
1924 The first common wide aperture lens becomes available with the f/2 Ernemann Ermanox, manufactured by Heinrich Ernemann A.G. of Dresden
1925 Leica introduces the Leica I (A), a watershed design that makes the 35mm format truly viable
c. 1926 The Agfa Standard medium format roll film and plate cameras become available with an optional coupled coincident rangefinder at extra cost. Ingenious and advanced for their time, they would serve as the inspiration for later Zeiss Super Ikontas and Voigtlander Bessas
1927 The first monorail camera, the Stegemann Studien-Kamera-C, a 9 ×12 model is designed by the Pictorialist photographer Heinrich Kuhn
1928 The hugely influential Rolleiflex twin lens reflex camera (TLR) is introduced, with an ingenious focusing mechanism using a the carriage that held both the viewfinder and the imaging lens, achieving the same function as bellows but with metal
1929 Zeiss-Ikon introduces its top product line of folding medium format cameras, the Ikonta
Minolta, originally named the Nichi-Doku (which means “Japan-German”) Photographic Company, introduces its the first camera, the Nicalette, which is equipped with a German shutter and lens.
1930 The Leica I (C) offers a camera with interchangeable lenses using the Leica Thread Mount (LTM)
1931-1940
1931 The first 35mm prototype SLR is the Filmanka developed by A. Min in the Soviet Union
1932 The Leica II is launched, the first Leica camera with a rangefinder, which becomes a signature of the company
This Rolleiflex Standard K2 Twin Lens Reflex upgrades the original camera with several significant features, including support for 120 format roll film, a film rewind crank, sports finder, removable back and exposure counter
The first Voigtländer Brillant is released, resembling a TLR but functionally closer to a box camera, since it cannot be focused in the viewfinder using zone-focusing.
1933 The Leica III is introduced – a response to the introduction of the Zeiss-Ikon Contax and Oskar Barnack’s last design. It will remain in production in various iterations until 1960
Kodak introduces the The Jiffy Kodak Six-20, a folding camera for 620 film with a Twindar periscopic lens with zone focusing and three selectable apertures
The first Rolleicord is introduced, a simplified version of the Standard Rolleiflex
1934 Zeiss Ikon introduces the Super Ikonata folding camera, which takes 16 4.5 x 6cm images on 120 film and is equipped with a coupled rangefinder
Kodak enters the 35mm market with the Retina I which introduces the 135 cartridge used in all modern 35 mm cameras.
Berning introduces the Robot I camera with a stainless steel body, a spring drive that can shoot at 4 frames per second, and a rotary shutter with speeds from 1 to 1/500th second
Houghton-Butcher introduces the Ensign Midget, a tiny roll film strut folder with a 3-speed shutter
1935 The Leica IIIa is released with a top speed of 1/1000th of a second
1936 the first widely-distributed 35mm SLR camera, the Kine Exakta, is introduced, with a design that will influence many subsequent SLRs
Canon introduces the Hansa, the first Asian 35mm camera
Zeus Ikon launch the Contax II, the first camera with a rangefinder and a viewfinder combined in a single window
1937 Franke & Heidecke unveil the Rolleiflex Automat which features an ingenious automatic first frame positioning and frame counting system which monitors the length of the film as it passes between rollers and sets the camera accordingly, eliminating the need for a red window
Russian manufacturer GOMZ introduces the Sport. Designed between 1934 and 1935 It is the earliest known production 35mm SLR camera ever to be built, but fewer than 320 examples were made and is overshadowed by the Kine Exacta.
Swiss watch maker Jaeger LeCoultre & Company manufacture the ultra compact Compass for the Compass Cameras Ltd. of London, one of the most complicated miniature camera ever made. Measuring a mere 6.5×2.5×5.5cm, it packs a multitude of features into its trim body
The Purma Special (named after the founders Tom Purvis and Alfred Mayo) is a British 127 roll film viewfinder camera with an innovative gravity controlled shutter
1938 Kodak Introduces the Super Six-20, the world’s first camera with built-in photoelectric exposure control
Leica introduces the first commercially successful 35 mm motordrive, the mechanical MOOLY
The Leica IIIb is released with a redesigned viewfinder optic, which brings the RF and VF eye pieces close together
British camera manufacturer Gandolfi launches the Precision, a development of the Imperial model introduced in 1899, which will remain on sale into the 1970s
Voigtländer introduces the Focusing Brillant adding a small opaque spot in the brilliant finder
1939 The Praktiflex 35mm SLR is launched by the Kamera-Werkstätten AG. The design is simple but will constitute the pattern along which virtually every subsequent 35mm SLR camera will be built, regardless of place of origin
The Argus C3 is introduced and becomes the world’s best-selling 35mm camera, offering affordable 35mm rangefinder photography to amateurs
1940 The Leica IIIc is introduced in 1940 with a total redesign of the body and shutter crate. It will remain the mainstay of Leica’s line-up through out the 1940’s
The Mamiya Six is introduced, offering a unique 6 x 6cm coupled rangefinder with film-plane focusing
1941-1960
1941 The Kodak Ektra offers a rangefinder that could accurately focus a 153mm telephoto and the first complete anti-reflection coated lens line for a consumer camera
1942 The F24 aerial reconnaissance camera is developed into the F52 model with an image format of 8.5 ×7 inches and magazines up to 500 exposures
1943 the FS-3 FotoSniper prototype is developed by GOI for the Soviet Baltic Fleet Navy as a long-range reconnaissance camera. It has a FED body and a 60cm lens with an f4.5 aperture
1944 The Alpa-Reflex 35mm SLR is presented to the public at the Swiss Trade Fair in Basel
1945 Houghton-Butcher introduces the Ensign Commando, a folding coupled-rangefinder 6 x 6cm camera for the British Military. It is released so late in the war it does not see much active service
1946 Houghton-Butcher introduces a dual format civilian version of the Ensign Commando offering the smaller 6 x 4.5cm format in addition to 6 x 6cm
The Universal Camera Corporation offers the Mercury II which adds support for normal 35mm film rather than the proprietary Univex film used in the original. Both Mercury cameras use a unique rotary focal plane shutter that enable a maximum shutter speed of 1/1000 second whilst keeping costs low
1947 Konishiroku introduces the Konica (later known as the Konica I), a knob-wound camera with a single eyepiece for a coupled rangefinder and viewfinder, based on an earlier camera called Rubikon, developed c.1938
The Bolsey B is introduced, a 35mm rangefinder camera with a finely cast aluminium body
1948 Instant photography is introduced with the first instant-film camera, the Land Camera 95 or Polaroid camera
The Gamma Duflex is the first SLR camera with an instant return mirror. Production is limited and few models find their way beyond the domestic Hungarian market and so the later Asahiflex IIb is often credited with this innovation
Hasselblad launches the1600F, a 6 × 6cm format focal-plane shutter SLR camera with a revolutionary modular design that allows lenses, viewfinders and film magazines to be exchanged
The Nikon 1 is released, the first Nikon-branded camera, featuring a smaller than standard picture format which produces up to 40 negatives from a single roll of 36 exposure film.
1949Contax S camera is introduced, the first 35mm SLR camera with a pentaprism eye-level viewfinder
The Canon II B is launched with a three-mode optical viewfinder offering magnifications from 0.67x to 1.5x to match the focal length of the lens fitted.
The Ilford Advocate is introduced, the first British 35mm camera introduced after WWII. It is made of white-enamelled die-cast aluminium alloy
Nikon releases the second iteration of the Nikon rangefinder, the Nikon M, with a slight increase in picture size from 24mm x 32mm, to 24mm x 34mm
1950 The Leica IIIf is launched, offering built-in flash synchronization
Voigtländer introduces the Bessa II, the ultimate iteration of the model first available in 1929 and offering a combined viewfinder and rangefinder and 6 x 9 images
Voigtländer launches the Perkeo 6 x 6 folding camera. Measuring just 125 x 85 x 40mm when closed, and 95mm deep when the lens is extended it is one of the smallest medium format camera.
The Agiflex II is a 6×6 SLR, made by Agilux and derived from the British WWII military aerial camera ARL that was in turn derived from the German Reflex Korelle
1951 The Nikon S becomes available, retaining the unusual 24mm x 34mm format
The Ilford Witness, an advanced 35mm coupled-rangefinder camera, is introduced with either a 2-inch f/1.9 Dallmeyer Super Six, or a 5 cm f/2.9 Daron. Production difficulties led to less than 350 cameras being made
The WrayFlex I is a British SLR which uses two mirrors instead of a pentaprism, so the image is reversed and not very bright. It has a full complement of speeds from ½sec to 1/1000th sec in the focal plane shutter.
1952 Kodak introduces the Brownie 127, a plastic box camera with no aperture or focus controls, and a single-speed shutter that produces eight 4 x 6 cm pictures on 127 film. It rapidly becomes an extremely popular snapshot camera in Britain with over a million made.
The Asahiflex, built by the Asahi Optical Corporation (later to become Pentax), is the first SLR camera built in Japan
The Canon Camera Company markets the Canon IVSb 35mm rangefinder, the first 35mm camera to support flash sync for both flash bulbs and electronic X-sync through Canon’s proprietary rail mounted flash shoe
1953 The Coronet 6×6 Flashmaster is introduced with a rigid Bakelite body, a fixed lens and a simple shutter with no aperture or speed setting
The Graflex KE-4 Combat Camera, a 70mm model, is manufactured for the military. Since the design resembles a giant Contax camera it is given the nickname “Gulliver’s Contax”
The Periflex 35mm camera is launched by K. G. Corfield Ltd. It resembles the Leica Standard, Model E but provides through the lens visual focusing using an inverted periscope lowered into the light path between the lens and the film
1954 The Leica M is introduced with the new Leica M mount and popularises the combined rangefinder and viewfinder
Nikon introduces the S2 rangefinder that takes conventional 35mm film and a 1.0X finder. It offers the option to attach the world’s first battery powered motor drive
The Asahiflex IIb is the first volume 35mm SLR with an instant return mirror. Early SLRs left the mirror in its up position until the camera was wound for the next shot, blacking out the viewfinder. The introduction of instant-return mirror mechanisms and the subsequent elimination of mirror blackout is an important step in the acceptance of SLRs
1955 The Miranda T 35mm SLR camera is launched by the newly established Japanese Orion Camera Co. It is the first Japanese 35mm SLR camera with an eyelevel Pentaprism finder.
1956 The Rolleiflex 2.8E is the company’s first model with a built in, uncoupled light meter as an option
The VT is Canon’s first camera to have a camera back which swings open for film loading. The film advances with a fast-winding trigger at the camera bottom instead of a knob on top.
1957 The Asahi Pentax SLR is introduced, placing controls in locations that would become standard on 35 mm SLRs
Tokyo Kogaku KK launch their first 35mm SLR camera, the Topcon R, ahead of Nikon and Canon
Leitz releases the Leica IIIg as the final model in the series with a newly designed top cover with a larger and improved viewfinder
The Nikon SP is the worlds first rangefinder to include built-in frame lines for 6 different focal lengths
Hasselblad introduces the medium format 500 C, which will go on too become one of most influential and successful cameras of all time
1958 The Minolta SR-2 is the first SLR camera with an automatic diaphragm which maintains maximum aperture for brightest viewing and stops down only when the picture is taken
Nikon releases a new rangefinder, the S3, a stripped down version of the Nikon SP at a lower price
Konishiroku introduces the Konica IIIA with three finder windows and offering 1.0× finder magnification
1959 The Nikon F is introduced, marking the transition from rangefinders to SLRs for professional photographers
Canon introduces the Canonflex, its first SLR
The Olympus Pen is the first half-frame camera produced in Japan. It is one of the smallest cameras to use 35mm film in regular 135 cassettes.
The Zenza Bronica is the first Japanese 6 x 6cm format camera with interchangeable lenses and film backs
1960 Konishiroku introduces the Konica F, featuring the Hi-Synchro, the first SLR shutter with a speed of 1/2000s
Nikon introduces the S3M, a half-frame variant of the Nikon S3 with a modified viewfinder and a frame counter that displays up to 72 exposures
1961-1970
1961 Canon introduces the Canonet, a mid-market 35mm camera with a fast f/1.9 lens. Two and a half years later, a million Canonets had been sold.
1962AGFA introduces the first fully automatic camera, the Optima, with an automatic programmed exposure, using a selenium-meter-driven mechanical system
The Nikkorex F is the first production single-lens reflex camera with the metal Copal square shutter
1963 Kodak introduces the Instamatic range of cameras, with an easy-to-use film cartridge and the phrase ‘load it you’ll love it’
1965 The Konica Auto-Reflex of 1965 is the first focal-plane-shutter auto exposure 35mm SLR. This is not TTL metering, although it does offer a shutter-preferred, auto-exposure mode
Hasselblad launches a new design, the 500EL, with an electric motor integrated into the camera body
Eastman Kodak replaces the individual flashbulb technology used on early Instamatic cameras with the Flashcube
The Practica mat by VEB Pentacon Dresden is the first 35 mm single-lens reflex camera with TTL exposure metering
1966 The Electro 35 rangefinder camera is introduced by Yashica with a coupled and fixed 1:1.7 45 mm lens. It is the first electronically controlled rangefinder camera offering aperture priority ‘auto’ mode
The Rollei 35 becomes the smallest 135 film camera
The Olympus Pen FT updates the F model with a single-stroke film advance and an uncoupled, integrated light meter
1967Nikon F Photomic SLR is the first camera with a centre-weighted exposure metering system
1968 Leica introduces the Leicaflex SL, the world’s first single-lens reflex camera with a precisely defined microprism zone for TTL spot exposure metering displayed in the viewfinder.
Konishiroku launches the Konica C35, combining light weight and compact size with the simple operation of “auto only” exposure
1969 The Olympus-35 EC, an electronically controlled 35mm compact camera, is introduced. It features a fixed Zuiko 42mm f/2.8 lens and and an automatically controlled Seiko shutter with a range of 4 to 1/800 sec
The Mamiya C220 is released as part of the Mamiya C series of interchangeable lens medium format TLR cameras
1970 The Sinar P 4×5 sets the standard for high-end, large format cameras with asymmetric tilts and swings, as opposed to traditional centre or base tilts.
1971-1990
1971 The Canon F-1 is introduced, a highly durable model built to endure 100K picture-taking cycles, temperatures from -30 C to 60 C, and 90% humidity.
Nikon’s F High Speed Motor Drive camera, developed for the ’71 Chicago Photo Expo offers a blazing 7 frames per second
The Leica M5 is introduced, departing from the traditional silhouette of the Leica rangefinders and the first of those cameras to feature through-the-lens (TTL) metering
1972 Kodak reduces the popular Instamatic Camera to pocket size with the introduction of the Pocket Instamatic Camera.
Olympus launches the OM-1, an ultra-compact 35mm SLR that initiates the compact SLR revolution of the ‘70s and ‘80s
Polaroid founder Edwin H. Land announces the SX-70, taking out a folded SX-70 from his suit coat pocket whilst on stage and taking five pictures in ten seconds
The Wista 45 wood and brass Field Camera is launched – an evolution of a design available since the 1890s. Later models offer several choices of wood including Japanese cherrywood,rosewood and ebony
1973 Minolta releases a new flagship model camera, the SR-T 303 (102 in the US) which bought open aperture metering to a wide audience
The Leica CL, a compact rangefinder, is designed in Germany by Leitz Wetzlar and built in Japan by Minolta with Leitz lenses
1974 Canon introduces the Datematic, which features date imprinting and a body and exterior made of reinforced plastic.
1975 Olympus launches the XA series, one of the smallest rangefinder cameras ever made
1976 Canon introduces the AE-1, the world’s first 35mm AE SLR camera equipped with the shutter speed-priority TTL metering and a Central Processing Unit (CPU).
The first of the Zenza Bronica ETR series of 4.5 × 6cm SLRs manufactured by Zenza Bronica Industries Inc. of Tokyo is introduced.
1977 The Asahi Pentax K1000 is launched and goes on to becomethe most successful basic student SLR of all time, combining a Pentax Spotmatic F with Pentax K-type bayonet mount to produce a competent and affordable camera
The Minolta XD11 is the world’s first camera with aperture priority and shutter priority, as well as a fully metered manual mode.
1978 Konica introduces the C35 AF, the first point-and-shoot autofocus camera
Canon introduces the A-1, a sophisticated electronic camera with all-digital control featuring the first fully automatic program AE mode, pre-set aperture-priority AE, and speedlite AE mode.
1979 Canon launches the SureShot, the world’s first lens-shutter 35mm autofocus camera, with a triangulation system incorporating a near-infrared emitting diode (IRED)
The Nikon EM is introduced the first model in a revised design concept by Nikon to introduce a series of ultra compact bodies characterized by compactness, light weight and ease of use.
1981 The low-tech plastic Holga camera is introduced, which will later attain cult status with the advent of Lomography and become a major source of inspiration for Instagram
Canon introduces the AE-1 Program camera to succeed the original AE-1 offering shutter speed-priority AE and program AE modes.
1982 Nikon introduces the FM2, which uses an improved Copal Square Shutter to achieve an unheard-of speed range of 1 to 1/4000th second
Kodak launches the disc photography format with a line of compact cameras built around a rotating disc of fifteen 10×8 mm exposures. Labs resisted investing in new development equipment resulting in poor quality photos and the format was short-lived
The Nimslo 3D camera is launched – the first camera offering lenticular printing from 35mm negative film. A lenticular print combines four pictures into a single print that appears 3 dimensional
1983 The Olympus OM-4 is the first camera with a multi-spot exposure meter
Minolta launches the Disc-7, a disc camera with a small convex mirror on the front plate. With the help of a telescoping stick that anticipates the later selfie-stick, this allows the user to take self-portraits.
1984 LOMO begin mass-producing the LC-A, achieving popularity within the USSR and kickstarting Lomography
The Leica M6 heralds the renaissance of the rangefinder system in a market dominated by single-lens reflex cameras
Canon introduces the new F-1 High Speed Motor Drive Camera which is able to zip through a 36-exposure roll of film in 2.57 sec. at 14 fps, a record at the time.
1985 Minolta introduces the world’s first fully integrated autofocus SLR with the autofocus (AF) system built into the body – the Maxxum 7000 a.k.a. the Dynax 7000
The Canon T90 marks the pinnacle of Canon’s manual-focus 35mm SLRs
The Canon RC-701 becomes the first still video camera marketed, offering10 fps (frames per second) high-speed shutter-priority and multi-program automatic exposure
1987 Canon launches the EOS (Electro-Optical System), an entirely new system designed specifically to support autofocus lenses
1988 The Nikon F4 is introduced as the first professional Nikon to feature a practical autofocus system.
The Fuji DS-1P, the first digital handheld camera, is introduced, though it does not sell
The first of the Genesis series from Chinon helps to define the category of 35mm bridge cameras
The R6 is the first mechanical, manual-exposure-only SLR produced by Leica since the Leicaflex SL2 was discontinued
1989 Steven Sasson and a colleague, Robert Hills, of Kodak create a prototype camera which is the first modern digital single-lens reflex camera that looks and functions like today’s professional models. It is known as the D-5000 or Ecam (electronic camera) and features a 1.2 megapixel sensor and uses image compression and memory cards.
1990-2000
1990 first digital camera shipped in the United States is the Dycam Model 1, which comes with a neutral density filter to prevent over exposure in bright settings.
Logitech introduces the Fotoman FM-1, a modified Dycam Model 1, and the first consumer point and shoot camera sold in Europe
The Konica AiBORG is introduced as the world’s first moving frame auto focus camera. It will go on to achieve infamy as the Konica “Darth Vader” due to its bulbous looks and poor design.
1992 Leica introduces the R6.2 SLR, an update of the R6, with a higher top shutter speed and an improved TTL flash mode
Contax launches the S2 fully mechanical, manual-focus SLR to commemorate the company’s 60th anniversary. It offers only a spot meter and no centre-weighted or matrix metering options
The Nikonos RS is the world’s first underwater Auto-Focus SLR camera
1993 The Vivitar Opus 20 is a late example of a 110 film camera with a modern new look, motor-driven film advance, a built-in flash, and red eye reduction
1994 The Apple Quicktake 100 is the first camera to use USB to connect to a computer.
1995 The Casio QV-10 is the first camera to incorporate an LCD screen on the back for image preview and playback
The Ricoh RDC-1 is the first digital camera offering a dedicated movie mode. It is capable of recording 5-second 768×480-pixel clips at 30 frames per second, and saving them in the new MPEG format
The Nikon D1 is the first fully integrated digital SLR designed from the ground up, rather than a digital modification to a film SLR
The Minolta RD-175 combines an existing SLR, the Dynax500si Super, with a three way splitter and three separate CCD image sensors which are combined digitally and interpolated to produce a 1.75 megapixel image
1996 the Canon PowerShot 600, Canon’s first consumer digital camera, is released featuring a 0.5 megapixel sensor
The Coolpix 100 is Nikon’s first consumer digital camera. It features a 1/3 megapixel sensor and a PCMCIA interface which enables it slot it into a laptop, where it appears as a removable drive
Canon introduces the first IXUS APS ultra compact as Canon’s contribution to the launch of the Advance Film System (APS). The model will later form the basis of the Digital IXUS range and is considered a milestone of compact camera design.
Minolta introduces the TC-1, a high-end, titanium-bodied compact autofocus 35mm camera with the smallest frontal area of any professional-grade compact autofocus camera
1997 The Pentax 645N is the first autofocus medium format SLR camera
Yashica’s first digital camera, the KC-600, is announced
The Epson PhotoPC 550, the third Epson digital camera and the first Epson to feature an external memory slot for SmartMedia cards, features a microphone to record up to six seconds of sound per photograph
1998 Fuji reveal the FUJIX DS-1P at Photokina as “the world’s first camera to save data to a semiconductor memory card”. It captures images using a 400 kilo-pixel CCD that Fuji had began developing in the 70s.
Kodak launches the DC 210, the first affordable megapixel resolution digital camera
1999The Nikon D1 is the first professional digital SLR to displace Kodak’s previously-undisputed reign over the professional market
Canon introduces the IXUS II in the most successful camera range in the APS market. This success will go on to make IXUS an important trademark in the compact camera market
Canon launches the first camera in the PowerShot S range, the S10 with a fully retractable zoom lens with built-in lens cover, advanced functions including Spot Metering and AE Lock, and compact, high-density packaging
2000 The Fujifilm FinePix S1 Pro is the first interchangeable-lens DSLR to hit the market. It is based on a Nikon N60 with Fuji’s APS-C-format Super CCD Sensor and is capable of creating 6.13 megapixel images
Nikon reissues the 1958 Nikon S3 rangefinder, the Nikon S3 Year 2000 Limited Edition, with an improved chrome finish as and a redesigned 50mm f1.4 lens with modern coatings
Canon launches the Digital IXUS range of ultra compact cameras, based on the technology of the PowerShot S10 in a body similar to the APS IXUS II
The Canon EOS D30 is the first ‘native’ DSLR made in-house by a camera manufacturer with a price tag that is affordable to enthusiasts
2001-Present
2001 Nikon introduces the FM3a, the last manual focus film camera to be launched by a volume manufacturer
Ricoh launches the GR21, the first compact camera in the world to have a super-wide 21mm wide angle lens
Pentax introduces the 645NII medium format film camera which adds mirror lock-up to the list of features
2002 Contax launches the N Digital the first full frame digital SLR digital camera
Nikon introduce the D100, which becomes the first digital SLR to score a resounding sales success amongst both professional and serious enthusiast photographers
Leica departs from the mechanical design of previous M cameras with the introduction of the electronic M7
2003 The Olympus E-1 is the first removable lens digital SLR with a lens mount and imaging system specifically designed for digital
Leica introduces the all-mechanical MP rangefinder film camera which incorporates many design features of the 1954 M3 and a TTL lightmeter.
The Minolta Dimage A1 is the first model to stabilise images by shifting the sensor instead of using a lens-based system
Canon introduces the EOS 300D, arguably the first digital SLR for the mass-market
2004 The Epson R-D1 is the first digital rangefinder camera
Leica makes the detachable DMR (Digital Module R) digital back available, making it possible to transform the Leica R8 and R9 film cameras into digital SLRs
The Nikon F6 is launched, Nikon’s last high end professional film camera
2005 The Canon EOS 5D is the first consumer DSLR to feature a full frame sensor
Kyocera announces the company is to cease production of film and digital cameras, ending one of oldest brands in photography, Contax.
2006 The Flip video camera is released as a “Pure Digital Point & Shoot” video camcorder
The M8 is Leica’s first digital camera in the rangefinder M series
2007 Nikon’s first full frame DSLR, the D3, pushes the ISO range into six figures for the first time – to ISO 102,400
Microsoft introduces RoundTable, a videoconferencing device with a 360-degree camera with active speaker detection technology, which switches between different meeting participants as they speak.
2008 Panasonic releases the Lumix G1, the world’s first mirrorless interchangeable-lens camera
The Nikon D90 is the first DSLR with HD video recording capabilities
2009 Leicalaunches the M9, a full-frame digital rangefinder compatible with almost all M mount lenses.
2010 Samsung introduce the first APS-C format mirrorless camera, the NX10
Sony introduces the SLT-A55, the first camera to incorporate a translucent mirror design which offers live view with full-time fast phase-detection AF whether in stills or movie shooting.
2011Lytro releases the first pocket-sized consumer light-field camera, capable of refocusing images after they are taken
Nikon Introduces the J1 and V1 mirrorless cameras which offer on-sensor phase detection autofocus
2012 Sony launches the world’s first full frame compact camera – the RX1, with a fixed 35mm F2 lens
Olympus introduces the OM-D E-M5 with a 5-axis sensor-shifting image stabilisation system – the first of its kind in a consumer camera
Fujifilm unveils the X-Pro1 mirrorless interchangeable-lens digital with a Hybrid Viewfinder that allows photographers to choose between an optical finder and an electronic view (EVF)
Canon launches the EOS 6D DSLR which introduces full frame photography to a new generation of photographers who had previously discounted it due to cost
Rolleiflex’s last TLR model, the FX-N, is introduced at Photokina. It is similar to the Rolleiflex FX, but can focus down to 55cm
Leica releases the Monochrom, with a monochrome sensor based on the same Kodak CCD sensor as the Leica M9 but without the colour filter array
2013 Sony announces the ⍺7 which starts the full frame mirrorless revolution.
The Android powered Samsung Galaxy NX unsuccessfully attempts to combine the best features of a smartphone and a dedicated camera
Hasselblad discontinues the last of its film cameras – the V-series 503CW
2014 Samsung introduces the mirrorless APS-C NX1, offering new features and higher levels of performance unheard of in the mirrorless market
Leica launches the Leica T, a camera made from a solid block of milled aluminium with an app-like touchscreen interface that resembles that of a smartphone
Leica releases the M-A, a purely mechanical 35 mm rangefinder film camera devoid of electronics and based on the designs and features of previous Leica M models
2015 Sony announces the first camera to employ a back-side illuminated full frame sensor, the α7R II
2016 Leica introduces the Leica Q, a full frame, mirrorless camera with a Summilux f1.7 lens that brings the brand to a new audience
Hasselblad launches the H6D range of medium format digital cameras with a choice of 50 or 100 megapixel resolutions
Fujifilm introduce the GFX 50S medium format camera, opening the format to photographers who had never considered it before
2017 The Panasonic Lumix DC-GH5 is introduced, bringing high quality low cost video production capabilities to a wider audience
Intrepid Camera launches its Kickstarter project for a light-weight, low cost, compact, 10X8 large format film camera
Sony introduce the ⍺9, a mirrorless camera designed to compete with DSLRs in sports and action photography and the first camera to feature Eye Auto Focus that works in continuous AF mode
Nikon introduces the D850, one of the most technically impressive DSLRs ever made
2018 Nikon introduces the Z6 and Z7 full frame mirrorless cameras with the new Z mount.
Within days of the Nikon Z system launch, Canon launches the EOS R system, its first full frame mirrorless system
Leica introduce the Leica M10-D, a digital camera without an LCD screen designed to combine the excitement of film with digital technology
2019 Worldwide camera shipments drop by 87% 2010-2019, wiping out four decades of growth
Fujifilm launches the GFX100 with a 100 megapixel medium format, BSI-CMOS sensor
2021 Sony introduces the ⍺1, a 50.1 megapixel, 8.6K camera capable of shooting bursts at up to 30 frames per second
Olympus exits the camera market, completing the sale of its camera business to JIP, a venture capital
Nikon launches the Z9 which is the first production camera to eliminate the mechanical shutter without the compromise of rolling shutter
2022 Leica introduces the M11 rangefinder with a 60MP full-frame back side illuminated sensor
Leica announces a reissue of the Leica M6 film camera, along with its remake of the original 35mm Summilux
2023 Sony launches the a9 III which delivers the world’s first full-frame global shutter sensor, which allows the camera to freeze motion in captured images with a max shutter speed of 1/80,000 second and 120 fps continuous shooting.
Sony has a prolific year of new releases with six camera launches, solidifying its position as the number one full-frame mirrorless brand.
Nikon releases the Z8 which delivers the majority of the Z9’s capabilities into a much smaller, more portable camera body
2024 Fujifilm announces the launch of the X100VI , the latest model in the popular series of high-end compact digital cameras originally introduced in 2011.
If you spot omissions or errors in this year by year camera timeline, please let me know in the comments.
There are many strands in a photography timeline – the chemistry of film and processing, the physics of optics, the mechanical engineering of shutters, the electronics of metering and digital photography, and the iconic camera designs that bring everything together. At each end of the photography timeline, the science is bewilderingly complex – from the arcane chemical processes of early photography to the algorithms of computational photography, which enables cameras to go beyond capturing photons to compute pictures.
It’s not a linear journey; digital photography has been accompanied by a resurgence of interest in all things analogue, characterised by toy cameras, digital filters and apps that produce or replicate the look of film as well as the renewed growth of film photography. I started to shoot with film again in 2016 and around the time I first wrote this article, during the lockdowns of 2020, I started to expand my small collection of vintage film cameras and went back to film photography. There is an all-film gallery of the boats of Deal, Kent shot with a variety of film cameras including SLRs, TLRs and rangefinders here. It’s gratifying to see the growth of UK film businesses such as Analogue Wonderland, which supplies a vast range of film stock and The Intrepid Camera Company, which has reinvented large format photography for the twenty-first century. I’m as interested in looking forward as back however, and and follow new developments with great interest, including crowd funded ventures such as the AI powered Alice Camera.
I’ve reviewed, and borrowed from, many timelines and dozens of articles and books on the history of film, film processes, cameras, lenses, digital technology, phone camera development and computational photography to compile this photography timeline and in an attempt to combine these strands. The sections of the timeline are of my own devising.
I’ve tried to be diligent with my research and check the facts. The sources for the majority of entries are included as URLs. I have also referred to several excellent books: A History of Photography in 50 Cameras by Michael Pritchard; the Taschen books 20th Century Photography and A History of Photography; Photography A Concise History by Ian Jeffrey and Photography, the Definitive Visual History by Tom Ang, all of which I can recommend. If you spot any factual errors please feel free to share them with me along with the source(s).
There are two other timelines on this site, one for nineteenth century cameras and a year by year timeline for cameras from 1900. These exclude lens, photographic process and phone cameras covered in this article.
Photography Timeline 1826-2020
1826-1850 The Genesis of Photography
c. 1826 Joseph Nicéphore Niépce uses bitumen of Judea for photographs on metal and makes the first successful camera photograph, View From My Window at Gras
1827 Niépce addresses a memorandum on his invention to the Royal Society in London, but does not disclose details
1829 Unable to reduce the very long exposure times of his experiments, Niépce enters into a partnership with Louis-Jacques-Mandé Daguerre
Charles Chevalier creates a compound achromatic lens to cut down on chromatic aberration, a failure of a lens to focus all colours to the same plane, for Louis-Jacques-Mandé Daguerre’s photographic experiments
1832Robert Hunt’sResearches on Light records the first known description employing platinum to make a photographic print, but does not succeed in producing a permanent image
1835William Henry Fox Talbot makes his first successful camera photograph or “photogenic drawing” using paper sensitised with silver chloride,
1839 The public birthday of photography, from three inventors – Dagurerre, Fox Talbot and Bayard
Louis-Jacques-Mandé Daguerre’s Daguerreotype becomes the first photographic process to be adopted, creating a unique image on a silvered metal plate of remarkable sharpness.
Hearing of Daguerre’s invention, Fox Talbot announces a paper process to achieve images by action of light and presents his photogenic drawings at the Royal Society in London
Hippolyte Bayard produces direct-positive images (like Daguerre’s process) on sensitized paper (like Talbot’s).
Sir John Herschel suggests fixing images in sodium thiosulphate. He also coins the terms photography, negative and positive.
Stereoscopic depth sensing is first explained by Charles Wheatstone as he invents the stereoscope
1840 The Petzval Portrait becomes the first wide-aperture portrait lens and the first photographic lens where the design was computed mathematically before construction
Alexander Wolcott opens The earliest known photography studio New York City – a “Daguerrean Parlor” for tiny portraits, using a camera with a mirror substituted for the lens
Alexander Wolcott patents a modified Daguerrotype camera using a polished concave mirror to reflect the focused light onto a photosensitive plate
The cyanotype or blue-print is invented by Sir John Herschel, the first photographic process not to use silver
Fox Talbot discovers what will be revealed as the Calotype process the following year, the first known method of multiplying an image
J.F. Goddard uses iodine to shorten exposure times for daguerreotypes
1841 Fox Talbot patents the Calotype process, or photogenic drawings that produces photographic images on salted paper – a negative-positive process that makes multiple copies possible.
The first photographic studio in Europe is opened by Richard Beard in a glasshouse on the roof of the Royal Polytechnic Institution in London
The Royal Academy of Science in Brussels displays the earliest stereographs
Joseph Puchberger patents the first hand crank driven swing lens panoramic camera
1844 Fox Talbot publishes The Pencil of Nature bringing photography to the attention of a wider public
1845 The Bourquin of Paris camera is the first camera with the lens in a metal tube using a rack and pinion mechanism for focusing.
Two French Physicists, Fizeau and Foucault develop the first recognisable shutter mechanism in order to photograph the sun
1847Louis Désiré Blanquard-Evard improves Talbot’s Calotype process and presents his research to the French Academy of Sciences
1848Edmond Becquerel makes the first, temporary, full-colour photographs, though an exposure lasting hours or days is required and the colours sometimes fade right before the viewer’s eyes
1850 The albumen print is announced by Louis-Désiré Blanquard-Évrard, delivering greater density, contrast and sharpness than had been possible with a salted paper print.
1851-1870 Instantaneous Photography
1851 English sculptor Frederick Scott Archer invents the Collodion process, or collodion wet plate process, which is 20 times faster than all previous methods and is free from patent restrictions
The Great Exhibition transforms stereoscopy from a minor scientific interest to a craze which will not wane until the 1870s
1853 The Tintype process is first described by Adolphe-Alexandre Martin – an inexpensive direct positive on a thin sheet of metal coated with a dark lacquer or enamel
1854James Ambrose Cutting takes out several patents relating to the Ambrotype process, underexposed or bleached wet collodion negatives that appeared positive when placed against a dark coating or backing
Parisian portrait photographer André-Adolphe-Eugène Disdéri patents the Carte-de-visite (CdV), a new style of portrait utilizing albumen paper the size of a visiting card that will become commonly traded among friends and visitors
1855 The carbon process is patented by A. L. Poitevin, producing an image resistant to fading which becomes widely used in book illustration
1857 The folding camera with tapering bellows is invented by C.G.H. Kinnear, forming the basis for subsequent bellows designs
1858 John Waterhouse invents Waterhouse stops, a system using plates with different aperture diameters that could be inserted into a slot in the lens barrel which are the earliest selectable stops.
John Harrison Powell registers his design for a portable stereoscopic camera.
Fox Talbot perfects photoglyphic engraving, the forerunner of the they dust-grain photogravure process.
1859 Thomas Sutton introduces the Panoramic Camera, which uses a spherical water-filled lens to create a panoramic photograph
Dr. J.M. Taupenot develops the dry collodion-albumen process, though adoption of dry plate photography would come later with the gelatine dry plate process
1860 John Jabez Edwin Mayall popularises the carte-de-visite with a set of portraits of the Royal Family at Buckingham Palace published in an album
1861 James Clerk Maxwell presents a projected additive colour image, the first demonstration of colour photography by the three-colour method
The first photographic single-lens reflex camera (SLR) is invented by Thomas Sutton
Oliver Wendell Holmes creates but does not patent a handheld, more economical, stereoscopic viewer than had been available before
1862 The first successful wide-angle lens is the Harrison & Schnitzer Globe
1863 The cabinet card is first introduced by Windsor & Bridge in London, a larger form of the carte-de-visite suitable for display in parlours
1871-1900 Instantaneous Photography without the Chemistry
1871 English physician Richard Leach Maddox invents the lightweight gelatin dry plate silver bromide process, assigning the complex and arduous chemistry work photographers had previously to undertake to a factory
1873Charles Harper Bennett improves the gelatin silver process by hardening the emulsion, making it more resistant to friction
The platinotype process, which produces platinum prints, is patented by William Willis.
1877 George Eastman learns to make his own gelatin dry plates, based on the writings of the British innovators, including Charles Harper Bennett
Adolf Miethe and Johannes Gaedicke produce Blitzlicht – the first ever widely used flash powder
1878 Heat ripening of gelatin emulsions is discovered by Charles Harper Bennett, making possible very short exposures and paving the way for the snapshot
1879 George Eastman applies for a patent for an emulsion-coating machine, which enables him to mass-produce photographic dry plates
1881 Thomas Bolas patents a hand-held, box form camera he calls a detective camera
1882Etienne Jules Marey perfects a chronophotographic gun, a device capable of taking 12 exposures a second.
1883 Ottomar Anschütz designs a camera with an internal roller blind shutter mechanism in front of the photographic plate – the first focal-plane shutter in recognisable form
William Schmid patents the first detective camera to be widely sold
1885 The first flexible photographic roll film was sold by George Eastman, though this original “film” was actually a coating on a paper base
1886 Frederick E. Ives develops the halftone engraving process, making it possible to reproduce photographic images in the same operation as printing text
The first single use camera, the Ready Fotografer, is introduced, using a dry plate, though it appears to have enjoyed very limited success
1887The Rev. Hannibal Goodwin files a patent application for camera film on celluloid rolls, though it will be not granted until 1898, by which time George Eastman has started production of roll-film using his own process
1888 The Kodak n°1 box camera, the first ready-loaded, easy-to-use camera is introduced with the slogan “You press the button, we do the rest.”
1889 George Eastman introduces the first transparent plastic roll film, made from highly flammable cellulose nitrate film
The Loman Reflex, the first commercially produced camera with a focal-plane shutter, is introduced
1890 The Zeiss Protar, the first successful anastigmat photographic lens, designed Dr Paul Rudolph, is introduced
Hurter and Driffield introduce the “S” shaped characteristic curve which is central to sensitometry, the science of light-sensitive materials
The Ilford Manual of Photography is first published, providing detailed technical information regarding optics, chemistry and printing.
W.W. Rouch and Co. introduce the Eureka, which will become a popular detective, or hand, camera
The German manufacturer C.P. Goerz incorporates the Anschütz focal-plane shutter into a camera
1891 Bausch and Lomb introduce the first of their iris diaphragm shutters, incorporating an f-stop and shutter speed setting device
1892 Samuel N. Turner applies for a US patent for paper-backed, daylight-loading roll film. The backing paper is printed with white exposure numbers which can read through a red window in the back of the camera. The idea is incorporated in the Boston Manufacturing Company’s ‘Bullseye” camera of the same year.
1893 The Cooke triplet lens is patented by Harold Dennis Taylor of T. Cooke & Sons, the first lens system that eliminates most of the optical distortion or aberration at the outer edge of lenses
1895 The Pocket Kodak appears, the first mass-produced snapshot camera.
Samuel Kodak recognises the potential of the Samuel N. Tuner’s daylight loading process and acquires his company, having licensed the process initially.
1896 The Zeiss Planar lens, designed by Dr Paul Rudolph, is introduced.
The Dallmeyer-Bergheim soft-focus lens produces soft definition without losing the natural structure of the object being photographed
A collapsible version of the Goerz Anschütz camera, the Ango, is introduced, which becomes popular and is widely copied
1897 Kodak markets the Folding Pocket Kodak which produces a 2 1/4″ x 3 1/4″ negative – the standard size for decades
1899 The Sanderson hand camera, the first highly flexible view camera that allows photographers to retain the correct perspective, is introduced
1900-1947 The Rise of Popular Photography
1900 Kodak bring the Brownie, an inexpensive user-reloadable point-and-shoot box camera and the most successful camera range of all time, to market
1901 The popular medium format film 120 film is launched by Eastman Kodak for its Brownie No. 2, and will become the longest surviving roll film format
1902 Carl Zeiss introduces the Tessar lens, an inexpensive design that becomes extremely popular
The Thornton-Packard Company introduces The Royal Ruby, a field camera in polished mahogany with brass fittings and leather bellows, as the King of Cameras
1903 To compensate for the curl resulting from gelatine emulsion, Kodak adds a layer of gelatine coating to the back of the film and introduces it as N.C. (Non Curl) film.
1904 Realising that tarnish reduces reflection, Dennis Taylor of Cooke Company develops a chemical method for producing lens coatings
The term Straight Photography is first used in the journal Camera Work as response to Pictorialism
The Midg No. 0, a quarterplate magazine camera that takes twelve glass plates in metal holder is introduced.
1905 The Soho Reflex large-format single-lens reflex camera is introduced and becomes the definitive SLR model until after WWII
The first telephoto lens optically corrected and fixed as a system is introduced – the f/8 Busch Bis-Telar
Thomas Manly introduces the Ozobrome process, a simplified carbon process, which becomes a favourite amongst Pictorialists
1906Panchromatic plates, sensitive to all wavelengths of visible light, are marketed by Wratten and Wainright in England
c.1906 The Ticka, a watch-style disguised camera, is introduced and goes on to become the most popular watch-form camera ever made. It is loaded with a film carried in a one-piece drop-in cartridge.
1907 The Autochrome plate is introduced, the first commercially successful colour photography product.
1908 Kodak produces the world’s first commercially practical safety film using cellulose acetate base instead of the highly flammable cellulose nitrate base.
c. 1910 Adoption of the bromoil process begins, creating the soft images reminiscent of paint popular with the Pictorialists
1911 In Italy, The Bragaglia brothers begin experiments in photodynamism
The Graflex Speed Graphic press camera is introduced and will continue in production until 1973
1913 Kodak invents 35mm film for the early motion picture industry
Oskar Barnack, creates the Ur-Leica, the prototype of a small-format 35mm camera, doubling the width of 18x24mm cinema film and running it horizontally, rather than vertically as in cinema cameras of the time
The introduction of Eastman Portrait Film begins the transition to sheet film instead of glass plates for professional photographers
1917 Paul Strand’s essay Photography and the New God in the final issue of Camera Works argues for images to be sharply focused and clearly camera-made
1924 The first common wide aperture lens becomes available with the f/2 Ernemann Ermanox
1923 The first fisheye lens is the Beck Hill Sky (or Cloud in the UK) lens designed for scientific cloud cover studies
1925 Leica introduces the Leica I, a watershed design that makes the 35mm format truly viable
The wide aperture Ermanox becomes available with an f/1.8 lens
1928 The Rolleiflex offers photographers superb build quality, superior optics and bright viewfinders
The Zeiss Sonnar lens is patented by Zeiss Ikon. It is notable for its relatively light weight, simple design and fast aperture.
The Vacublitz, the first true flashbulb made from aluminium foil sealed in oxygen, is produced in Germany by the Hauser Company.
1929 Minolta, originally named the Nichi-Doku (which means “Japan-German”) Photographic Company, introduces its the first camera, the Nicalette, which is equipped with a German shutter and lens.
1930 The Leica I Leica Thread Mount (LTM) offers a camera with interchangeable lenses.
c. 1931 Dr Harold Eugene “Doc” Edgerton, invents of the ‘strobe’ flash, transforming the stroboscope from an obscure laboratory instrument into a common device
Rodenstock introduces the Imagon, which will become one one of the classic professional soft-focus portrait lenses, a look strongly associated with images of Old Hollywood
Kodak introduces Verichrome film, offering greater latitude and finer grain than the Kodak NC (Non-Curling) Film that had been the standard since 1903.
1932 The Leica II is launched, the first Leica camera with a rangefinder, which becomes a signature of the company
Group f.64 is formed – an association of California photographers who promote sharply detailed, purist photography
The first Agfacolor film is introduced, a film-based version of their Agfa-Farbenplatte (color plate) product which is similar to Autochrome
The first photo-electric light meter is introduced, the Weston Model 617
Voigtländer introduce the Prominent, a a6x4 folding bed, coupled rangefinder camera, Voigtländer’s first rangefinder camera
1933 The Leica III is introduced and is produced in parallel with the Leica II, and will remain in production in various iterations until 1960
The first Rolleicord is introduced, a simplified version of the Standard Rolleiflex, with a cheaper 75mm Zeiss Triotar lens
1934 Kodak releases the first preloaded 35mm film, the 135 film cartridge, removing the need for photographers to load their own film into reusable cassettes in a dark room
Minolta creates the first Japanese camera to use the 6 x 4.5cm format – the Semi Minolta I.
1935 Eastman Kodak markets Kodachrome film, the first colour film that uses a subtractive color method to be successfully mass-marketed
Zeiss Ikon introduce the Super Ikonta B, a premium quality, folding medium format rangefinder camera notable both for its build and image quality
Canon introduces the Hansa, the first Asian 35MM camera.
Leica introduces the Thambar, a legendary 90mm f2.2 soft focus portrait lens
Interference-based anti-reflective coatings are invented and developed by Alexander Smakula of the Carl Zeiss optics company
1936 the first widely-distributed 35mm SLR camera, the Kine Exakta, is introduced, with a design that will influence many subsequent SLRs.
Zeus Ikon launch the Contax II, the first camera with a rangefinder and a viewfinder combined in a single window.
1937 The Rolleiflex Automat introduces automatic film loading and transport.
The Minox subminiature camera is introduced, becoming one of the most suitable cameras for covert use.
1938 Kodak Introduces the Super Six-20, the world’s first camera with built-in photoelectric exposure control
The first hot shoe appears on the Univex Mercury, though hot shoes did not become common until the 1960s.
Jaeger-LeCoultre produce the Compass Camera, an Ultra-Compact 35mm Camera, machined out of solid aluminium and designed by Noel Pemberton Billing
1939 The Argus C3 is introduced and becomes the world’s best-selling 35mm camera, offering affordable 35mm rangefinder photography to amateurs
Kodak adds a ready-mount Service for 35 mm Kodachrome Film. This makes it possible to project slides as soon as they are received from the processing laboratory.
1940 Kodak introduces Tri-X film in sheet film formats
The first Minolta-made lens with the “Rokkor” name appears on a portable aerial camera used for military purposes, named in honour of Mt. Rokko.
1941 The Kodak Ektra 35mmRF is introduced with the first complete anti-reflection coated lens line for a consumer camera
1942 Eastman Kodak introduces Kodacolor – the first negative film for making colour paper prints.
1945 The Kodak dye-transfer process is introduced
1946 Kodak markets Ektachrome Transparency Sheet Film, the company’s first colour film that photographers could process themselves using newly marketed chemical kits
1948-1984: The Refinement of Film Photography and the Birth of Digital
1948 Instant photography is introduced with the first instant-film camera, the Land Camera 95 or Polaroid camera.
The iconic Hasselblad 1600F camera is introduced and goes on to develop a reputation as the ultimate professional camera.
Nikon introduces the Nikon 1 rangefinder, the first Nikon-branded camera ever produced. The design is based on the Contax rangefinder but with a simpler shutter similar to that used by Leica.
1949 The modern lens aperture markings of f-numbers in geometric sequence of f/1, 1.4, 2, 2.8, 4, 5.6, 8, 11, 16, 22, 32 etc. is standardised
The Contax S camera is introduced, the first 35 mm SLR camera with a pentaprism eye-level viewfinder
1954 The Leica M is introduced with the new Leica M mount and combined rangefinder and viewfinder
Kodak introduces high-speed Tri-X black and white film on 35mm and roll film. Aimed squarely at photojournalists, it was the first fast film for general use.
1955 The Kilfitt Makro-Kilar f/3.5 is the first macro lens to provide continuous close focusing
1957 The Asahi Pentax SLR is introduced, placing controls in locations that would become standard on 35 mm SLRs
Hasselblad introduces the medium format 500 C system camera, which will go on too become one of most influential and successful cameras of all time
1958 Minolta introduces the first achromatic lens coating – two layers of magnesium fluoride deposited in different thicknesses to radically reduce glare and flare.
1959 The Nikon F is introduced, Nikon’s first SLR and the first SLR aimed at professional photographers
The the first production varifocal (zoom) lens for still 35mm photography is produced – The Zoomar 36-82mm f/2.8 for Voigtländer Bessamatic 35mm SLRs
Kodak High Speed Ektrachrome film becomes the fastest colour film on the market
1960 Konica introduces the Konica F, featuring the Hi-Synchro, the first SLR shutter with a speed of 1/2000s
1961 Eastman Kodak introduces faster Kodachrome II color film
1962AGFA introduces the first fully automatic camera, the Optima, with an automatic programmed exposure, using a selenium-meter-driven mechanical system
The Nikkorex F is the first production single-lens reflex camera with the metal Copal square shutter
1966 The VEB Pentacon Prakica is the first SLR with an electronically controlled shutter
Zeiss produce the Planar 50mm f/0.7, the world’s fastest lens, used by NASA to photograph the dark side of the moon
The Rollei 35 is introduced as the smallest full-frame 35mm camera in the world
1967Nikon F Photomic SLR is the first camera with a centre-weighted exposure metering system
1969 The foundations for digital photography are established with the development of the charged-couple device (CCD) at Bell Labs.
1971 Nikon introduce the F2 to succeed the legendary F with a variety of finder options.
1972 Kodak reduces the popular Instamatic Camera to pocket size with the introduction of the Pocket Istamatic Camera with the new easy-load 110 Film Cartridge, extending the cartridge loading principle to what had hitherto been known as the sub-miniature camera.
Polaroid introduces the SX-70 an improvement on previous models that ejects pictures automatically and without chemical residue,
1973Fairchild Semiconductor launch the first commercial CCD chip (0.01 Megapixels) and the MV-100, the first commercial CCD camera.
Olympus launches the OM-1, an ultra-compact 35mm SLR that initiates the compact SLR revolution of the ‘70s and ‘80s.
1975Steven Sasson invents the world’s first digital camera while working at Eastman Kodak which shoots shoots a mere 0.01 Megapixel image.
Bryce Bayer of Kodak develops the Bayer filter mosaic pattern for CCD color image sensors, an integral part of most digital camera’s image sensor.
Olympus launch the XA series, one of the smallest rangefinder cameras ever made, featuring a fast 35mm f2.8 F. Zuiko lens, and aperture priority metering.
1976 Canon introduces the AE-1, One of the most well known and widely circulated 35mm SLR cameras ever made
The Copal Compact Square Shutter (CCS), one of the most notable focal plane shutters of the ’70s, is introduced with the Konica Autoreflex TC
1977 Fuji introduces the first zoom lens to be sold as the primary lens for an interchangeable lens camera – the Fuji Fujinon-Z 43-75mm f/3.5-4.5
The Minolta XD11 is the world’s first camera with aperture priority and shutter priority, as well as a fully metered manual mode.
Kodak enters the instant picture field with a range of cameras and a new film. Kodak instant cameras do not need a mirror to reverse the image laterally, which is a requirement for Polaroid cameras, but litigation from Polaroid soon follows.
1978 Konica introduces the C35 AF, the first point-and-shoot autofocus camera.
1979 The highly portable and collapsable medium format Plaubel Makina 67 is released
1980 The Ricoh AF Rikenon 50mm f/2, the first interchangeable autofocus SLR lens, is introduced
Nikon introduces the F3, with manual and semi-automatic exposure control.
1981 Sony introduces the Mavica, a TV camera that records TV-quality still images on magnetic floppy discs.
The Sigma 21-35mm f/3.5-4 becomes the first super-wide angle zoom lens for still cameras.
International speculation on the silver market causes a significant rise in the price of silver, an important base material for the photographic industry. Agfa-Gevaert’s struggles results in the group being acquired by Bayer.
The low-tech plastic Holga camera is introduced, which will later attain cult status with the advent of Lomography and become a major source of inspiration for Instagram.
1982 Nikon introduces the FM2, which uses an improved Copal Square Shutter to achieve an unheard-of speed range of 1 to 1/4000th second and a fast flash X-sync speed of 1/250th second.
Kodacolor VR 1000 film is announced at Photokina. It is a T-Grain film, which makes possible such a high speed film with tolerable grain.
1983 The Olympus OM-4 is the first camera with a multi-spot exposure meter, taking up to eight spot measurements and averaging them
Nikon introduces the FA, the first camera to offer a multi-segmented (or matrix or evaluative) exposure light meter, which uses two segmented silicon photodiodes to divide the field of view into five segments.
1984 LOMO begin mass-producing the LC-A, achieving popularity within the USSR and kickstarting Lomography.
The Contax T, the first in a series of high quality, exceptionally compact 35mm rangefinder cameras is introduced
Leica introduces the M6, which resembles the Leica M3 but adds a modern, off-the-shutter light meter with no moving parts and LED arrows in the viewfinder.
1985-2006: Autofocus to Camera Phones
1985 Minolta introduces the world’s first fully integrated autofocus SLR with the autofocus (AF) system built into the body – the Maxxum 7000.
1986 The disposable camera is popularised by Fujifilm with the 35mm QuickSnap, which helps to define consumer photography in the late ’80s and ’90s
The Canon T90 marks the pinnacle of manual-focus 35mm SLRs
Canon launches the RC-701 ‘Realtime camera’ the first commercially available Still Video Camera
Kodak introduces T-MAX film which is smooth, fine grained and sharp – characteristics due to its use of a tabular grain emulsion. T-MAX 100 has a very high resolution of 200 lines/mm and is often used for testing the sharpness of lenses.
1987 Canon launches the EOS (Electro-Optical System), an entirely new system designed specifically to support autofocus lenses.
Canon becomes the first camera maker to successfully commercialise Ultrasonic Motor (USM) lenses which appear with the introduction of the EF 300 mm f/2.8L USM lens
1988 The Fuji DS-1P, the first digital handheld camera, is introduced, though it does not sell
The JPEG and MPEG standards are set.
Kodak introduces the DC 210, the first “Megapixel resolution” digital camera selling for under $1000 ($899).
1989 Canon introduces the 50mm f/1.0L, the fastest AF EF mount lens, and one of the fastest lenses in the world.
1990 Adobe Photoshop 1.0 image manipulation program is introduced for Apple Macintosh computer.
Eastman Kodak announces the development of its Photo CD system
The gum oil process, a painstaking and highly expressive photographic method, is invented by Karl P. Koenig.
1993 The f2 35 mm autofocus Konica Hexar is introduced, one of the quietest of 35mm cameras
The instantly recognisable Nikon 35Ti compact camera is released with a distinctive analog display on top
The Canon EF 1200mm f/5.6L USM is introduced, which Canon claims as the longest focal length lens available for any interchangeable-lens autofocus SLR.
1994 The Apple Quicktake 100 is the first camera to use USB to connect to a computer.
1995 The Casio QV-10 is the first camera to incorporate an LCD screen on the back for image preview and playback
1996 Eastman Kodak, FujiFilm, AgfaPhoto, and Konica introduce the Advanced Photo System (APS), enabling the camera to record information other than the image
The Canon IXUS is the firstIXUS APS camera, Canon’s contribution to the launch of the APS film system and an important milestone in compact camera design
Hasselblad introduces the V-system 503 C/W medium format film camera which will continue into production until 2013
1997Philippe Kahn publicly shares a picture via a cell phone for the first time
1998 Leica launches The M6 TTL to replace the M6 with a larger, reversed shutter dial and TTL flash capability
Kodakintroduces the Portra family of daylight-balanced professional colour negative films for portrait and wedding applications.
1999 The first commercial camera phone, the Kyocera Visual Phone VP-210, is launched in Japan
The Nikon D1 is the first fully integrated digital SLR designed from the ground up, rather than a digital modification to a film SLR
2000 Sharp and J-Phone introduce the first mass market camera-phone in Japan, The J-SH04
Canon introduces the EOS D30, the company’s first digital SLR produced in-house. Previously Canon had a contract with Kodak to rebrand DCS models. It was also the first DSLR with a price tag affordable to enthusiasts.
2001 Nikon produce the manual focus FM3a, the last manual focus 35mm SLR released by a major maker
2008 Panasonic releases the Lumix G1, the world’s first mirrorless interchangeable-lens camera – which uses the main image sensor for autofocus, metering and full-time electronic viewing.
The Nikon D90 is the first DSLR with HD video recording capabilities
2009 FujiFilm launches world’s first digital 3D system
The FinePix Real 3D System includes includes the FinePix Real 3D W1 digital camera, FinePix Real 3D V1 picture viewer and 3D print capability
The Leica M9 is the first full-frame digital Leica M.
2010 Instagram, the photo and video-sharing social networking service is launched on iOS.
Worldwide demand for photographic film falls to less than a tenth of what it had been ten years before
2009 Sony introduces the first consumer back-side illuminated (BSI) sensor, the “Exmor R“, which improves low-light performance
c.2010 Photographers start to use social media filters and apps such as Hipstamatic s part of a wave of analogue nostalgia
2011Lytro releases the first pocket-sized consumer light-field camera, capable of refocusing images after they are taken
The Fujifilm FinePix X100 is introduced, the first model in the Fujifilm X-series, a range that makes the case for the benefits of APS-C over full-frame cameras
Instagram adds hashtags to help users discover both photographs and each other
2012 Sony launches the world’s first full frame compact camera – the RX1, with a fixed 35mm F2 lens
Olympus introduces the OM-D E-M5 with a 5-axis sensor-shifting image stabilisation system – the first of its kind in a consumer camera
Nokia launches the Lumia 920, the first cell phone with an optical stabilised sensor
The Nikon D800 is introduced with the world’s highest resolution DSLR sensor
2013 Sony announces the ⍺7 which starts the full frame mirrorless revolution.
Nokia launches the Lumia 1020 phone with a 1.5 inch 41 megapixel rear sensor
Sales of digital cameras in the United States of America start to fall in terms of revenue and in unit shipments, as more consumers turn to smartphones and social media
Hasselblad discontinues the 503CW medium format film camera
Leica introduces the Leica T (Typ 701) with Leica’s first fully-electronic, designed-for-mirrorless lens mount
2015 Google Photos delivers AI-based organisation of images
Sony announces the first camera to employ a back-side illuminated full frame sensor, the α7R II.
Leica announces the full frame, fixed-lens compact Leica Q (Typ 116) – the first full-frame Leica to incorporate an autofocus system.
2016 Apple introduces Portrait Mode, which uses the dual backside cameras to create a depth map to isolate a foreground subject and then blur the background
Apple introduces the iPhone 7 Plus. The iPhone offers a dual camera setup with different focal lengths, 23mm and 56mm, entering the realms of telephoto on a phone.
2017Intrepid Camera launches its Kickstarter project for a light-weight, low cost, compact 10X8 film camera.
2018 The Huawei P20 Pro provides a new triple camera system
Canon officially discontinues the EOS-1V, the company’s last remaining film camera
Nikon introduces the Z6 and Z7 mirrorless cameras.
Google Night Sight achieves similar results to a camera on a tripod with a handheld Pixel camera phone using consecutive shots reassembled into a single image via an algorithim
Leica introduce the Leica M10-D, a digital camera without an LCD screen designed to combine the excitement of film with digital technology.
Researchers at Dartmouth College announce the Quanta Image Sensor (QIS) which replaces pixels with jots, where each jot can detect a single particle of light (photon)
Mirrorless cameras overtake DSLRs based on value (CIPA data)
2019 Xiaomi introduce the CC9 Pro, with five rear cameras including one with 108-megapixels
The Fujifilm GFX 100 is the world’s first medium format camera to offer in-body image stabilization, with a 102MP BSI-CMOS sensor
4.5 million digital single-lens reflex (DSLR) cameras manufactured by CIPA companies are shipped, down from 16.2 million in 2012
2020 Samsung Introduces the Galaxy S20 Ultra with five cameras to capture 108MP photos, 100 x zoom and 40MP selfies
Nikon’s introduces the D780, its first DSLR to incorporate on-chip phase-detection autofocus, a feature inherited from its mirrorless Z series
Canon launches the EOS R series next-generation full-frame mirrorless cameras featuring Dual Pixel CMOS AF technology that provides autofocus in low-light conditions previously too dark to focus in.
The Apple 12 ships, with a new 7-element design with an ƒ/1.6 aperture for the primary camera as well as advancements to Smart HDR and Deep Fusion.
Digital camera shipments drop to a new low of 8.9 million units, down from 121 million units in 2010.
Mirrorless cameras overtake DSLRs based on unit volume (CIPA data)
The first large-scale image recognition system based on transformers, Vision Transformer (ViT), is introduced by Alexey Dosovitskiy and Thomas Kipf
2021 Sony introduces the ⍺1, a 50.1MP, 8.6K camera capable of shooting bursts at up to 30fps blackout-free, with 15 stops of dynamic range, real-time animal eye AF and anti-distortion shutter technology.
Olympus exits the camera market, completing the sale of its camera business to JIP, a Tokyo-based venture capital firm.
Nikon announces, and very late in the year, ships, the Z9 – the first professional camera to arrive without a mechanical shutter without rolling shutter thanks to its fast stacked shutter. It also offers the world’s fastest still image frame rate of 120 fps.
2022 OpenAI launches DALL-E 2. A portmanteau of ‘Dali’ (as in Salvador) and Pixar’s ‘WALL-E’, it offers a massive upgrade on its predecessor, with more realistic results and four-times higher resolution
Stability AI launches Stable Diffusion, a deep learning, text-to-image model based on diffusion techniques.
Apple introduces the Photonic Engine with the iPhone 14, a computational photography technique that enhances photos taken in mid-to-low lighting conditions.
Leica introduces the M11 with a 60MP full-frame back side illuminated sensor
Japanese media organisation Nikkei reports that the compact ‘point-and-shoot’ market has retracted to 3.01m units as of 2021, a drop of 97% from its peak of 110.7m cameras in 2008.
2023 Sony launches the a9 III which delivers the world’s first full-frame global shutter sensor, which allows the camera to freeze motion in captured images with a max shutter speed of 1/80,000 second and 120 fps continuous shooting.
ChatGPT expands its capabilities by adding voice and image functionalities.