The Windmill at Brill

The windmill at BrillOne weekend when the weather was cloudy with very strong winds I thought I’d try out my long exposure technique described in the blog post of the same name, so I drove out to Brill with my Nikon Df.  Brill is a location well known to photographers all over Oxfordshire and Buckinghamshire, and attractively perched on top of a steep hill, with an excellent view over the plain below.  The result is shown to the right, I was quite pleased with it.

The origin of the name of the village is derived from both the Anglo-Saxon and Celtic words for hill (Bre-hyll). In the reign of Edward the Confessor it was called Bruhella.  It is notable for its old post mill, the timbers of which reputedly date from 1685 and the clay pits were dug for the production of pottery and Brill bricks.   The clay pits were in use from Roman times until the last bricks were produced in the 1920s.   Roman occupation in the Brill area is highly probable as suggested by finds of tiles and pottery and the square earthworks believed to have been a Roman look-out.  The village is also close to the Roman road of Akeman Street.  It was a royal manor of the kings of Wessex in the Anglo-Saxon period and there was a Royal Palace at Brill until it was destroyed by the Parliamentarian John Hamden in 1643.  Edward the Confessor, Henry II, John, Henry III and Stephen all held court there in the 12-13th centuries.

Brill was the scene of a battle during the English Civil War. After the Battle of Edgehill in November 1642 a royalist force occupied the village. Parliamentary troops were sent to oust the royalists, and on January 27th 1643 the two forces met in the Battle of Brill.

The royalists had thrown up sturdy earthworks, perhaps using remnants of Brill Castle. The Roundheads launched a fierce canonnade, but called off the attack after several hours when the Royalists lit damp straw on fire, creating a wall of choking smoke. Residue of the Royalist defenses can be seen in the village.  During the 1830s an attempt was made to turn Brill into a spa town, as there is a spring between the nearby village of Dorton and Brill but royal patronage favoured Tunbridge Wells and Leamington Spa over the rather isolated village.

The Pheasant pub has outside seating that provides access to the view over a pint, which is very pleasant in the summer.  The site of the windmill is a popular spot for a picnic, with children and dogs often scampering about amongst the undulations of the old clay pits, and of course there are plenty of photographers…

The Beauty of the Long Exposure

Road to nowhere - the beauty of the long exposureI have seen some astonishing black and white photography that uses very strong neutral density (ND) filters such as the B+W ND 110 to blur cloud movement using a long exposure.  I wanted to get some shots with the same effect into my portfolio.  The B+W 110 is not for the faint hearted because it is so black the camera typically can’t meter or focus through it, but I’ve tried lesser NDs and they are just not strong enough for the full effect. The real full on long exposure effect can be stunning, and I obtained reasonably pleasing results on the shoot, so I’m going to keep going. The picture on the left is entitled ‘The Road to Nowhere’ and is a small road that runs just off the A41 between Aylesbury and Bicester towards Brill, where I also shot that day.  After some experimentation I found the following to work quite well:

  1. Ideally you should shoot on a cloudy day with strong winds so that you can capture the movement as a blur. The direction and speed of movement of the clouds is of interest as movement across the frame versus towards or away from you look quite different.
  2. Set up your camera on a tripod. Make sure it is really secure, especially if you are in a high wind. If you have a strap attached to the camera make sure it is not flapping about. Ideally you should be using a cable release or remote to release the shutter.
  3. Compose a test shot without the filter, in aperture priority mode – setting the desired aperture, which will typically be small (I mainly used f16). Typically you will want to set a low ISO, shoot using Raw and disable lens vibration reduction as it is not helpful on a tripod.
  4. Focus using auto focus and take note of the shutter speed.
  5. Next, screw in your B+W 110 10 stop neutral density filter, and switch to manual focus and manual mode.
  6. In Manual mode set the shutter speed to 1000 times the shutter speed of the meter reading for the test shot, keeping the same aperture setting and using the bulb setting if necessary.
  7. Take the shot and look at the result. Adjust the shutter setting as desired until you get the exposure you want.
  8. Take off the ND filter, flip back to aperture mode and autofocus and take a bracket of 3 shots that can be used with the long exposure to create a properly exposed image.