The Kodak No 2 Folding Autographic Brownie

Posted on April 8, 2022April 11, 2022 by Nigel Williams

Kodak Autographic — Kodak No. 2 Folding Autographic Brownie

With the crammed, tiny text engraved on the front plate that describes the rather eccentric ‘Autotime’ system, and a stylus on the back to engrave notes on the negative using the Autographic feature, the Kodak No2 Folding Autographic Brownie has plenty of unique points of interest.

It also has a good deal of ‘early camera’ DNA. Not only is the lens standard pulled out on a track fixed to the baseboard like a Victorian field camera, but the back is detachable, though it takes 120 roll film rather than a plate. This makes it one of the most interesting cameras I have ever come across, which inspired me to research and write this article.

The Kodak No 2 Folding Autographic Brownie is my oldest camera. From the serial number (109947) engraved on the foot it was probably manufactured in late 1916.

Perhaps this was around the time that the first Tanks saw action (mid September 1916) , or a little later in November, when the Battle of the Somme, one of the bloodiest military operations in history, was coming to a conclusion.

For cameras made between 1915 and 1919 you can determine the date of manufacture of this camera with reasonable precision from the design changes listed by serial number at brownie-camera.com.

I bought it at a camera fair hosted by ImageX in Bicester, Oxfordshire and when I opened the camera up I discovered a Kodak London service sticker from 1953, proving it had a very long shooting life. Although the body shows quite a lot of wear and the aperture blades and shutter are slightly pitted, the camera is light-tight and in working condition – no doubt due to the care of attention of Kodak London.

Kodak’s Folding Cameras

This model of Brownie is a vertical format folding camera. Folding cameras originated in the 1850s, replacing the 1840s sliding-box design with leather bellows. See the article Early Cameras, a Timeline on this site for more on early camera design.

Kodak produced numerous folding models from the 1890’s until the 1960s. The first was the Folding Pocket Kodak which was introduced in 1897. The last was the Kodak 66, Kodak’s only post-war folder for 120 film rolls, which was manufactured in the UK between 1958 & 1960.

The non-box Brownies

The name ‘Brownie’ brings a low-cost box camera to mind, but Kodak manufactured several folding models in that famous and long-lived family of cameras between 1904 and 1926. The Folding Brownie series were Kodak’s least expensive folding roll film cameras and had a more basic specification than their Kodak branded counterparts. The also offered fewer optional configurations.

The first folding Brownie was the No. 2 Folding Brownie, which was introduced in 1904, with a model B introduced in 1907 as the Folding Pocket Brownie. These were the predecessors of the Autographic Brownies.

The No.2 Autographic Folding Brownie

The No 2 model in Kodak Autographic Folding Brownie series was produced from 1915-1926 for the type 120 Autographic film. The exact number of cameras manufactured of this type in that 11-year period isn’t known, but brownie-camera.com states that 540,000 were made before 1921. Kodak only made minor changes to the design during the production run.

Kodak Autographic Brownie — Kodak Advertisement for the new Autographic Brownie

The most notable of these changes is the early change from the square-ended box shape shown in the Kodak Advertisement. This was changed to a more to a more curved design in 1917 (from serial no 133,301 according to brownie-camera.com.) Another change that is useful in dating models is the shape of the foot, which was modified from an S-shape to a C-curve in 1919 (from serial no 133,301 according to the same source).

120 Roll Film Format – The Last Survivor

Kodak produced a huge number of different roll film formats with a variety of different negative sizes. 120 (or No.2 film as it was originally called, as per the name of this camera) is the only one still being manufactured. The larger 116 and 130 film utilised by other Autographic Brownie models have both been discontinued.

120 film is still used extensively by medium format photographers, and readily available. The No 2 Folding Autographic produces 8 exposures measuring 6 x 9 cm, which are the largest that can be obtained with 120 film.

6 X 9 is a less common format than 6 x 7 (e.g. the hallowed Pentax 67), 6 x 4.5 (e.g. Mamiya or Pentax 645 models) or 6 x 6 (e.g the legendary Rolleiflex). Some examples of 6 x 9 cameras include the Fuji GW690 series, Zeiss Super-Ikonta C, Plaubel 69W ProShift, Royer Teleroy and Agfa Record III. Some technical and field cameras can also take 6 x 9 film backs.

The Kodak Autographic System

Kodak was researching a way to allow the photographer to enter their own notes onto a negative when Henry Jacques Gaisman’s invention came to the company’s attention. ‘Jack’ Gaisman (1869 –1974) was a prolific inventor and the founder of the AutoStrop Company, a safety razor manufacturer. His patent was purchased for the sum of $300,000. It was such a large amount at the time to as to be newsworthy and the purchase was covered in the New York Times. Gaisman reputedly filed over one thousand patents including those related to swivel chairs, men’s belts, and carburetors, as well as razors and cameras.

The Kodak Autographic System uses a narrow slot covered by a light-tight hatch. To write a note, the user lifted the hatch, which revealed the film’s paper backing. A stylus held by a clip on the back of the camera next to the hatch was used to make a notation on the paper backing. The hatch was left open for a few seconds, depending on the prevailing light, which exposed the marked area and burned the note in. The text entered would appear in the margin of the processed print

Kodak’s autographic films (which were designated by an ‘A’ after the film size designation) made use of thin carbon paper sandwiched between the film and the paper backing.

There were two other models of Folding Autographic: the No 2A for the slightly larger 116 film, and the No 2C for 130 film, which produced the largest negatives. Kodak sold autographic backs as upgrades for their existing cameras.

The Kodak autographic was hailed in the original 1915 advertisement as ‘The biggest photographic advance in twenty years’. Kodak also promoted the Autographic with the slogan shown in the advertisement below: ‘Any negative worth the making is worth a date and title’.

During my research several sources mentioned the relatively scarcity of autographically annotated prints, so despite Kodak’s promotional efforts it is debatable how much the system was actually used in practice. It was discontinued in 1932.

Kodak Advertisement showing an annotated negative

Lens Options and Shutter Variants

There was a choice of two lenses. The higher end lens option is a rapid rectilinear which was widely used in more expensive cameras. The other is a very simple achromatic lens. They are easy to distinguish as the glass elements the achromatic lens are behind the shutter and the aperture.

Information on the focal length of either lens is hard to come by, but I have seen a reference to 98mm and a maximum aperture of f/7.9. Given the crop factor of a 6×9 image the 35mm equivalent is approximately 42mm, which is what I would expect from the shots I have taken.

Both lenses made use of the quirky and not particularly accurate Kodak ball bearing shutter until it was replaced in the last two years of manufacture by a Kodex shutter.

Shutter speeds are limited to 1/50 seconds and 1/25 seconds plus B (Bulb) and T (Time) for long exposures. In keeping with the rest of the camera, the shutter speed selection scale is rather eccentric with the B and T modes set between the ‘instant’ speeds.

The Autotime System

The Kodak Autographic System isn’t the only Kodak innovation on the camera. Setting the correct exposures was originally performed using the Kodak Autotime system, an early, and rather incomplete, automation system.

Using Autotime, the photographer selects the shutter speed to match the lighting conditions. The 1/50^th second speed is marked “Brilliant” 1/25^th “Clear” and guidance for “Gray”, “Dull” and “Very Dull” is marked in between. These make use of the slower, and manually, controlled Bulb and Time settings. Aperture selection is via a choice of subjects marked at the bottom of the shutter dial. These are “Portrait/Near View”, “Average View”, “Distant View”, “Clouds/Marine”.

The Autotime Patent

Autotime was patented in 1908. It was not a Kodak invention, nor was the idea fully implemented as it lacked the mechanically geared linkage between aperture and speed settings suggested by the inventor, Frank S. Andrews. I can find little about the visionary Mr Andrews except in this article on the Autotime scale. The concept was well ahead of its time, and it was not until the 1950’s that the coupling of aperture and speed settings was resurrected by Kodak in the Retina range of 35mm cameras.

The Autotime Scale was eventually abandoned along with the Autographic feature.

The Universal Scale (US) System

Below the Autotime labels are the numbers 1-4. These are from the Universal or Universal Scale System, often used on simple cameras prior to 1920. This system was adopted by the Royal Photographic Society of Britain in 1881, which was one of the first attempts to establish a standard for lens apertures. The numbers represent f/8, f/16, f/32, and f/64.

The No2 Kodak Autographic Folder in Use

My example has the simple lens option so my expectations from camera weren’t high, but I was pleasantly surprised by the results. I didn’t experience any of the light leaks that often plague cameras of this vintage, presumably because the bellows were replaced during the 1953 service – they are in excellent condition. The focus was reasonably sharp and the exposures fairly accurate.

Framing and Focusing

Framing isn’t easy as it relies on the tiny (1.5 cm x 1.5 cm) ‘Brilliant’ finder mounted above the lens. This creates a tiny and approximate representation of what the camera is pointing at. Peering down into the minute square of glass the photographer sees an image that is laterally reversed just like a viewfinder in a Rolleiflex, but much, much smaller! It is usable, though getting the horizon level isn’t easy.

Focus is very basic ‘scale focusing’ and is set via a scale on baseboard. This has just two pre-set distances that engage with a catch on side of the lens standard. I’ve only ever used the most distant of these (30m or 100 feet). I’ll get round to trying to shoot some portraits at some point and try out the 2.5m/8 feet setting.

Setting an Exposure

Setting an exposure isn’t difficult as there aren’t that many usable options! I always use 1/50^th of a second as the 1/25^th is a bit slow without a tripod, and I avoid setting the aperture wide open as this is likely to be when the rather unsophisticated lens will produce the softest image. This gives me a fixed shutter speed and a choice of 3 apertures, which I select after consulting the light meter on my iPhone. Given how forgiving black and white film is in terms of exposure latitude, I haven’t found it difficult to get a reasonably accurate exposure.

The shot above left was taken on a cloudy day with Kodak TMAX 100 pushed to ISO 200. I had to crop it as the horizon wasn’t straight. It is by no means a great shot of a wonderful location, but it does prove the Kodak to be surprisingly effective. I have a gallery of shots of the manor and you can also read about the story of the ruined manor and the lost village of Hampton Gay.

The shot below right was taken with same film from the first roll I shot from the pier in Deal, Kent. The shot is reasonably sharp and the image is uncropped as I managed to get the horizon straight. There is a dark patch in the centre of the sky, though I am not quite sure what caused it. This was evident in a couple of other shots from that roll. There are several galleries on Deal on this site.

Avoiding Film Fogging

Care needs to be taken of the red frame counter window on the back of the camera, which displays the frame counter numbers on the backing paper of the film. Early film had low sensitivity to red light so a combination of the backing paper on the film, plus the red window, prevented film fogging. Modern film is sensitive across the whole spectrum of light, so taping up the window whilst it is not in use helps prevent light getting into the camera. I haven’t experienced any fogging by removing the low tack tape I use to view the film counter when winding on, so it doesn’t present a real problem. This is similar to later frame counter windows that had little covers to prevent light leaks and were only opened whilst the photographer was advancing the film.

Some reviewers have developed work arounds for winding on ‘blind’ with the tape applied throughout but I haven’t found that necessary.

Loading and Unloading

Loading the camera with film isn’t especially difficult – I used this YouTube video to help me the first time round. I have found that my camera won’t wind on past frame 8, but I work round that by unloading the camera in darkness, and haven’t lost any frames as a result.

Getting in Touch and Further Reading

If you’ve any experience with the Kodak No 2 Autographic Folding Brownie, please leave me a note in the comments – I’d love to hear about it.

If you are interested in classic or vintage cameras, there are articles on this site on Fox Talbot and Early Photography and Pictorialism, a Timeline of Early Cameras, as well as reviews of my favourite Nikon film cameras – the Nikon F3, FM3A and F6.

The Other Towns Called Deal

Posted on March 7, 2021September 25, 2021 by Nigel Williams

The well-known seaside town of Deal in Kent is one of my favourite locations anywhere, and one of the most picturesque and enjoyable places on the British coast to visit. I will declare that was raised there and get back to visit as often as I can, so I am not particularly objective. However, many people agree with me, as it has been voted one of the best places to live in Britain. I discovered recently that is it is not the only place with that name and that there are other towns called Deal: a seaside town in the USA with the same name; a village in Transylvania, Romania; two Deal islands, one as far away as Tasmania, and the appearance of quite a few more on the internet.

Town called Deal — Boats on Deal Beach, in Kent

The Other Towns Called Deal – and the Internet Confusion

A quick internet search can give the appearance of many places called Deal – one site claims 10. To make the confusion worse the term ‘Deal’ gets confused with all kinds of monetary ‘deals’, financial transactions and card dealing. If that wasn’t enough there is a cryptography term DEAL which stands for Data Encryption Algorithm with Larger blocks, and even an early car named Deal! This post provides a short jaunt to the other Deals around the world and attempts to clear up the internet confusion.

The Other Seaside Deal and its Extra Terrestrial Rock

I haven’t visited any of other towns called Deal, though I have unknowingly been very close to the other seaside Deal in New Jersey, USA many times. For some years I worked for a NJ software company based in Monmouth County and I often visited the seaside at Long Branch, which is the next town on the coast, and only about 5 miles away. If only I had known about the other seaside Deal at the time!

The name of the New Jersey town is derived from the original Deal in Kent, which comes from the Old English ‘dael’ meaning ‘valley’. The modern English word with the same origin is ‘dale’. A settler, Thomas Whyte, an English carpenter from Deal, acquired land along the shore in the mid 1660s. Like much of the coast in that area, it is a pricey location. The average house price was $1.8m back in 2007, according to Forbes Magazine. There is a man-made lake in the area called Deal Lake, which is one of the largest in New Jersey, occupying 158 acres.

Other towns called Deal Long Branch NJ — Long Branch. About 5 miles from Deal, New Jersey

The other reference to Deal, NJ you might find is the Deal meteorite, which fell in 1829. It caused much excitement at the time, being accompanied by a fireball over the town and multiple booms. It is of the L6 chondrite variety, which mainly consists of obscure minerals such as olivine and hypersthene, and weighs in 28g.

New Deal, Texas

There is a new New Deal in Texas, with a population was 794 at the 2010 census. This is named after President Roosevelt’s public works program, not our English seaside town, so it’s a red herring. It was originally called Monroe, after a local landowner, but as there was already a town in Texas with the name Monroe City, the U.S. postal department changed the name of the town to avoid confusion.

Transylvanian Deal

Deal is Romanian for ‘hill’ so it is not surprising there is a place of that name in Romania. It’s located in the county of Alba, Transylvania which had a population of 355 in 2011. The Wikipedia page is a stub article that provides very little information except for a translation of the name into other languages. The village has a FaceBook page, which provides some images.

Given it is such a common word, it’s also not surprising to find villages in Romania that incorporate it. There are several villages called După Deal, which according to Google Translate means ‘beyond the hill’. Searching for ‘Deal’ in Romania will also bring up place names that contain the term such as the Dealul Mare wine region.

Far Flung Deal Island, Tasmania

Far from South East Kent is Deal Island, Tasmania, the largest island of the remote Kent Group of islands and some 10,609 miles away! The island lies within the Kent Group National Park, Tasmania’s northernmost national park and marine reserve. A visitor in 2018 described it as “an imposing, dramatic landfall…picture a mammoth, granite tooth jutting out of the sea on an otherwise blank horizon.”

According to the same account, the average population of Deal Island for most of the year is just two caretakers, volunteers who stay for 3 months to maintain the heritage buildings, grave-sites, and air strip. The island is largely inaccessible unless you have a yacht and the caretakers are entirely reliant on solar power. At least the caretakers have some wildlife for company, as the island has populations of wallabies and geese.

There is a lighthouse on the island, which was constructed in 1865, decommissioned in 1992 and once the highest lighthouse in the Southern Hemisphere. The original lighthouse keeper’s residence is now a museum.

The reference to Kent sounds like it must be connected to Deal, Kent, but that’s another red herring. The island was named after captain William Kent, an English Royal Navy officer, known for his part in settling the region.

Deal Island, USA and the Skipjacks

Deal Island, USA is in Somerset County, Maryland. The population of the island was 578 at the 2000 census, though it is dropping, whilst shedding land at about six-and-a-half acres a year due to rising seas. The island is known for its skipjacks, single-masted vessels, which were the mainstay of the Chesapeake Bay oyster fleet in the 19th century.

The local oyster harvest reached its peak in 1884 but has declined steadily since, especially since the turn of the 21st century. New skipjacks were built up until the late twentieth century, but a change in the law in 1965 allowed motor powered boats to operate two days a week , and they have been in steady decline ever since. Few skipjacks remain today, but they remain a source of pride on Deal Island, which hosts skipjack races once a year. It sounds like a really interesting place to visit with traditional waterman’s homes, seafood shacks and wildlife such as osprey and pelicans. I would think it would be a great photographic destination. In addition to the boats and wildlife there is old wooden bank building still standing which closed after the crash of 1929!

Unverified Towns called Deal: Idaho, Pennsylvania, The Philippines and South Africa

You can find map references to towns called called Deal elsewhere, typically in very remote locations, but these appear to be automatically generated with nothing to substantiate them. The link I’ve shared here counts Deal, Kent twice, so its clearly unreliable.

There is also a Wikipedia stub article that references a Deal in Pennsylvania, but it provides no details except that it is an unincorporated community that had a post office in the 1880s!

Useful Resources on this Site

My post on the many pleasures of Deal describes some of the best ways to enjoy the English coastal town, which is an ancient place with a rich history. You can read more about that in my article on Deal history and its companion post on Deal’s famous visitors and residents. The most obvious start to Deal photography is at the beach. There are still several working boats to shoot on the shingle beach together with winding gear and plenty of lobster pots. I have put together a gallery of boat shots, all taken on film – you can view them at my boats of Deal, Kent gallery.

Deal Kent Photography Opportunities

Posted on February 20, 2021August 10, 2021 by Nigel Williams

Photography in the seaside town of Deal, Kent is one of my favourite locations anywhere. It one of the most picturesque and enjoyable places on the British coast to visit and was raised there and get back to visit as often as I can. My post on the many pleasures of Deal describes some of the best ways to enjoy the town. It’s an ancient place with a rich history. You can read more about that in my article on Deal history and its companion post on Deal’s famous visitors and residents.

Deal Photography Opportunity #1 – The Boats

The most obvious start to Deal photography is at the beach. There are still several working boats to shoot on the shingle beach together with winding gear and plenty of lobster pots. I have put together a gallery of boat shots, all taken on film – you can view them at my boats of Deal, Kent gallery.

Deal Photography Opportunity #2 – The Pier

One of just eight piers in the Southeast and 60 surviving nationally, the current pier is the third sited at Deal, Kent. The history of the piers makes for interesting reading in this article by local historian Gregory Hollyoak. Built from reinforced concrete, the current 1026 feet pier was opened in 1957 by the Duke of Edinburgh.

The pier provides excellent views of the seafront, and photographers are often able to take advantage of the amazing cloud formations that gather over the town, which is one of the highlights of Deal photography. Visitors to the pier are welcomed at the entrance by a 3 metre high bronze statue, ‘Embracing the Sea’, by sculptor John Buck, which is also very photogenic. The pier is popular with anglers and has benches lining its entire length as well as a number of shelters. Catches include mackerel, garfish, mullet, pollack and sole in summer with whiting and codling in winter.

Deal Photography Opportunity #3 – The Conservation Area

Farrier Street Deal Deal Photography — Farrier Street, Deal (digital)

The town developed a mile or so inland from the coast, in an area now known as Upper Deal, where the ancient Parish church of St. Leonard’s stands with its distinctive cupola. In the seventeenth century development shifted closer to the beach in Lower Deal along the three streets that run parallel to the shore – Beach, Middle Street and Lower Street (now the High Street). Middle Street is now the heart of the picturesque conservation area (the first in Kent) with numerous narrow streets and alleys. Deal was a smuggling town and the alleys were ideal for taking contraband from boats on the beach into the town.

At one time these narrow streets also contained a very large number of pubs. At its peak in 1871 the town had 79 Public Houses and 16 Beer Houses for a population of around 8,000 people! See the post The Pubs of Old Deal for more on this subject. There are still a good number of great pubs to visit in the old part of the town, my favourites being The Ship Inn, which takes a good photography, and The Deal Hoy.

Deal Photography Opportunity #4 – The Seafront and Promenade

The area near the popular Kings Head pub is particularly attractive with plenty of bench seating shared with the nearby Port Arms. The pub and the guest house next door is decorated with flowers and bunting in the summer and it really is a great place to sit and relax. The seafront promenade extends from Sandown to Kingsdown and provides a wonderful walk with photographic opportunities provided by the boats, beach houses and the pier.

Deal Photography Opportunity #5- The Timeball Tower

Time ball Tower historic town Deal — Deal Timeball tower and anchor (digital)

The town also used to be a port, providing for the ships anchored in the sheltered anchorage known as the Downs and has one of only seven surviving timeballs in the UK. The Timeball Tower is four-storeys high and stands at where the entrance of the old Naval Yard used to be. The tower, with a huge anchor in the foreground, makes for an interesting subject.

Deal, Kent Photography Opportunity #6 – The Castles

By the time of Henry VIII the importance of the Downs made the coastline worthy of protection. Two of the original three castles built at that time survive. The artillery fortress at Deal, Kent (constructed 1539–40) is squat and functional. Another is close by at Walmer but this has evolved into an elegant stately home where the Duke of Wellington stayed in his role as Lord Warden of the Cinque Ports until his death at the age of 83 in 1852. A third castle at nearby Sandown was lost to the sea and is now little more than a rockery, though the area is still worth a visit.

Opportunity #7 – Out and About in South East Kent

Whilst photography in Deal, Kent provides plenty of photographic opportunities, the town is also a great base for photographers to explore the rest of South East Kent. Folkestone, Margate, Ramsgate, Broadstairs and Canterbury are all within easy reach. Further afield, Whitstable and Dungeoness beckon. I often visit these destinations when I stay in Deal, but the town itself remains my favourite place anywhere.

Opportunity #8, Deal Around the World

Photography in Deal, Kent is not the only photographic option in a place with that name – there are a few other Deals and Deal Islands around the world. I haven’t visited any of them, though I have unknowingly been very close to another seaside Deal in New Jersey, USA many times. For some years I worked for a software company based in Monmouth County, New Jersey and I often visited the seaside at Long Branch, which is the next town on the coast and only about 5 miles from the other Deal. If only I had known about it at the time! You can read more about the other places called Deal here.

The pubs of old deal ship photography inn — The Ship Inn, Deal (digital)

Useful Resources on this Site

Though the Redwoods to San Francisco

Posted on June 2, 2018June 10, 2018 by Nigel Williams

This was day 5 of our trip from Vancouver to Tijuana and our longest drive. We had to cover some 400 miles, mostly on twisting two lane highways, from our lodge near Gold Beach on the Oregon coast to San Francisco, a journey which would take more than 7 hours – if we didn’t stop. This was also to be our day amongst the Giant Redwoods. Initially, our progress was slow as we were constantly distracted by the views from the coast road. Most of the time we were able to pull over in a layby, but to view Arch Rock, a massive rock formation along one of the most rugged sections of the Oregon coast, we needed to park up and walk a short trail.

First Sight of The Redwoods

Stopping at the mysteriously named Trees of Mystery, located at Klamath, California, we were greeted by a very kitsch 49 foot tall Paul Bunyan, a giant lumberjack of American folklore, and his proportionally large Blue Ox, Babe. Whilst these are really very large statues (most visitors would not reach Babe’s knee), they did not prepare us for the sheer scale of the Giant Redwoods we saw as we walked the trails. Whilst they are the world’s largest single trees, they are also both the largest and oldest living things on Earth. These incredible trees can also be viewed from the top of the forest via a gondola ride, though personally I found their majesty was best appreciated at ground level.

Taking the opportunity for brunch, we visited the Forest Cafe just across the road. Unsurprisingly, it was forest themed and even more kitsch than the statues. One of the specialities there is local dish called a Monte Cristo, which we sampled . This is an XXL French toast sandwich, filled with ham and Swiss cheese, fried, dusted with icing sugar, and served with side of hash browns. I think of it as the Mr Creosote of Croque-monsieurs.

The Avenue of the Giants

The next waypoint on our trip had the advantage of being one we could see without stopping – in theory at least. This was the Avenue of the Giants, actually State Highway 254, which we entered from the northern end a few miles south of the town of Fortuna, and is pictured here. The road was once was part of Route 101 until it was bypassed in the 1960s. It was an incredible driving experience; the highway is lined with magnificent Coast Redwoods and runs parallel to a small and picturesque river.

Coast Redwoods (aka California redwoods) are also astonishingly large. Curiously, the height these redwoods can attain is related to the availability of fog. This is because transporting water to such great heights by conventional means is extremely difficult and the upper leaves supplement their water supply by extracting it from fog.

Shrine Tree Chevy Suburban California Redwoods Along the route there is a drive-through Redwood, and it seemed unreasonable not to sample it, especially as, unlike other examples, the opening in the trunk is natural. As we paid for our $8 ticket (the tree is privately owned), we were told that our Chevy Suburban was the very largest vehicle the Shrine Drive-Thru Tree could accommodate. Nick drove, I assisted from the passenger side and Ted took photos of the unlikely sight of a huge SUV passing through a tree. At points there was barely an inch to spare either side, but the paint was still all on the car as we exited.

Shoreline Highway

From the Avenue of the Giants it is just 30 miles or so to California State Route 1, also known as the Pacific Coast Highway (PCH) and the inspiration for our trip. North to South, it runs 750 miles inland from Leggett, in northern Mendocino, along the coast to Capistrano Beach, which is about 50 miles South of Long Beach. The stretch we were on passes through Mendocino, Sonoma and Marin Counties and is known officially Shoreline Highway until it reaches the Golden Gate Bridge at Sausalito.

The Shoreline Highway is a beautiful but slow, windy stretch of two-lane blacktop that hugs the coast. it is not what most people think of as the PCH, which is the section that runs between San Luis Obispo and Monterey, passing through Big Sur, Carmel and Monterey. I read online that the drive between Leggett and Sausalito could be done in a day, ‘but it would be a tiring one’. This amused me somewhat as we were already 5 hours into our drive at Leggett.

Golden Gate Bridge

After about 3 hours we arrived at Sausalito, cheering in unison as we caught sight of San Francisco’s most famous landmark, the Golden Gate Bridge, resplendent in International Orange. Ted knew of some places with good views up in the Marin headlands just north of bridge, so we headed under the 101 and up a narrow winding road, which you can see in the photo.

Whilst there are many places to shoot the bridge from this is actually one of the best vantage points in the late afternoon or early evening. Parking, however, at one of the few designated areas, is really difficult. Once parked up we enjoyed a great view of this truly amazing piece of engineering. It was constructed in the 1930s and had to overcome wind, fog, deep water, tides and vested interests opposed to its construction to span the Golden Gate strait. At that time, at 746 high the towers were taller than any building in the city of San Francisco.

J Town, San Francisco

I love Japan, so I was excited to be staying at the Hotel Kabuki in the J Town (aka Japantown and Nihonmachi) part of San Francisco that evening. This affection for all things Japanese had only become stronger since my 10 day roadtrip across the country the previous year. There are far fewer Japan Towns than China Towns in the USA, with just 3 versus around 50. San Francisco’s is both the largest, and oldest.

J Town covers 6-blocks and has many Japanese restaurants and shops mostly along Post Street, between Fillmore and Laguna Street. Next to our hotel in Post Street is the Peace Plaza, which contains a 5-story pagoda, a gift from the city in Osaka in the 1960s. We were really pleased with the recently renovated boutique Kabuki, which mixes Japanese and western influences to great effect. We strolled the few blocks of the area and ate dinner at Izakaya Kou. Izakaya are Japanese gastro pubs that developed from sake shops which allowed customers to consume the drink on the premises, and typically serve tapas style dishes. The food was delicious and beautifully presented.

Back at the bar of the Kabuki we reflected that our trip was rapidly coming to an end; we had only our penultimate stop at Pismo Beach before our final night’s stay in San Diego. The day’s drive had been an epic one of more than 400 twisting miles from our lodge in the Oregon wilderness. At a mere 254 miles the road to Pismo Beach was going to be a breeze in comparison.

The Magnificent Oregon Coast

Posted on May 30, 2018July 14, 2018 by Nigel Williams

US-26 To the Coast

Camp 18 Logging Museum Oregon Coast It was day four of our epic roadtrip from Vancouver to Tijuana, and time to hit the Oregon coast. Over the past three days, of the 1,823 miles we would eventually travel between Mexico and Canada we had covered just over 300. We were also now heading slightly northward so that I could shoot Cannon Beach. Nick and Ted were impatient to head South, but 60 miles from Portland on US-26 we saw an incredible assortment of rusting and antiquated machinery, and decided to stop. Barring our short visit to Gas Works Park, Seattle, the trip had not been a photographic success so far. Heavy cloud in Vancouver, heavy rain in Seattle and heavy drinking in Portland had all got in the way.

We had pulled over at Camp 18 Logging Museum, so called because early logging operations always numbered their camps and the museum is located at mile post 18 on Highway 26, 18 miles from the coast. There is a great collection of old logging machinery outside in the car park, including steam engines, giant mechanical saws. tractors and the battered old logging truck shown left.

Logging is central to Oregon’s history. Kick -started by California’s gold-rush and boosted hugely by WWII, the demand for lumber grew and Oregon became a central national and international timber producer with thousands of logging operations. Today natural resources are a much smaller part of Oregon’s economy, which has shifted to manufacturing, services, and high tech industries.

It was too early for lunch but the restaurant made for interesting viewing – the massive doors are opened with axe handles and the dining room room is held up by an enormous log some 85 foot high and weighing many tons. There are also several very large wooden statues of the local cryptid Big Foot. In the gift shop Ted enquired if the shop assistant had ever seen one of the giant wilderness-dwelling bipeds, expecting a dismissive reply. “You wouldn’t be able to see one if it were stood right next to you”, was her surprising response. Inspired by this, Nick downloaded an app to track sightings of cryptids in the US and kept us informed of the latest in our vicinity throughout the rest of the trip. It turns out that cryptid hunting and crypto zoological groups are quite popular in the US. Big Foot has plenty of legendary company as this map shows.

Cannon Beach

Ever more mindful of the distance we still had to cover, we got back in the Chav Wagon and headed for the coast. We arrived at Cannon Beach, named after a ship’s cannon that washed ashore in 1846, around noon. The beach each is famous for the 235 ft high monolith Haystack Rock, which is flanked by the Needles – a pair of tall companion rocks. It is one of the largest sea stacks on the Pacific Coast and is home to a colony of Puffins. Canon Beach is probably the best known beach on the Oregon coast, certainly to photographers – but there are several others to explore, which are well described in this article on the best beaches in Oregon.

I carefully set up my tripod from a couple of different angles, watched with a mixture of mirth and frustration by my travelling companions, who were both feeling the chill on the windswept beach. Focused on my photography I barely noticed the cold, or that the odd hour or two that had passed.

The Oregon Coast Highway

We had coffee at Sleepy Monks near the beach and then joined the Oregon Coast Highway, which would be our companion for the rest of the day. Its a spectacular piece of two lane blacktop, but subject to landslides, which require a diversion across the coastal range of mountains we had just crossed. Google Maps showed a distance of 285 miles and a journey time of 6 hours 28 minutes to our next destination, which was Gold Beach. We paused at Neahkahnie Viewpoint, near Manzanita to admire the view of the apparently endless curve of the beach and numerous other scenic spots along the coast before stopping for lunch at Gracie’s Sea Hag in Depoe Bay, which claims the world’s smallest harbour.

In addition to the coast views we were much taken by the many fine bridges we crossed, such as the Siuslaw River Bridge at Florence. They were constructed in the 1920s and 1930s and the product of one man’s vision. This was Conde B. McCullough, the Oregon state bridge engineer from 1919 to 1935 who combined Gothic Art Deco and Art Moderne sources to great effect.

The Road To the Lodge

After lunch we made a few more stops for photography, most notably at Humbug Mountain, which we considered to be the perfect habitat for American Hobbits. By the time we got to Gold Beach it was about 8PM, and we were feeling tired and hungry again. Gold Beach (originally Ellensburg and renamed after gold was found on a nearby beach), is not the most prepossessing of seaside towns – its known for its jet boat rides on the Rogue River and little else. The only reason we were stopping there was that we had found an interesting place to stay which conveniently broke our journey. This was the Tu Tu’ Tun Lodge, located some miles outside town on the Rogue River. The road to the lodge was impenetrably dark, somewhat narrow and fearsomely winding. On our right hand side there appeared to be some precipitous drops into we knew not what. This combination did not suit vast bulk of our Chevy Suburban particularly well. To increase our peril, every mile or so a deer would leap out into the road in front of us, seemingly tired of life. We were relieved to arrive at the lodge safely but found it to be extremely quiet; the main building was locked and deserted. Our keys were in envelopes outside. We inspected our rooms which were cabin style found them to be very well appointed with a good sized wood fire. A wood fire was all very well, but our thoughts at this point were on dinner.

Gold Beach

Oregon Coastal Highway I remembered that there was a small shop some miles back towards Gold Beach, so we set off towards the town. After a few more close calls with deer we came to the Rogue River Grocery and Tavern in the apparently invisible community of Agness. As we entered the grocery, lit with an eerie yellow light quite possibly not of this earth, I noticed a large and rather disreputable looking stuffed turkey in one corner. The head had been removed at some point and glued back on, with a visible white join. The tavern was out back and in near darkness; a lone drinker sat motionless in the dark. Reviewing our our choice of ingredients for dinner we found them be be rather limited and settled on a couple of tins of spam, some burger rolls and a copious amount of assorted beer. With the certainty of eating established, albeit not very well, we quizzed the store keeper about what dining options there might be in Gold Beach. He shook his head disapprovingly. “You won’t get anything in town at this time of night. It’s all shut up now.” He spoke to us as if we had rolled in at midnight expecting dinner, but actually it was only 8.30 in the evening.

Unsure that this assessment was sound, we headed into town and found the Sea Star to be open. The Sea Star was a local’s place, but friendly enough, though I was a little wary of the man who paced up and down the bar the entire time we were there. We some ordered bar snacks, but as they turned out to be rather insubstantial, we finished our drinks and headed back to the lodge. We lit the fire in my room and Nick cooked spam over the wood fire, which we ate in the burger rolls as we tucked into the beer. Surprisingly, this turned out to be a better supper than we had expected.

The next morning we awoke to the full glory of being out in the Oregon wilderness. The Tu Tu’ Tun Lodge really is in a beautiful location. It’s primary disadvantage for us is that it really is a very long way from Mexico. This was to be the big mileage day; we had to be cover the 408 miles to San Francisco, which Roadtrippers estimated at 7 hours 15 minutes. Somehow we also had to find time to stop at least a couple of times to see the giant Redwoods of Northern California. As soon as we hit the coast road we saw a succession of beautiful beaches. The beaches of the Oregon coast are long and wild. The forests come down close to the shoreline, and the shore is decorated with bleached white driftwood. Offshore, there are large rocks and sea stacks. In the soft early morning light they were quite breathtaking. Road tripping on the Oregon coast is often shaded by neighbouring California, but having travelled the length of the US West Coast I can honestly say that it was Oregon that impressed me most.

The Industrial Beauty of Gas Works Park

Posted on May 17, 2018August 10, 2021 by Nigel Williams

On the north shore of Lake Union, overlooking the skyline of downtown Seattle, a rusting collection of industrial era technology, partly overgrown and daubed with graffiti, forms the unlikely centre piece for Gas Works Park. I found myself there on a stop on an epic road trip from Vancouver to Tijuana with a small group of friends.

We were much taken by the Industrial Age monument, with its giant tanks, labrythine pipework and tall smokestacks, which now sits in green parkland. From a distance it looked to me like Howl’s Moving Castle. Closer, and out of its original context it has the air of a giant art installation. It is incredibly photogenic. I shot the accompanying picture with my Nikon Df using a circular polarising filter. The sun was just at the right angle to bring out a lot of contrast, and the clouds help give it a steam punk vibe.

Concrete train trestles greeted us at the park entrance. Part of the original 1906 gas plant, they apparently mark where the train tracks ended and coal was delivered, though as we had no idea what function they served at the time, they appeared completely abstract to us.

Reading up on the park after our visit, I was surprised to learn that during its productive life this was one of 1,400 coal gasification plants in the USA, converting superheated coal and crude oil into synthetic gas. Like a static Dr Who, it is now the sole survivor of its kind. It is also one of the earliest post-industrial sites to be transformed for public use through reclamation. Gas production ceased back in 1956 and the 19-acre site was acquired by the City in 1965, opening to the public 10 years later.

The story of its Gas Works Park usage starts with the arrival in Seattle of visionary landscape architect Richard Haag in 1958. An unsuccessful but well regarded finalist for another landscape project, he was subsequently awarded Gas Works. The idea of industrial buildings being preserved in parkland was unheard of in the 1950s. Unsurprisingly, there was considerable public debate about the site and its usage, but park supporters carried the day.

In addition to the Gas Works, the park features an artificial kite-flying hill created from on-site spoil. On the summit there is giant sundial constructed from glass, ceramics, and stone, where you can put your shadow to good use in telling the time.

As I mentioned earlier, my visit to Gas Works Park was on a stop on a West Coast road trip. Seattle’s weather was, as it is all too often, extremely wet. As the trip was at the beginning of April we were also subject to hail. Our one respite from bad weather there was the morning we visited the park – it was bright and sunny, though bitterly cold. We concluded that our trip to the park had been the highlight of our brief stop in Seattle. It is well worth a visit.

The Ruined Manor in the Lost Village of Hampton Gay

Posted on March 25, 2018February 16, 2023 by Nigel Williams

The village of Hampton Gay has largely disappeared, leaving only an isolated church and the picturesque ruins of an Elizabethan manor house. The remaining inhabitants reside in the farmhouse and cottages that line the last few yards of single track road; a mile long, single track spur that connects to the road from nearby Hampton Poyle and Bletchingdon. Once you pass though the pedestrian gate into the fields you can see the outlines of where Saxon dwellings once were from the humps in the grass.

Finding Hampton Gay

Hampton Gay Manor — Reflections at The Manor, Hampton Gay, 2018

Hampton Gay is an ancient spot and much of the surrounding farmland on the nearby circular walk undulates as a result of the use of the mould-board plough in medieval times. The best way to see it is to walk from Thrupp, a small village just north of Kidlington, and along the canal to Shipton-on-Cherwell. There you turn right across a bridge over the river Cherwell and arrive at Hampton Gay after a few minutes walk. It can also be reached by on a circular walk from the excellent Bell pub in Hampton Poyle.

By car you’ll need to take the single-track spur road. There are a few passing places but there is a blind bend just past Willowbrook Farm, so please drive slowly and carefully.

I’ve been visiting and photographing the ruin for many years with all kinds of cameras; a 1916 Kodak, a Rolleiflex 3.5F, a Leica M3 and late model film cameras such as the Nikon F6 and Hasselblad 203FE, as well as one or two digital models. The aspect of the ruins changes greatly according to the season and the light, which makes it well worth a return visit. You can find my photography galleries from those visits at the links below. Most of the shots are in the main gallery with smaller selections in the following two.

Village origins

The de Gay family were tenants of the two estates in Hampton Gay in the 12th and 13th centuries – the village name combines their surname with the Old English for a village or farm. The de Gays donated and sold land from the estate to various religious orders including the ill-fated Knights Templars, the Abbey of Osney, just outside Oxford’s west gate, and the Convent at Godstow.

The manor house at Hampton Gay

All the land owned by religious orders at Hampton Gay were forfeited after the Dissolution of the Monasteries. The crown sold the land into private ownership and in 1544 it was purchased by John Barry, a wealthy glover from Eynesham, who built the manor house. In 1682 the last of the Barrys mortgaged the manor and then sold it to Sir Richard Wenman of Caswell and in 1691 his widow Katherine sold the manor to William Hindes. It remained in the Hindes family until until 1798. The manor changed hands again in 1809 and 1849, and in 1862 was bought by Wadham College, Oxford.

The Manor House was constructed to the classic Elizabethan E-shaped plan with gabled wings and a crenellated central porch. The vertical line of the E was the main hall, and the horizontal end lines the kitchens and living rooms. The central line was the entry porch.

As late as 1870, the building was still largely original including oak panelling, though it had been neglected. By 1809 it was reported to be a ‘Gothic manor’ in a neglected state and in 1880s the house was divided into two tenements which were jointly occupied by a farmer and Messrs. J. and B. New, paper manufacturers. In 1887 it was gutted by fire and has never been restored.

Map of Hampton Gay 1833, Ordnance Survey — Ordnance Survey map of 1833 showing Hampton Gay, including the paper mill

Return of the Barrys

The manor returned to the Barry family in 1928 when Wadham college sold the ruin to Colonel S.L. Barry of Long Crendon, a descendant of the Barrys who built it. Colonel Barry (1873-1943) was a highly decorated soldier who served in the Boer War and World War One. His military appointments and civil posts included membership of His Majesty’s Bodyguard and The Honourable Corps of Gentlemen-at-Arms, Deputy Lieutenant of Oxfordshire, Justice of the Peace for Buckinghamshire, High Sheriff of Buckinghamshire and Lord of the Manor of Long Crendon, Bucks, and Hampton Gay, Oxon. Colonel Barry’s papers (now deposited at the Oxford History Centre) reveal that during the 1920s and 1930s he compiled research notes, photographs and transcribed deeds, covering the history of the manor and its ownership.

Two mills and three fires

There has been water mill at Hampton Gay on the River Cherwell since the 13th century. It was a grain mill until 1681 when it was converted into a paper mill. The nineteenth century was a particularly eventful time for the mill.

In 1812 continuous paper making equipment was installed. Between 1863 and 1873 it underwent reconstruction, but two years after that work was completed it was destroyed by fire. It was rebuilt and then re-re-roofed in 1876. By 1880 it had both a water wheel powered by the river and a steam engine and was capable of producing a ton of paper per day. It closed in 1887 after a second fire. That same year, a third fire consumed the manor house. After the fire at the manor, the owners sold the mill and its remaining stock to pay the rent. Some time after 1887 it was demolished. Some remains and waterways still remain.

The train crash

There were rumours that the manor was deliberately burned down for the insurance. More imaginatively, others claimed it was the result of a curse related to one of the worst train accidents to take place on the Great Western Railway. On Christmas Eve 1874, a Great Western express train from Paddington was derailed on the nearby Cherwell line. Thirty-four people died in the accident and sixty-nine were injured.

Among those coming to the aid of the victims was Sir Randolph Churchill, father of Sir Winston, from nearby Blenheim Palace. The paper mill was used as a temporary mortuary, and the church a refuge against the bitter cold until a train arrived to take the injured to the Radcliffe Infirmary and the other survivors to Oxford hotels. According to the story, the residents of the manor house refused shelter to the victims and the curse was retribution for this.

The Inquest

Hampton Gay Manor House was used to hold the inquest which opened two days after the accident. The bodies of the accident victims were held at the paper mill for identification and the wreckage was also examined. After the inquiry moved to Oxford the inquest found a tyre failure and braking problems to be the cause.

The agrarian revolt

Hampton Gay is known for its villager’s part in the unsucessful agrarian, or Oxfordshire rising, rising of 1596. The Barrys enclosed land at Hampton Gay for sheep pasture. The villagers, unable to till the land for their own produce, faced starvation and many joined a revolt. The plan was for the villagers to come together to murder Barry and his daughter, but this was foiled when the village carpenter turned informant. One of the ringleaders from the village received the barbaric sentence of being hanged, drawn and quartered. Subsequently, the Government recognised the cause of the rebels’ grievance and the Tillage Act of 1597 enabled the land to be ploughed and cultivated once again.

The church of St. Giles

Hampton Gay St. Giles Church — St. Giles Church, Hampton Gay

The church of St. Giles now stands in picturesque isolation not far from the ruin of the manor house. It has never had electricity and is lit by candle light. Evidence of its existence dates to 1074 and it was granted to Oseney Abbey by the de Gay family about century later.

By the time of the dissolution it fallen into disrepair after which it became a free chapel, funded by the owners of the Manor. It was completely rebuilt in the eighteenth century in Georgian style by the owners and re-modelled in the nineteenth century using the Early English Gothic and Norman revival styles. Nothing remains of the medieval building except the cross on one of the gables and the reused battlements of the square tower. One of St. Giles’ two bells is from the mid-13th-century and is one of the oldest in the country.

Fluctuating fortunes

Hampton Gay’s population has fluctuated over the years in line with its fortunes. In the fourteenth century it had between nine and twelve taxpayers. In the fifteenth century it was exempted from taxation because there were fewer than ten resident householders. The Compton Census recorded twenty-eight adults in 1676. The population increased during the late 18th century – in 1811 there were seventeen families crowded into thirteen houses. The peak was reached in 1821, with eighty-six inhabitants, After the fire and mill closure in 1887 the population fell to thirty and by 1955 there were only fourteen parishioners. Hampton Gay ceased to be a separate civil parish in 1932 when it was merged with Hampton Poyle.

A strange occurrence

I updated this article, adding the Hampton Gay photo gallery, in June 2020. That week I came across a post that mentions a photographer observing something out of the ordinary at the ruin. I found that was curious and a little spooky, as I had seen exactly the same thing a few days previously, but never before. It was a heavy piece of black cloth, like a curtain, hanging from a second floor window and moving in the wind. It was only in view for a few seconds and I wasn’t able to photograph it, though the other photographer did. The black cloth later revealed itself to be a tarpaulin.

Renovation attempts

The lights are on, but no one is home 2020. A trick of the light illuminates a window.

There have been several proposals to renovate the Manor. The earliest of these came in 1901 from the distinguished architect T.G. Jackson, famous for his remodelling of Victorian Oxford and whose work includes the iconic Bridge of Sighs.

In 1975 Jiri Fenton, of Oxford University’s department of experimental psychology, purchased the building from Colonel Barry’s daughter. His intention was to restore the Manor as a thank you to the nation for providing him a home when he fled the Nazis in 1939. His attempts failed due to “crippling inflation and Government red tape”, according to the Oxford Mail.

In 2010 Christopher Buxton, whose company Period and Country Houses restored and sub-divided English country houses, submitted plans to create a five-bedroom home within a concrete envelope that would support the original walls. He had also submitted plans four years previously, but neither plans proceeded.

Scheduled Monument

Today, the manor is a Grade II listed building and a scheduled monument in the designated site of ‘The deserted village of Hampton Gay’. Historic England have placed the ruins on its register of historic buildings at risk where it is described as:

Ruins of late C16 manor house which burnt down in 1887 in very poor condition suffering from structural problems and with substantial vegetation growth. A programme of consolidation works needs to be agreed and implemented and management as a ruin is required.

Pre Fire Record

Hampton Gay — The ruins of the Manor from Thrupp, 2023 (Nikon F6, 400mm lens)

Some images of the manor before the fire survive. The architect John Chessell Buckler (1793-1894) recorded many historic buildings in great detail, especially in Oxford and Oxfordshire. This included a fine drawing of the Manor at Hampton Gay in 1822 The original is now in the Bodleian Library. There is also a steel engraving by Joseph Skelton in Skelton’s Oxfordshire.

Update – 2022

The winter of 2021 saw a noticeable decline in the fabric of the Manor. The large chimney stack on the West side of the building fell some time between late January and early April 2022 and new stone falls are visible inside the shell of the ruin. It is now possible to see right through the remains in several places. The remaining chimney also appears to be listing more noticeably. The ruined manor is still beautiful, but it is a very fragile beauty.

The surroundings are also changing, with renovation of one of the old outbuildings and construction of new stone buildings. The work has been done sensitively and looks to be of a high standard but the surroundings of the manor no longer have the aspect of deserted parkland they once had.

Hampton Gay Today

The village of Hampton Gay is enjoying a resurgence in traditional (organic and natural) small scale farming. Manor Farm (whose ownership includes the ruins) and Willowbrook Farm are both passionate advocates for this and their efforts have boosted the population of the hamlet.

One of the English Longhorns that graze at Hampton Gay, shot with a medium format Pentax 645 nII

Manor Farm keeps a herd of English Longhorns who graze in the fields adjacent to the manor and sometimes on the banks of the Cherwell. Though the large curved horns that frame their faces make them look fearsome they are actually rather docile. The breed has a fascinating history. It became endangered until rescued in 1980 by the Rare Breeds Survival Trust. Since then, Longhorns have made a dramatic, and welcome, comeback.

Hampton Gay remains one of the most picturesque spots in Oxfordshire, set in a landscape that is ideal for country walks. The Bell in the nearby village of Hampton Poyle is an excellent hostelry to stop at for food en route or afterwards. There are three circular walks from The Bell, one of which goes to Hampton Gay. The walk is described as a ‘stroll across the meadows to an isolated church and ruined 16th-century manor house.’ and takes about 2 hours.

The Beauty of the Long Exposure

Posted on May 10, 2015August 10, 2021 by Nigel Williams

Road to nowhere - the beauty of the long exposure I have seen some astonishing black and white photography that uses very strong neutral density (ND) filters such as the B+W ND 110 to blur cloud movement using a long exposure. I wanted to get some shots with the same effect into my portfolio. The B+W 110 is not for the faint hearted because it is so black the camera typically can’t meter or focus through it, but I’ve tried lesser NDs and they are just not strong enough for the full effect. The real full on long exposure effect can be stunning, and I obtained reasonably pleasing results on the shoot, so I’m going to keep going. The picture on the left is entitled ‘The Road to Nowhere’ and is a small road that runs just off the A41 between Aylesbury and Bicester towards Brill, where I also shot that day. After some experimentation I found the following to work quite well:

Ideally you should shoot on a cloudy day with strong winds so that you can capture the movement as a blur. The direction and speed of movement of the clouds is of interest as movement across the frame versus towards or away from you look quite different.
Set up your camera on a tripod. Make sure it is really secure, especially if you are in a high wind. If you have a strap attached to the camera make sure it is not flapping about. Ideally you should be using a cable release or remote to release the shutter.
Compose a test shot without the filter, in aperture priority mode – setting the desired aperture, which will typically be small (I mainly used f16). Typically you will want to set a low ISO, shoot using Raw and disable lens vibration reduction as it is not helpful on a tripod.
Focus using auto focus and take note of the shutter speed.
Next, screw in your B+W 110 10 stop neutral density filter, and switch to manual focus and manual mode.
In Manual mode set the shutter speed to 1000 times the shutter speed of the meter reading for the test shot, keeping the same aperture setting and using the bulb setting if necessary.
Take the shot and look at the result. Adjust the shutter setting as desired until you get the exposure you want.
Take off the ND filter, flip back to aperture mode and autofocus and take a bracket of 3 shots that can be used with the long exposure to create a properly exposed image.